Meditative

Merope – Vejula

Behind a luminous, translucent veil, we find ourselve immersed in ethereal, electro-acoustic sound worlds emerging from fragments of Lithuanian folk songs. With blissful instrumental contributions from Laraaji, Shahzad Ismaily, Bill Frisell, and Craig Taborn, the duo delicately weave celestial zithers, otherwordly vocals, warm guitar melodies, glitchy electronics and softly blooming synth pads into a colorful, healing cocoon full of harmonious secrets.

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Elkhorn – Red Valley

Style: Acid Western, Psych Folk

Vibe: Journeying, Desert, Western, Hazy, Intertwined, Road Trip, Nature, Summer, Adventure, Earthy, Exploratory, Flowing, Focused, Impressionistic, Luminous, Pastoral, Patient, Psychedelic, Reflective, Rural, Spiritual, Warm

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Sunn Trio / Sam Shalabi – Trippin’ on Coleman

Each artist fills an entire LP side with their own improvised interpretation of Ornette Coleman’s “Lonely Woman” . Shalabi channels the tune through a solo oud meditation, shaped by his characteristically searching and sensitive improvisations. On the other side, Sunn Trio performs an undulating percussive ritual, overdubbed with a wide pallet of tangled acoustic instruments, dub psychedelia, and hypnotizing drones.

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Water Shrew Trio

Style: Drone, Free Folk

Vibes: Meditative, Forest, Peaceful, Contemplative, Nature, Soothing, Hypnotic, Psychedelic

Instrumentation: Harmonium, Hammered Dulcimer, Electronics, Acoustic Guitar

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Cassia Streb – Marginal Habitats

Style: EAI, Reductionism

Vibes: Meditative, Desert, Ecological, Desolate, Meandering, Lonely, Contemplative, Morning, Intimate, Lethargic, Primordial, Raw, Restrained

Musical Qualities: Graphic Score, Sparse, Slow, Soft, Instrumental, Improvisation, Dissonant, Electro-Acoustic

Instrumentation: Field Recording, Viola, Small Objects

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Dorothy Carter – Troubadour

LP, Celeste Recording, 1976 Style: Neo-Medieval Folk, Progressive Folk, Traditional [Appalachian, Celtic, European, Hymns] Vibes: Hypnotic, Flowing, Rootsy, Medieval, Passionate, Meditative, Peaceful Musical Qualities: Acoustic, Suite, Pulse Instrumentation: Voice, Hammered Dulcimer, Psalteries, Flute Tamboura, Ch’in

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Joseph Allred – Hoddmímis Holt

Style: Appalachian Folk Music, American Primitivism

Vibes: Rootsy, Spiritual, Warm, Passionate, Meditative, Religious, Storytelling, Sentimental, spiritual, storytelling

Musical Qualities: Acoustic, Traditional, Lyrical, Droney, Open Tunings, Solo, Sparse

Instrumentation: Vocals, Harmonium, Acoustic Guitars (6- & 12-String), Autoharp, Piano, Banjo

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John Fahey – Sea Changes & Coelacanths

4LP Box Set including the albums “Womblife”, “Georgia Stomps, Atlanta Struts, and Other Contemporary Dance Favorites”, and
“Hard Time Empty Bottle Blues”

Style: Avant-Folk, Free-Folk, Ambient Blues, American Primitivism, Tape Music

Vibes: Haunting, Nocturnal, Murky, Brooding, Eerie, Aquatic, Bluesy, Woozy, Raw, Meditative

Musical Qualities: Instrumental, Sparse, Improvisation, Collage, Vignettes, Suite, Electro-acoustic, Live

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Osamu Kitajima – Osamu

Style: Fusion, Neoclassical New Age, Jazz-Rock, Progressive Rock, Mystical Folk

Vibes: Ethereal, Groovy, Exploratory, Dreamy, Cosmic, Meditative, Playful, Psychedelic, Smooth, Soothing, Spiritual

Instrumentation: Koto, Biwa, Acoustic & Electric Guitars, Shakuhachi, Nohkan, Strings, Rhodes, Organ, Clavinet, Synthesizers, Chamberlin, Drums, Electric & Acoustic Bass

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Abdul Wadud – By Myself

Style: Free-Improvisation, Chamber-Jazz, Spiritual Jazz

Vibes: Contemplative, Searching, Autumnal, Intimate, Elegant, Free, Spiritual, Meditative, Bittersweet, Mysterious, Hypnotic, Passionate, Pastoral

Instrumentation: Cello

Musical Qualities: Improvisation, Solo, Instrumental, Sparse

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Daniel Bachman – When the Roses Come Again

Style: Avant-Folk, Ambient Americana, Free-Folk, American Primitivism

Vibes: Meditative, Personal, Morning, Pastoral, Earthy, History, Hypnotic, Summer, Nature, Soothing

Musical Qualities: Collage, Electro-Acoustic, Glitchy, Suite, Vignettes, Instrumental, Sampling, Studio-as-an-Instrument, Atmospheric

Instrumentation: Banjo, Acoustic Guitar, Mouthbow, Fiddle, Homemade Instruments, Harmonium, Bell

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Carlos Niño & Friends – (I’m just) Chillin’, On Fire

with Josh Johnson, André 3000, Deantoni Parks, Jamael Dean, Jamire Williams, Adam Rudolph, Aaron Shaw, Laraaji, Kamasi Washsington, Sibusile Xaba, Mia Doi Tod, Woo, Photay, Surya Botofasina & others

Style: “Spiritual Improvisational Space Collage”, Ambient Jazz, New Age

Vibe: Ethereal, Communal, Utopian, Meditative, Playful, Exploratory, Soothing, Conscious, Spiritual

Musical Qualities: Collage, Beats, Collective Improvisation, Sampling, Lush, Spoken Word

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David Sylvian – Blemish

featuring Derek Bailey & Fennesz

Style: Experimental Songwriter, Electroacoustic, Reductionism

Vibe: Lonely, Winter, Reflective, Sombre, Cold, Breakup, Depressive, Surreal, Meditative, Desolate

Musical Qualities: Electro-Acoustic, Glitchy, Sparse, Soft, Dissonant

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Stephen Micus – Koan

Style: Mystical Folk, New Age, Fourth World

Vibe: Ethereal, Meditative, Introspective, Airy, Searching, Healing, Mysterious, Soothing

Musical Qualities: Soft, Acoustic, Reverb-Heavy, Minimalistic, Instrumental

Instrumentation: Shakuhachi, Zither, Gender, Sarangi, Rabab, Bodhran, Angklung, Kyeezee, Bells, Acoustic Guitar

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Daniel Higgs – Say God

Style: Mystical Folk, Devotional Poetry, New Age

Moods: Poetic, Mystical, Devotional, Spiritual, Meditative, Surreal, Eccentric, Cosmic, Ecstatic, Utopian

Musical Qualities: Mantra, Spoken Word, Acoustic, Sparse, Improvisation

Instrumentation: Voice, Banjo, Sruti Box, Harmonium

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Michael O’Shea

Style: Avant-Folk, Post-Minimalism

Moods: Hypnotic, Mysterious, Meditative, Ritualistic, Nocturnal, Haunting, Ethereal

Musical Qualities: Pulse, Homemade Instrument, Minimalistic, Solo, Improvisation, Repetitive, Electro-Acoustic, Extended Technique, Sparse

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Ravi Shankar – Chants of India

Produced by George Harrison

Style: Vedic Chants, Hindustani Classical Music

Vibe: Devotional, Meditative, Nocturnal, Spiritual, Peaceful, Ritualistic, Reflective, Soothing, Ecstatic, Hypnotic, Intricate, Psychedelic

Instrumentation: Group Vocals, Sitar, Autoharp, Strings (Viola, Violin, Cello), Flute, Tabla, Veena, Mridangam, Morsing, Tamboura, Harp, Santoor, Acoustic Guitar, Glockenspiel, Vibraphone

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Derek Monypeny – Cibola

Style: “Desert Continuum”, Psychedelic Drone, Free Improvisation, Avant-Folk

Moods: Desert, Ritualistic, Spiritual, Meditative, Hallucinogenic, Nocturnal

Musical Qualities: Droney, Electro-acoustic, Solo Improvisation, Noisy, Instrumental

Instrumentation: Shahi Baaja, Electric Guitar, Autoharp

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Pelt – Ayahuasca

Style: Free Folk, Appalachian Dhrupad, Psychedelic Drone, American Primitive

Moods: Ritualistic, Meditative, Spiritual, Rural, Hallucinogenic, Eerie, Mysterious, Rootsy, Woods

Musical Qualities: Droney, Acoustic, Noisy, Dissonant, Improvisation

Instrumentation: Banjo, Hurdy Gurdy, Acoustic Guitar, Esraj, Tanpura, Bowls, Fiddle, Concertina, Chord Organ, Cymbals

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Sandy Bull: E pluribus unum

Style: Acid Folk, Folk-Rock Influences: Arabic Folk, Blues, Raga

Moods: Mysterious, Confident, Serpentine, Searching, Psychedelic, Desert, Determined, Earthy, Flowing, Impressionistic, Introspective, Meandering, Meditative, Ritualistic

Musical Qualities: Modal, Acoustic, Improvisation, Instrumental, Solo, Bluesy

Instrumentation: Oud, Electric Guitar, Percussion, Electric Bass

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Friends of the Road – Now You Know Something Right Here and I’ll Tell You For a Fact

This collective of experimental Seattle musicians perform back-porch seances on old-time jigs & folk tunes, half of which can be found in Alan Lomax’s Folk Songs of North America book. The ritualistic, droning dissonance of cello, banjo, harmonium, & fiddle recall Pelt, Henry Flynt, & Tongue Depressor. Despite an often haunting atmosphere, folksiness and camaraderie pervade the tape in the form of warm lo-fi sing-a-longs and friendly, candid banter between tracks. The original social function of the music lives eternally, a nonlinear communication with fellow travelers from the past, present, & future.

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Tortoise – Rhythms, Resolutions & Clusters

Tracks from Tortoise’s debut LP remixed by Bundy K. Brown, John McEntire, Jim O’Rourke, Steve Albini, Mike Watt, Brad Wood, Rick Brown, Casey Rice

Styles: Ambient Dub, Electroacoustic, Electronic, Post-Rock

Moods: Deconstructed, Futuristic, Meditative, Mechanical, Cold, Open, Abstract, Airy, Eclectic, Mysterious, Peaceful, Spacey

Musical Qualities: Remix, Atmospheric, Sparse, Sampling, Loops, Instrumental, Electro-Acoustic

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Bola Sete – Ocean

Style: Guitar Soli, Brazilian Classical Music, Folk

Musical Qualities: Aquatic, Soothing, Meditative, Intricate, Mellow, Searching, Spiritual

Musical Qualities: Acoustic, Instrumental, Soft, Technical, Solo

Instrumentation: Nylon String Guitar

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Grouper – A I A: Alien Observer

Style: Ambient, Dream-Folk, Drone Pop

Moods: Melancholy, Nocturnal, Cosmic, Grainy, Contemplative, Lethargic, Meditative, Peaceful, Intimate, Ethereal, Loner, Haunting, Dreamy, Hazy, Meandering, Monochrome, Murky, Soothing

Musical Qualities: Atmospheric, Droney, Lo-Fi, Home Recording, Loops, Simple, Slow, Soft, Solo

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Cecil Taylor – Indent

Style: Free Improvisation, Free Jazz

Moods: Passionate, Kinetic, Complex, Ecstatic, Dramatic, Energetic, Angular, Exploratory, Meditative, Focused

Musical Qualities: Solo Improvisation, Dense, Acoustic, Progressive, Dynamic, Percussive, Atonal, Active Listening, Instrumental, Technical, Rhythmic, Live

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