Electro-acoustic

Ilhan Mimaroglu – Sing Me a Song of Songmy

Style: Avant-Garde Classical, Electro-Acoustic, Tape Music, Creative Music, Third Stream

Vibes: Ominous, Sombre, Anxious, Cinematic, Dystopian, Surreal, Poetic, Chaotic, Cold, Complex, Eclectic, Exploratory

Themes: Political, Colonialism, War, Death, Liberation, History

Musical Qualities: Orchestral, Collage, Polyphonic, Dynamic, Spoken Word, Dense, Progressive, Sampling, Choral, Improvisation

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Maria BC – Spike Field

Style: Dream Folk, Experimental Songwriter, Ambient-Folk

Vibes: Ethereal, Melancholy, Hazy, Intimate, Soothing, Haunting, Dreamy, Autumnal, Cryptic, Tender, Mellow, Reflective, Mysterious, Nocturnal, Flowing

Musical Qualities: Soft, Glitchy, Atmospheric, Lyrical, Electro-Acoustic

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Murcof – Remembranza

Styles: Chamber Ambient, Dark Ambient, Glitch, Ambient Techno

Vibes: Nocturnal, Brooding, Eerie, Mysterious, Cinematic, Dark, Desolate, Hypnotic, Melancholy, Mournful, Mysterious, Ominous, Shadowy, Sombre, Suspenseful

Musical Qualities: Micro-Sampling, Electro-Acoustic, Glitchy, Atmospheric, Instrumental, Orchestral, Beats

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Bon Iver – 22, a Million

Style: Glitch-Pop, Art Pop, Singer/Songwriter

Vibes: Cryptic, Surreal, Mechanical, Mystical, Existential, Knotty, Warm, Alienation, Bittersweet, Futuristic, Anthemic

Musical Qualities: Glitchy, Catchy, Sampling, Distorted, Vocal Manipulation, Dense, Melodic, Electro-Acoustic, Lush, Vocal Harmonies, Digital Production

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John Fahey – Sea Changes & Coelacanths

4LP Box Set including the albums “Womblife”, “Georgia Stomps, Atlanta Struts, and Other Contemporary Dance Favorites”, and
“Hard Time Empty Bottle Blues”

Style: Avant-Folk, Free-Folk, Ambient Blues, American Primitivism, Tape Music

Vibes: Haunting, Nocturnal, Murky, Brooding, Eerie, Aquatic, Bluesy, Woozy, Raw, Meditative

Musical Qualities: Instrumental, Sparse, Improvisation, Collage, Vignettes, Suite, Electro-acoustic, Live

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Daniel Bachman – When the Roses Come Again

Style: Avant-Folk, Ambient Americana, Free-Folk, American Primitivism

Vibes: Meditative, Personal, Morning, Pastoral, Earthy, History, Hypnotic, Summer, Nature, Soothing

Musical Qualities: Collage, Electro-Acoustic, Glitchy, Suite, Vignettes, Instrumental, Sampling, Studio-as-an-Instrument, Atmospheric

Instrumentation: Banjo, Acoustic Guitar, Mouthbow, Fiddle, Homemade Instruments, Harmonium, Bell

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Califone – Villagers

Style: Weird Americana, Folk-Rock, Singer/Songwriter

Vibes: Cryptic, Autumnal, Warm, Rural, Sardonic, Observational, Apathetic, Mellow, Peaceful, Playful. Twangy

Musical Qualities: Lush, Loops, Electro-Acoustic, Percussive, Melodic, Lyrical, Studio-as-an-Instrument

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David Sylvian – Blemish

featuring Derek Bailey & Fennesz

Style: Experimental Songwriter, Electroacoustic, Reductionism

Vibe: Lonely, Winter, Reflective, Sombre, Cold, Breakup, Depressive, Surreal, Meditative, Desolate

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Soft, Dissonant

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Michael O’Shea

Style: Avant-Folk, Post-Minimalism

Moods: Hypnotic, Mysterious, Meditative, Ritualistic, Nocturnal, Haunting, Ethereal

Musical Qualities: Pulse, Homemade Instrument, Minimalistic, Solo, Improvisation, Repetitive, Electro-Acoustic, Extended Technique, Sparse

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Derek Monypeny – Cibola

Style: “Desert Continuum”, Psychedelic Drone, Free Improvisation, Avant-Folk

Moods: Desert, Ritualistic, Spiritual, Meditative, Hallucinogenic, Nocturnal

Musical Qualities: Droney, Electro-acoustic, Solo Improvisation, Noisy, Instrumental

Instrumentation: Shahi Baaja, Electric Guitar, Autoharp

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Tortoise – Rhythms, Resolutions & Clusters

Tracks from Tortoise’s debut LP remixed by Bundy K. Brown, John McEntire, Jim O’Rourke, Steve Albini, Mike Watt, Brad Wood, Rick Brown, Casey Rice

Styles: Ambient Dub, Electroacoustic, Electronic, Post-Rock

Moods: Deconstructed, Futuristic, Meditative, Mechanical, Cold, Open, Abstract, Airy, Eclectic, Mysterious, Peaceful, Spacey

Musical Qualities: Remix, Atmospheric, Sparse, Sampling, Loops, Instrumental, Electro-Acoustic

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ONO – Red Summer

Styles: Industrial-Gospel, Dub Poetry, No Wave, Experimental

Moods: Visceral, Dystopian, Disturbing, Haunting, Surreal, Aggressive, Mechanical, Heavy, Deconstructed, Vulgar, Cerebral, Conscious, Dark, Ominous, Shadow

Themes: Racism, History, Philosophy, Sex

Musical Qualities: Noisy, Spoken Word, Dub, Sampling, Rhythmic, Studio-as-an-Instrument, Dissonant

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Dengue Dengue Dengue – Zenit & Nadir

Styles: Digital Cumbia, Organic Beat Music, Psychedelic Electronic

Moods: Brooding, Earthy, Intertwined, Shadowy, Dancing, Determined, Tribal, Complex, Mystical, Hypnotic, Mechanical, Ominous, Rootsy, Haunting, Dark, Knotted, Mysterious, Ritualistic, Futuristic

Musical Qualities: Polyrhythmic, Percussive, Loops, Progressive, SpokenWord, Electro-Acoustic, Sampling

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Ka Baird – Respires

Style: EAI, Post-Minimalism, Psychedelic Experimental

Moods: Earthy, Visceral, Hallucinogenic, Tangled, Hypnotic, Surreal, Knotty, Intertwined

Musical Qualities: Electro-Acoustic, Pulse, Experimental Vocalizations, Improvisation, Repetitive

Instrumentation: Flute, Vocals & Keyboards, all processed through stereo delay effects

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Joshua Burkett – Gold Cosmos

featuring PG Six, Chris Corsano, Ben Chasny, Dredd Foole, Matt Moran, Matt Valentine, etc

Style: Loner Folk, Free Folk, Lo-Fi Psych

Moods: Introspective, Surreal, Shadowy, Nocturnal, Intimate, Haunting, Whispery, Eerie, Imaginative, Loner, Psychedelic

Musical Qualities: Suite, Home Recording, Lo-Fi, Raw, Droney, Electro-Acoustic, Atmospheric, Dissonant

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The Futuristic Folk of The Tower Recordings [Vol. 1 & 2]

These ceremonial meanderings are the interrupted transmissions of campfire songs picked up by intergalactic satellites. Past and future collapse as old-timey banjo melodies fade into squiggly synthesizers and lo-fi electronics. Distant harmonicas sink behind thick fogs of ghostly whirring, while warped slide guitar, drone fiddle and echo percussion bubble through the folky primordial soup

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Medicine Singers

Featured Musicians: Joe Rainey, jaimie branch, Laraaji, Thor Harris, Ryan Olsen, Ikue Mori

Style: Algonquian & Pocasset Powwow Music, Neo-Psychedelia

Moods: Ceremonial, Communal, Cathartic, Colorful, Spiritual, Intense, Tribal, Ritualistic

Musical Qualities: Percussive, Chants, Collage, Electro-Acoustic, Rhythmic

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Joe Rainey – Niineta

Style: Post-Industrial Powwow Music, Experimental Electronic

Mood: Communal, Ritualistic, Cathartic, Spiritual, Passionate, Mournful, Epic

Musical Qualities: Chants, Manipulated Vocals, Distorted, Electroacoustic, Studio-as-an-Instrument, Percussive, Noisy

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Björk – Fossora

Styles: Progressive Pop, Post-Industrial Chamber Music, IDM, Gabber, Deconstructed Club

Moods: Earthy, Knotty, Sensual, Futuristic, Surreal, Romantic, Mystical, Passionate, Messy, Hallucinogenic, Intense, Forest, Eccentric, Epic, Tribal

Musical Qualities: Polyphonic, Dense, Dynamic, Complex, Glitchy, Progressive, Uncommon Time Signatures, Electro-Acoustic

Instrumentation: Digital Programming, Woodwinds (Bass Clarinet, Oboe, Clarinet), Strings, Choral Vocals

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Kee Avil – Crease

Style: Experimental Songwriter, Glitch, Minimal Industrial

Moods: Ominous, Mechanical, Brooding, Cold, Lonely, Anxious, Apathetic, Cryptic, Depressive, Eerie, Existential, Moody, Shadowy, Bitter

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Polyrhythmic, Dissonant, Spoken Word, Digital, Dynamic

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Jessica Moss – Galaxy Heart

Styles: Chamber Drone, Electro-Acoustic, Free Improvisation, Post-Rock

Moods: Apocalyptic, Sombre, Cathartic, Nature, Exploratory, Spiritual, Angsty, Anthemic, Aquatic, Brooding, cathartic, Heartfelt, Mournful, Spiritual

Musical Qualities: Improvisation, Droney, Electro-Acoustic, Thematic, Repetitive, Loops, Fuzzy

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Old Fire – Voids

features vocals from Bill Callahan, Emily Cross (Loma), Adam Torres, & Julia Holter

Style: Haunted Folk, Ambient Americana, Southern Gothic

Moods: Desolate, Bleak, Haunting, Western, Cinematic, Stark, Sombre, Rustic, Melancholy, Brooding, Contemplative, Depressive, Nocturnal, Alienation, Dystopian, Impressionistic, Lonely, Moody, Mournful, Mythic, Noir, Personal

Musical Qualities: Suite, Atmospheric, Slow, Sampling, Electro-acoustic, Droney

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John Surman – Upon Reflection

Style: Post-Minimalism, Ambient Jazz, Folk-Jazz, ECM Style

Moods: Meditative, Pastoral, Futuristic, Mysterious, Impressionistic, Hypnotic, Soothing, Searching

Musical Qualities: Electro-Acoustic, Minimalist, Instrumental, Pulse, Solo

Instrumentation: soprano saxophone, baritone saxophone, bass clarinet, synthesizer

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Anteloper – Pink Dolphin

Style: Jazz Fission, Psychedelic Jazz, Abstract Groove

Moods: Aquatic, Cosmic, Colorful, Futuristic, Triumphant, Mysterious, Playful, Exploratory, Surreal, Impressionistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Studio-as-an-Instrument, Complex, Rhythmic

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Raum – Daughter

Grouper & Jefre-Cantu Ledesma

Style: Ambient, Drone

Moods: Plaintive, Autumnal, Soothing, Mournful, Nocturnal, Washy, Hazy, Melancholy, Haunting

Musical Qualities: Electroacoustic, Field Recordings, Noisy, Lo-fi, Atmospheric, Soft, Slow, Studio-as-an-Instrument

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Joseph Shabason – Anne

Style: New Age, Ambient Jazz, Progressive Electronic

Vibe: Healing, Woozy, Personal, Ethereal, Soothing, Intimate, Hypnotic, Mellow

Musical Qualities: Atmospheric, Spoken Word, Soft, Slow, Electroacoustic, Field Recordings, Studio-as-an-Instrument

Instrumentation: Saxophone (w/ FX), Synthesizers, Piano, Electric Guitar, Percussion, Violin, Trumpet, Flute

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Anteloper – Kudu

Style: Cyber-Jazz, Abstract Groove, Avant-Garde Jazz

Vibe: Futuristic, Menacing, Exploratory, Kinetic, Ominous, Spacey, Energetic, Colorful, Surreal, Suspenseful, Adventure

Musical Qualities: Duo Improvisation, Thematic, Instrumental, Electro-Acoustic, Percussive, Rhythmic, Atmospheric

Instrumentation: Trumpet, Drums, Synthesizers, Electronics

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Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

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Eli Keszler – Stadium

Style: EAI (electroacoustic improvisation), Future Jazz

Vibe: Futuristic, Kinetic, Urban, Abstract, Impressionistic, Meditative, Suspenseful, Mysterious, Complex

Musical Qualities: Percussive, Electroacoustic, Polyrhythmic, Field Recordings, Instrumental, Improvisation (Solo), Odd Time Signatures, Studio-as-an-Instrument

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The Same – The Same

LP, Originally released in 1981 by Unlikely Records Freedom to Spend Reissue (2021) Style: Ambient Pop, Experimental Home Recording, Minimal Wave Vibe/Mood: Aquatic, Nocturnal, Hypnotic, Impressionistic, Moody, Intertwined, Dreamy, Headphone album Musical Qualities: Loops, Home Recording, Atmospheric, Percussive, Polyphonic, Pulse, Electro-Acoustic Instrumentation: electric guitar, casio vl-tone, vocals, marimba, electric bass, acoustic guitar, digital organ

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Ilyas Ahmed & Jefre Cantu-Ledesma – You Can See Your Own Way Out

Style: Drone, Tape Music, Ambient, Drone-Folk

Vibe: Nocturnal, Haunting, Hypnotic, Ethereal, Meditative, Warm, Nature, Nostalgia

Musical Qualities: Sound Collage, Instrumental, Field Recordings, Collage, Electro-Acoustic, Noisy, Home Recording, Vignettes

Instrumentation: Tapes, Acoustic & Electric Guitars, Piano, Drum Machine, Synthesizers, Bass, Keyboard, Percussion, Bass Clarinet (B2)

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The Underflow – Instant Opaque Evening

Personnel:
David Grubbs (Electric Guitar, Vocals)
Rob Mazurek (Piccolo Trumpet, Electronics, Wooden Flute, Percussion, Voice)
Mats Gustafsson (Flute, Fluteophone, Baritone Saxophone, Live Electronics)


Style: Electroacoustic Improvisation, Future Jazz, Experimental Songwriter (B1,

Vibe: Suspenseful, Futuristic, Abstract, Spacious, Cerebral, Eclectic, Exploratory, Open, Patient, Cathartic, Ritualistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Percussive, Noise, Atonality, Dissonance, Dynamic, Live, Atmospheric

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Califone – Heron King Blues [Deluxe]

Style: New Weird Americana, Warped Folk Rock, Psych Folk

Vibe: Twangy, Cryptic, Mythic, Surreal, Mysterious, Rustic, Mellow, Warm, Rootsy

Musical Qualities: Percussive, Loops, Electro-Acoustic, Rhythmic, Studio-as-an-Instrument, Improvisation

Instrumentation: Acoustic Guitar, Banjo, Percussion, Organ, Piano, Vocals, Electronics, Cello, Electric Guitar, Pump Organ, Bass

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Sarah Louise – Earth Bow

Style: Free Folk, Cosmic Appalachia, Ambient Folk, Healing Music

Vibe: hypnotic, amorphous, confident, cosmic, dreamy, earthy, ethereal, existential, exploratory, forest, warm, spiritual, spontaneous, soothing, psychedelic, passionate, nature, meditative, hallucinogenic

Musical Qualities: Suite, Electro-Acoustic, Studio-as-an-instrument, Loops, Home Recording, Progressive, Field Recordings

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Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

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Gogoj – Oviparity

Style: Experimental, Electro-Acoustic, Noise, Drone
Vibe: Eerie, Noisy, Suspenseful
Musical Attributes: Atmospheric, Electro-acoustic, Improvisation (Solo), Dynamic, Atonal, Loops
Instrumentation: Electric Cello with Effects

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Spires that in the Sunset Rise – Psychic Oscillations [Review]

Psychedelic electro-acoustics and earthy minimalism from long-running avant-folk group Spires that in the Sunset Rise. The multi-instrumentalist duo of Ka Baird and Taralie Peterson ritualistically loop and layer a hypnotic tapestry of pre-verbal vocalizations, upright bass, flute, saxophone, synth, and autoharp, running each instrument through trippy stereo delays, visually represented by the two minute-apart clocks next to each other on the album cover. While not as witchy or jarring as the their early releases, Psychic Oscillations finds the band as entrancing as ever.

Spires that in the Sunset Rise – Psychic Oscillations [Review] Read More »

The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

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James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

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Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

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Senyawa – Sujud

Style: Doom-Folk, Indonesian Folk Music, Avant-Folk

Moods: Apocalyptic, Spiritual, Earthy, Dark, Ominous, Nocturnal, Ritualistic, Tribal, Hypnotic

Musical Qualities: Throat Singing, Homemade Instruments, Droney, Noisy, Electro-Acoustic, Repetitive, Dense, Heavy

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