Dissonant

Cassia Streb – Marginal Habitats

Style: EAI, Reductionism

Vibes: Meditative, Desert, Ecological, Desolate, Meandering, Lonely, Contemplative, Morning, Intimate, Lethargic, Primordial, Raw, Restrained

Musical Qualities: Graphic Score, Sparse, Slow, Soft, Instrumental, Improvisation, Dissonant, Electro-Acoustic

Instrumentation: Field Recording, Viola, Small Objects

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Scalpy + Meanstreetz

Style: Free Improvisation, Experimental, Noise Rock

Vibes: Ecstatic, Visceral, Hypnotic, Somatic, Abstract, Passionate, Cathartic, Liberatory

Musical Qualities: Noisy, Percussive, Repetitive, Improvisation, Dissonant

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Ut – In gut’s House

Style: No Wave, Post-Punk, Experimental Rock, Noise Rock

Vibes: Angsty, Visceral, Hypnotic, Urban, Intertwined, Aggressive, Dystopian, Brooding, Cathartic, Cryptic, Dark, Moody, Ominous, Passionate, Raw

Musical Qualities: Noisy, Dissonant, Vocal Harmonies, Heavy, Lo-Fi

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Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

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El-P – Fantastic Damage

featuring Aesop Rock, Vast Aire, DJ Abilities, Cage, Ill Bill, Camu Tao, Rob Sonic, Mr. Lif, C-Rayz Walz, Nasa

Style: Hip-Hop [Experimental, Hardcore, Industrial, East Coast, Abstract]

Vibes: Rebellious, Dystopian, Futuristic, Urban, Sarcastic, Rebellious, Aggressive, Chaotic, Surreal, Angry, Industrial, Confident, Political, Science Fiction, Energetic, Sexual, Colorful, Messy, Apocalyptic, Disturbing, Raw

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Art Bears – Winter Songs

Fred Frith, Chris Cutler, Dagmar Krause

Style: Rock in Opposition, Avant-Prog, Tape Music, Chamber Rock

Vibes: Dystopian, Sombre, Winter, Ominous, Anxious, Cold, Disturbing, Knotty, Suspenseful, Theatric, Eccentric

Musical Qualities: Dissonant, Complex, Uncommon Time Signatures, Extended Technique, Loops, Technical, Progressive, Studio-as-an-Instrument

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Alan Silva and His Celestrial Communication Orchestra – Luna Surface

featuring Leroy Jenkins, Archie Shepp, Malachi Favors, Anthony Braxton, Grachan Moncur III, Dave Burrell, Claude Delcloo, Kenneth Terroade, Bernard Vitet, Berb Guérin

Style: Free Space Music, Cosmic Jazz, Avant-Garde Big Band

Vibe: Intense, Chaotic, Bombastic, Ecstatic, Free, Cosmic, Hypnotic, Raw, Communal, Apocalyptic

Musical Qualities: Conducted Improvisation, Dense, Atonal, Dissonant, Acoustic

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David Sylvian – Blemish

featuring Derek Bailey & Fennesz

Style: Experimental Songwriter, Electroacoustic, Reductionism

Vibe: Lonely, Winter, Reflective, Sombre, Cold, Breakup, Depressive, Surreal, Meditative, Desolate

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Soft, Dissonant

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Ornette Coleman – Of Human Feelings

tyle: Free-Funk, Jazz Fission, Mutant Disco, No Wave, Abstract Groove

Vibe: Surreal, Kinetic, Angular, Knotted, Playful, Manic, Groovy, Energetic

Musical Qualities: Harmolodic, Polyphonic, Rhythmic, Dissonant, Dense, Instrumental, Collective Improvisation, Technical

Prime Time Band: Jamaaladeen Tacuma (Electric Bass); Denardo Coleman (Drums); Bern Nix (Guitar); Charlie Ellerbee (Guitar); Calvin Weston (Drums)

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Henry Cow – Unrest

On their second LP, Henry Cow weaves together elements of eerie chamber music, free improvisation, and deconstructed prog to create something that seems like the missing link between the Canterbury jazz-rock of Soft Machine and Gong and the dissonant avant-rock of This Heat.

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Pelt – Ayahuasca

Style: Free Folk, Appalachian Dhrupad, Psychedelic Drone, American Primitive

Moods: Ritualistic, Meditative, Spiritual, Rural, Hallucinogenic, Eerie, Mysterious, Rootsy, Woods

Musical Qualities: Droney, Acoustic, Noisy, Dissonant, Improvisation

Instrumentation: Banjo, Hurdy Gurdy, Acoustic Guitar, Esraj, Tanpura, Bowls, Fiddle, Concertina, Chord Organ, Cymbals

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Spires that in the Sunset Rise – Four Winds the Walker

Style: Avant-Folk, Acid Folk, Free Folk

Moods: Cryptic, Thorny, Communal, Witchy, Anxious, Haunting, Ominous, Nocturnal, Eerie, Mystical, Psychedelic, Surreal, Shadow, Dark

Instrumentation: Acoustic Guitar, Banjo, Cello, Vocal Harmonies, Mbira, Zither, Percussion, Slide Guitar, Drums, Electric Guitar, Organ, Xylophone, Autoharp, Harmonium, Spike Fiddle, Thumb Piano, Lap Steel

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ONO – Red Summer

Styles: Industrial-Gospel, Dub Poetry, No Wave, Experimental

Moods: Visceral, Dystopian, Disturbing, Haunting, Surreal, Aggressive, Mechanical, Heavy, Deconstructed, Vulgar, Cerebral, Conscious, Dark, Ominous, Shadow

Themes: Racism, History, Philosophy, Sex

Musical Qualities: Noisy, Spoken Word, Dub, Sampling, Rhythmic, Studio-as-an-Instrument, Dissonant

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Anguish – Anguish

Anguish is a collaboration between German improvisers Mats Gustafsson & Andres Werliin of the Fire! Orchestra, Hans Joachim Irmler of FaUst, and Will Brooks & Mike Mare of industrial hip-hop legends Dälek.

Style: Industrial Hip-Hop, Dark Jazz, Post-Industrial, Experimental

Moods: Dystopian, Aggressive, Urban, Poetic, Political, Revolutionary, Cerebral, Existential, Sombre, Dark, Depressive, Cold, Mechanical, Heavy, Apocalyptic, Moody, Brooding, Conscious, Abstract, Cryptic, Industrial, Nocturnal, Ominous, Raw, Philosophical

Musical Qualities: Beats, Dissonant, Noisy, Improvisation, Rhythmic, Studio-as-an-Instrument

Instrumentation: Rapping, Sampler, Tenor Saxophone, Synthesizers, Electric Guitar, Drums, Percussion, Electronics, Effect Processing, Vocal Processing

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Spires that in the Sunset Rise

Style: Free Folk, Ritual-Psych

Moods: Eerie, Forest, Nocturnal, Ritualistic, Witchy, Disturbing, Haunting, Communal, Pagan, Cryptic, Anxious, Surreal, Dark, Chaotic, Mysterious

Musical Qualities: Dissonant, Acoustic, Improvisation, Lo-Fi

Instrumentation: Cello, Violin, Acoustic Guitar, Autoharp, Melodica, Harmonium, Little Harp, Percussion, Mbira, Piano

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The No-Neck Blues Band – Qvaris

Style: Free Rock, Ritual Psych, Experimental

Moods: Primordial, Free, Exploratory, Mysterious, Suspenseful, Ritualistic, Shadowy, Meandering, Deconstructed, Abstract, Communal, Deconstructed, Nihilistic, Murky, Stoned, Raw, Haunting, Surreal, Nocturnal

Musical Qualities: Collective Improvisation, Dissonant, Repetitive, Loose, Droney

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Pelt – Brown Cyclopaedia

Style: Free Rock, Ritual-Psych, Noise Rock, Experimental, Drone Rock

Mood: Raw, Ritualistic, Primordial, Suspenseful, Cathartic, Eerie, Hypnotic, Meandering, Meditative, Murky

Musical Qualities: Collective Improvisation, Dynamic, Noisy, Dissonant, Droney, Fuzzy, Lo-fi, Heavy, Repetitive, Spoken Word, Feedback

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Jackie-O Motherfucker – Bloom

“I am not me” the chorus sings repeatedly, a spell to dissolve the ego and deconstruct the myth of American individualism, leaving fertile ground for a collective vision of abundance to bloom. The open-door band of multi-instrumentalists shakily weave through a suite of haunting drone seances, raggedly tender folk sing-a-longs, liberated group improvisations and triumphant post-rock discord. Once again Jackie-O Motherfucker continues their forward march to a beautiful anarchic world without losing touch with its roots in the weird American underground.

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Don Cherry – Where is Brooklyn

Personnel:
Don Cherry – Cornet, Pharaoh Sanders – Tenor Sax, Piccolo; Henry Grimes – Upright Bass; Ed Blackwell – Drums

Style: Free Jazz

Moods: Driving, Energetic, Urban, Communal, Passionate, Playful, Chaotic

Musical Qualities: Polyphonic, Improvisation, Complex, Acoustic, Rhythmic, Dissonant, Extended Technique

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Dewey Redman – Coincide

Style: Spiritual Jazz, Avant-Garde Jazz

Moods: Ecstatic, Intense, Energetic, Kinetic, Passionate, Mysterious, Triumphant, Chaotic, Spiritual

Musical Qualities: Dynamic, Dissonant, Complex, Acoustic, Collective Improvisation, Instrumental

Personnel:

Dewey Redman – Tenor Saxophone, Clarinet, Zither; Sirone – Upright Bass; Eddie Moore – Drums, Tympani, Idiophone (Bowed & Struck); Leroy Jenkins – Violin; Ted Daniel – Trumpet

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Horse Lords – Comradely Objects

Style: Experimental Rock, Totalism, Math Rock

Influences: Tishoumaren, Krautrock, Free Jazz

Moods: Triumphant, De-Hypnotizing, Propulsive, Knotty, Angular, Kinetic, Energetic, Dancey, Embodied, Tangled, Communist, Chaotic

Musical Qualities: Polyrhythmic, Complex, Dense, Just Intonation, Instrumental, Uncommon Time Signatures, Microtonal, Dissonant, Polyphonic, Technical, Repetitive, Drones

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Feu Thérèse

LP, Constellation Records, 2006 Style: Experimental Rock, Noise Rock, Post-Rock Moods: Motorik, Visceral, Sureal, Playful, Energetic, Driving, Angular Musical Qualities: Rhythmic, Repetitive, Noisy, Dissonant, Dense, Fuzzy Feu Thérèse by Feu Thérèse Reviews: https://www.tinymixtapes.com/music-review/feu-therese-feu-therese https://www.allmusic.com/album/feu-therese-mw0000409509

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Kee Avil – Crease

Style: Experimental Songwriter, Glitch, Minimal Industrial

Moods: Ominous, Mechanical, Brooding, Cold, Lonely, Anxious, Apathetic, Cryptic, Depressive, Eerie, Existential, Moody, Shadowy, Bitter

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Polyrhythmic, Dissonant, Spoken Word, Digital, Dynamic

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Sun Ra – Nothing Is…

Style: Cosmic Jazz, Free Space Music

Feelings: Exploratory, Cosmic, Forest, Mysterious, Abstract, Intense, Energetic, Spacey, Surreal, Warm

Musical Qualities: Collective Improvisation, Acoustic, Polyphonic, Dense, Live Performance, Dissonant, Complex, Dynamic

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Evangelista – Hello, Voyager

LP, Constellation (2008) Style: Experimental Songwriter, Punk Blues, Chamber Punk, Noise Rock, Vibe: Visceral, Brooding, Angsty, Cathartic, Ominous, Sleazy, Dark, Dystopian, Apocalyptic, Intense, Deconstructed, Disturbing, Rebellious, Raw Musical Qualities: Noisy, Dynamic, Heavy, Dissonant, Spoken Word, Distorted Vocals

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Marion Brown – Afternoon of a Georgia Faun

featuring Chick Corea, Anthony Braxton, Bennie Maupin, Andrew Cyrille, etc…

Style: Modern Creative, Avant-Garde Jazz

Vibe: Mysterious, Suspenseful, Nature, Abstract, Surreal, Kinetic, Visceral, Earthy, Swirling, Pastoral (Side A)

Musical Qualities: Collective Improvisation, Dynamic, Sparse, Acoustic, Atonal, Experimental Vocals, Extended Techniques, Dissonant, Percussive, Homemade Instrument

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Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

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Material – Temporary Music

Style: Industrial Jazz-Funk, Abstract Fusion, No Wave

Vibe: Futuristic, Menacing, Cold, Groovy, Mechanical, Hypnotic, Industrial, Dystopian

Musical Qualities: Rhythmic, Repetitive, Dub Production, Instrumental, Percussive, Sampling

Instrumentation: Saxophone, Electric Bass, Drums, Percussion, Electric Guitar, Rhythm Box, Prepared Piano, Clarinet

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Ornette Coleman – Body Meta

Style: Free-Funk, Avant-Garde Jazz, Jazz Fusion

Vibe: Angular, Anthemic, Manic, Kinetic, Driving, Intertwined, Chaotic, Funky, Triumphant

Musical Qualities: Polyphonic, Collective Improvisation, Rhythmic, Instrumental, Dissonant

Personnel:
Ornette Coleman – alto saxophone, producer; Bern Nix – Electric Guitar; Charlie Ellerbee – Electric Guitar; Jamaaladeen Tacuma – Electric Bass; Ronald Shannon Jackson – Drums

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Senyawa – Alkisah

Style: Avant-Folk, Tribal Drone-Doom, Southeast Asian Folk Music

Vibe: Ceremonial, Apocalyptic, Aggressive, Hypnotic, Murky, Shadowy, Dark, Tribal

Musical Qualities: Percussive, Acoustic, Fuzzy, Heavy, Loops, Noisy, Repetitive, Droney, Extended Technique, Electroacoustic

Instrumentation: Homemade Bamboo Instruments, Electroacoustic Treatments, Percussion, Throat Singing, Chants

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Omar Rodriguez Lopez Quintet – The Apocalypse Inside of an Orange

Style: Psychedelic Jazz Fusion, Prog, Jazz-Rock

Vibe: Psychedelic, Chaotic, Bombastic, Energetic, Groovy, Heavy, Manic

Musical Attributes: Polyphonic, Polyrhythmic, Dense, Instrumental, Odd Time Signatures, Complex, Progressive, Technical, Riffs, Improvisation, Studio-as-an-Instrument

Instrumentation: Electric Guitar, Drums, Percussion, Electric Bass, Saxophone, Keyboards

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Zs – Xe

Style: Experimental Rock, Brutal Prog, Free Minimalism, Math Rock, Noise

Vibe: Hypnotic, Cold, Ritualistic, Dystopian, Mysterious, Chaotic, Surreal, Loose

Musical Qualities: Dissonant, Improvisation, Minimalistic, Noisy, Complex, Instrumental, Pulse, Uncommon Time Signatures

Instrumentation: Saxophone, Electric Guitar, Loops, Percussion

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Holden – The Inheritors

Style: Progressive Electronic, IDM, Microhouse

Vibe: Ancient, Tribal, Ritualistic, Pagan, Brooding, Mythic, Cold, Visceral, Mechanical, Hypnotic, Driving, Epic, Focused, Mysterious, Mystical, Patient, Powerful, Suspenseful, Earthy

Musical Qualities: Repetitive, Distorted, Heavy, Rhythmic, Percussive, Loops, Dissonant, Dense, Instrumental, Pulse, Noisy, Progressive, Field Recordings, Sampling

Instrumentation: Bodhrán (Irish Frame Drum), Synthesizers, Drum Machine, Saxophone, Organ, Chanting, Melodeon (Pump Organ), Electric Guitar, Electric Bass, Xylophone, Live Electronics

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Fire! – Defeat

Style: Avant-Garde Jazz, Progressive Fusion

Vibe: Nocturnal, Groovy, Primal, Surreal, Alien, Propulsive, Powerful, Seductive, Suspenseful, Moody, Monochromatic

Musical Qualities: Rhythmic, Polyphonic, Complex, Dissonant, Extended Technique, Thematic Improvisation, Repetition, Experimental Vocals

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The Underflow – Instant Opaque Evening

Personnel:
David Grubbs (Electric Guitar, Vocals)
Rob Mazurek (Piccolo Trumpet, Electronics, Wooden Flute, Percussion, Voice)
Mats Gustafsson (Flute, Fluteophone, Baritone Saxophone, Live Electronics)


Style: Electroacoustic Improvisation, Future Jazz, Experimental Songwriter (B1,

Vibe: Suspenseful, Futuristic, Abstract, Spacious, Cerebral, Eclectic, Exploratory, Open, Patient, Cathartic, Ritualistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Percussive, Noise, Atonality, Dissonance, Dynamic, Live, Atmospheric

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Horse Lords – Interventions

Style: Experimental Rock, Totalism, Math Rock, Tishoumaren-Influenced

Vibe: Anxious, Complex, Energetic, Exploratory, Hypnotic, Disorienting

Musical Qualities: Instrumental, Microtonal, Odd Time Signatures, Percussive, Polyrhythmic, Repetitive, Minimalistic, Technical, Drones, Glitchy, Dissonant

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Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

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Slint – Spiderland

Style: Post-Rock, Math Rock, Post-Hardcore, Slowcore

Vibe: Angsty, Angular, Cold, Heavy, Impressionistic, Suspenseful

Lyrical Themes: Alienation, Existential, Poetic, Storytelling

Musical Attributes: Dynamic, Slow, Dissonant, Raw, Repetitive

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The Sea Ensemble – We Move Together

An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album

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The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

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Sam Rivers – Waves

Released  in 1979 on Tomato Records Format: LP, Promo copy Style: Free Jazz Vibe: chaotic, complex, energetic, manic Musical Attributes: Polyphonic, Improvisation, Dense, Instrumental Personnel: Sam Rivers – Saxophone (Soprano and Tenor), Flute, Piano; Dave Holland – Upright Bass, Cello; Joe Daley – Tuba, Baritone Horn; Thurman Baker – Drums, Percussion

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