inspiration

Mark Lanegan – Field Songs

Style: Singer/Songwriter, Grunge Folk, Americana

Vibe: Depressive, Lonely, Regretful, Gruff, Ragged, Lethargic, Rustic, Haunting

Gratien Midonet – A Cosmic Poet from Martinique 1979-1989?

Style: Cosmic Folk, Caribbean Folk

Vibe: Mystical, Tropical, Poetic, Cosmic, Earthy, Ecletic, Intertwined, Groovy, Spiritual

Musical Qualities: Percussive, Polyrhythmic, Repetitive, Dense, Technical, Polished

Instrumentation: Keyboards, Acoustic Guitar, Percussion, Vocals, Electric Bass

Sélène Saint-Aimé – Mare Undarum

Style: Avant Chamber-Jazz, Vocal Spiritual Jazz

Vibe: Ritualistic, Poetic, Complex, Hypnotic, Nocturnal, Passionate, Mellow

Musical Attributes: Progressive, Thematic Improvisation, Rhythmic, Chamber, Percussive

Glissandro 70 – Glissandro 70

Style: Avant-Pop, Post-Rock

Influences: Afro-Pop, Math Rock, Synth-Pop

Vibe: Playful, Colorful, Catchy, Warm, Quirky, Bouncy, Eclectic

Musical Attributes: Loops, Rhythmic, Melodic

Natalie Rose Lebrecht – Mandarava Rose

Style: Ambient Pop, Free Folk, New Age

Vibe: Cosmic, Dreamy, Earthy, Ethereal, Lethargic, Meditative, Mystical, Passionate, Ritualistic, Soothing, Spiritual

Musical Attributes: Atmospheric, Droney, Slow

Anna & Elizabeth – The Invisible Comes to Us

The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.

Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk?Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark?Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical?Lyrical Themes: Alienation, Religious, Christian, Storytelling

James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

Radiohead – Hail to the Thief

Released in 2003 on EMI Records Format: LPx2, 45rpm Style: Art Rock Vibe: Cryptic, Anxious, Angsty, Paranoid, Moody Musical Attributes: Complex, Eclectic, Dynamic, Dense, Lyrical Themes: Political, War, Death

Yonatan Gat – Director

Released in 2015 on Joyful Noise Records Recorded April 4-5, 2014 Format: LP, clear seafoam green vinyl

Fleet Foxes – Crack Up

Compared to the immediate songwriting and lush textures of Helplessness Blues, the progressive folk-rock opus Crack Up feels like an impenetrable wilderness on first listen with its dense, tangled arrangements and complex compositions.