Sparse

Keiji Haino / Jim O’Rourke / Oren Ambarchi – With Pats on the Head, Just One Too Few Is Evil One Too Many Is Good That’s All It Is

On their twelfth live recording, the electrifying power trio continues to expand the vocabulary of their improvised sonic sorcery. One LP of mysterious duo invocations, followed by two LPs of primordial free rock. Through concentrated force and harnessed chaos, the trio patiently pushes primordial riffs to their noisiest, most visceral limits, striving to become the sound itself.

Keiji Haino / Jim O’Rourke / Oren Ambarchi – With Pats on the Head, Just One Too Few Is Evil One Too Many Is Good That’s All It Is Read More »

Cassia Streb – Marginal Habitats

Style: EAI, Reductionism

Vibes: Meditative, Desert, Ecological, Desolate, Meandering, Lonely, Contemplative, Morning, Intimate, Lethargic, Primordial, Raw, Restrained

Musical Qualities: Graphic Score, Sparse, Slow, Soft, Instrumental, Improvisation, Dissonant, Electro-Acoustic

Instrumentation: Field Recording, Viola, Small Objects

Cassia Streb – Marginal Habitats Read More »

Marion Brown – Duets

Compilation of two duo records:
“Creative Improvisation Ensemble” recorded with Wadada Leo Smith in 1970
“Soundways” recorded with Elliott Schwartz in 1973

Style: Creative Music, Free Improvisation, Avant-Garde Jazz

Vibes: Open, Suspenseful, Abstract, Deconstructed, Intertwined, Restrained, Searching, Spontaneous

Musical Qualities: Dynamic, Poly-Free Improvisation, Atonal, Percussive, Slow, Sparse, Instrumental

Marion Brown – Duets Read More »

Joseph Allred – Hoddmímis Holt

Style: Appalachian Folk Music, American Primitivism

Vibes: Rootsy, Spiritual, Warm, Passionate, Meditative, Religious, Storytelling, Sentimental, spiritual, storytelling

Musical Qualities: Acoustic, Traditional, Lyrical, Droney, Open Tunings, Solo, Sparse

Instrumentation: Vocals, Harmonium, Acoustic Guitars (6- & 12-String), Autoharp, Piano, Banjo

Joseph Allred – Hoddmímis Holt Read More »

John Fahey – Sea Changes & Coelacanths

4LP Box Set including the albums “Womblife”, “Georgia Stomps, Atlanta Struts, and Other Contemporary Dance Favorites”, and
“Hard Time Empty Bottle Blues”

Style: Avant-Folk, Free-Folk, Ambient Blues, American Primitivism, Tape Music

Vibes: Haunting, Nocturnal, Murky, Brooding, Eerie, Aquatic, Bluesy, Woozy, Raw, Meditative

Musical Qualities: Instrumental, Sparse, Improvisation, Collage, Vignettes, Suite, Electro-acoustic, Live

John Fahey – Sea Changes & Coelacanths Read More »

Abdul Wadud – By Myself

Style: Free-Improvisation, Chamber-Jazz, Spiritual Jazz

Vibes: Contemplative, Searching, Autumnal, Intimate, Elegant, Free, Spiritual, Meditative, Bittersweet, Mysterious, Hypnotic, Passionate, Pastoral

Instrumentation: Cello

Musical Qualities: Improvisation, Solo, Instrumental, Sparse

Abdul Wadud – By Myself Read More »

Paul Bley Trio – Closer

Paul Bley (Piano); Steve Swallow (Upright Bass); Barry Altschul (Drums)

Style: Post-Bop, Avant-Garde Jazz

Vibes: Mysterious, Playful, Impressionistic, Exploratory, Reflective, Intimate, Morning

Musical Qualities: Sparse, Acoustic, Improvisation, Instrumental, Lo-Fi

Paul Bley Trio – Closer Read More »

David Sylvian – Blemish

featuring Derek Bailey & Fennesz

Style: Experimental Songwriter, Electroacoustic, Reductionism

Vibe: Lonely, Winter, Reflective, Sombre, Cold, Breakup, Depressive, Surreal, Meditative, Desolate

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Soft, Dissonant

David Sylvian – Blemish Read More »

Exhaust – Enregistreur

Style: Post-Rock, Avant-Dub, Experimental

Vibe: Mechanical Decay, Deconstructed, Urban, Cold, Dystopian, Desolate, Winter, Melancholy

Musical Qualities: Atmospheric, Dub, Rhythmic, Instrumental, Sampling, Slow, Noisy, Repetitive, Analogue

Instrumentation: Drums, Tapes, Bass Clarinet, Electric Bass, Electric Guitar

Exhaust – Enregistreur Read More »

Daniel Higgs – Say God

Style: Mystical Folk, Devotional Poetry, New Age

Moods: Poetic, Mystical, Devotional, Spiritual, Meditative, Surreal, Eccentric, Cosmic, Ecstatic, Utopian

Musical Qualities: Mantra, Spoken Word, Acoustic, Sparse, Improvisation

Instrumentation: Voice, Banjo, Sruti Box, Harmonium

Daniel Higgs – Say God Read More »

Michael O’Shea

Style: Avant-Folk, Post-Minimalism

Moods: Hypnotic, Mysterious, Meditative, Ritualistic, Nocturnal, Haunting, Ethereal

Musical Qualities: Pulse, Homemade Instrument, Minimalistic, Solo, Improvisation, Repetitive, Electro-Acoustic, Extended Technique, Sparse

Michael O’Shea Read More »

Tortoise – Rhythms, Resolutions & Clusters

Tracks from Tortoise’s debut LP remixed by Bundy K. Brown, John McEntire, Jim O’Rourke, Steve Albini, Mike Watt, Brad Wood, Rick Brown, Casey Rice

Styles: Ambient Dub, Electroacoustic, Electronic, Post-Rock

Moods: Deconstructed, Futuristic, Meditative, Mechanical, Cold, Open, Abstract, Airy, Eclectic, Mysterious, Peaceful, Spacey

Musical Qualities: Remix, Atmospheric, Sparse, Sampling, Loops, Instrumental, Electro-Acoustic

Tortoise – Rhythms, Resolutions & Clusters Read More »

Kee Avil – Crease

Style: Experimental Songwriter, Glitch, Minimal Industrial

Moods: Ominous, Mechanical, Brooding, Cold, Lonely, Anxious, Apathetic, Cryptic, Depressive, Eerie, Existential, Moody, Shadowy, Bitter

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Polyrhythmic, Dissonant, Spoken Word, Digital, Dynamic

Kee Avil – Crease Read More »

Joan Shelley – Over and Even

Style: Folk, Singer/Songwriter

Vibe: Morning, Reflective, Soothing, Gentle, Bittersweet, Warm, Mellow, Contemplative

Musical Qualities: Acoustic, Lush, Soft, Vocal Harmonies, Melodic, Sparse, Polished Production

Instrumentation: Fingerstyle Acoustic Guitar, Banjo, Piano, Harmonium, Glockenspiel, Keyboards

Joan Shelley – Over and Even Read More »

Marion Brown – Afternoon of a Georgia Faun

featuring Chick Corea, Anthony Braxton, Bennie Maupin, Andrew Cyrille, etc…

Style: Modern Creative, Avant-Garde Jazz

Vibe: Mysterious, Suspenseful, Nature, Abstract, Surreal, Kinetic, Visceral, Earthy, Swirling, Pastoral (Side A)

Musical Qualities: Collective Improvisation, Dynamic, Sparse, Acoustic, Atonal, Experimental Vocals, Extended Techniques, Dissonant, Percussive, Homemade Instrument

Marion Brown – Afternoon of a Georgia Faun Read More »

Jack DeJohnette – Have You Heard?

Recorded in Tokyo with regular collaborators Gary Peacock and Benny Maupin, plus amazing local pianist Hideo Ichikawa, “Have You Heard?” is an interesting & exploratory record from master drummer Jack DeJohnette. Two shorter cuts of nocturnal modal-jazz bookend a pair of longer, abstract pieces that recall the “modern creative” improvisations coming out of Chicago.

Recommended for fans of Miles Davis’ Nefertiti as well as the works of Art Ensemble of Chicago

Jack DeJohnette – Have You Heard? Read More »

Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

Robert Wyatt – Old Rottenhat Read More »