Drone

Tongue Depressor & Austin Larkin – Landau Bar

LP, Redscroll, 2024 Recorded by A.F. Jones, Mastered by Rashad Becker Style: Country-Drone, Electroacoustic, Ritual Ambient, Post-Spectralism Vibes: Witchy, Disorienting, Haunting, Ritualistic, Spectral, Dark, Nocturnal, Gothic, Gloomy, Alchemical, Desolate, Drifting, Eerie, Shadowy, Rural, Occult, Ominous, Murky, Mysterious, Intense, Elemental, Hypnotic Musical Qualities: Droney, Microtonal, Dense, Instrumental, Slow, Dissonant, Dynamic, Electro-Acoustic, Extended Technique Instrumentation: Viola, Lap

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Water Shrews – Widening Spaces

Style: Drone, Free Improvisation, Psychedelic Ambient

Vibes: Journeying, Amorphous, Introspective, Woozy, Exploratory, Earthy, Washy, Hypnotic, Psychedelic, Murky, Rhizomatic

Musical Qualities: Noisy, Improvisation, Lo-Fi, Loops, Slow, Pulse, Analogue, Atmospheric

Instrumentation: Keyboards, Electric Guitar, Electronics, Synthesizers, Field Recordings

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Water Shrew Trio

Style: Drone, Free Folk

Vibes: Meditative, Forest, Peaceful, Contemplative, Nature, Soothing, Hypnotic, Psychedelic

Instrumentation: Harmonium, Hammered Dulcimer, Electronics, Acoustic Guitar

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Anahita – Tourmaline

Fursaxa & Helena Espvall

Style: Free Folk, Drone

Vibe: Ritualistic, Medieval, Nocturnal, Forest, Exploratory, Mysterious, Mystical, Religious, Occult, Cosmic, Witchy

Musical Qualities: Droney, Improvisation, Acoustic, Loops, Slow, Choral

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Derek Monypeny – Cibola

Style: “Desert Continuum”, Psychedelic Drone, Free Improvisation, Avant-Folk

Moods: Desert, Ritualistic, Spiritual, Meditative, Hallucinogenic, Nocturnal

Musical Qualities: Droney, Electro-acoustic, Solo Improvisation, Noisy, Instrumental

Instrumentation: Shahi Baaja, Electric Guitar, Autoharp

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Pelt – Brown Cyclopaedia

Style: Free Rock, Ritual-Psych, Noise Rock, Experimental, Drone Rock

Mood: Raw, Ritualistic, Primordial, Suspenseful, Cathartic, Eerie, Hypnotic, Meandering, Meditative, Murky

Musical Qualities: Collective Improvisation, Dynamic, Noisy, Dissonant, Droney, Fuzzy, Lo-fi, Heavy, Repetitive, Spoken Word, Feedback

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Ilyas Ahmed & Jefre Cantu-Ledesma – You Can See Your Own Way Out

Style: Drone, Tape Music, Ambient, Drone-Folk

Vibe: Nocturnal, Haunting, Hypnotic, Ethereal, Meditative, Warm, Nature, Nostalgia

Musical Qualities: Sound Collage, Instrumental, Field Recordings, Collage, Electro-Acoustic, Noisy, Home Recording, Vignettes

Instrumentation: Tapes, Acoustic & Electric Guitars, Piano, Drum Machine, Synthesizers, Bass, Keyboard, Percussion, Bass Clarinet (B2)

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Gogoj – Oviparity

Style: Experimental, Electro-Acoustic, Noise, Drone
Vibe: Eerie, Noisy, Suspenseful
Musical Attributes: Atmospheric, Electro-acoustic, Improvisation (Solo), Dynamic, Atonal, Loops
Instrumentation: Electric Cello with Effects

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Bonnie ‘Prince’ Billy & Bitchin Bajas – Epic Jammers and Fortunate Little Ditties

A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.

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Tim Hecker – Konoyo

Released in 2018 on Kranky Format: LPx2 Track Notes and Observations A1. This Life (Droney, Climactic, Mournful) Synths slowly dancing around each other in a beautiful sadness, Woozy, pitches bend and release in and out of tune Blooming structure, crescendos into overwhelming climax Disintegrates into a ghostly version of itself with high pitch sounds A2.

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Deradoorian – Eternal Recurrence

There is a fathomless void within each of us. And while many choose to run from it, clinging to anything to keep from falling in, Deradoorian dove right in on her meditative release, Eternal Reccurrence. Here she provides somewhat of a sonic roadmap for diving deep within yourself, guided by the blooming drones of harmonium, Juno synthesizers, and flutes. Arising from the ether, layers of otherworldly voices sing mantras of facing our Shadow (“Mirrorman”), finding the love that resides in the core of our being, and bringing it back with us into this material dimension.

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Tonto’s Expanding Head Band – Zero Time [Alternate Cover]

A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.

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Sandy Bull – Fantasias for Guitar and Banjo

On his debut album, the guitar and banjo virtuoso starts off with a 22-minute droning epic fusing American and Arabic Folk music with Indian Raga on his acoustic guitar (often trying to imitate the feeling of the oud). Here, he is accompanied by the fluid, driving drums of Billy Higgins. Side 2 is made up of 4 shorter solo pieces, mostly for the banjo, including an impressive rendition of “Carmina Burana” by German composer Carl Orff and a folky mountain song.

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Tangerine Dream – Zeit

This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.

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Botany – Deepak Verbera

organic washes of piano and zither, analog synthesizers, wood flutes, saxophone, and the occasional free jazz drums recorded, looped, and manipulated through cassette and reel tape recorders and then masterfully woven into a cosmic tapestry of blissful, meditative drones

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