Bibio – Ribbons

On his latest, producer/composer/multi-instrumentalist Bibio blends serene folk pop, lush instrumentation, pastoral guitar instrumentals, nature field recordings, Walt Whitman-esque lyrics and beat-oriented grooves into the perfectly crafted springtime album. Ribbons feels like daydreaming in a garden or out in the woods under a tree or by a trickling stream.

Avey Tare – Eucalyptus

Eucalyptus is a beautiful, enveloping excursion of aquatic psych-folk characterized by flowing, hallucinogenic instrumentation, atmospheric production, nature field recordings, and ghostly background vocals from one of my favorite singers, Angel Deradoorian. Avey Tare’s introspective and intimate lyrics mix psychedelic revelations, reminiscing, surreal imagery, and nature/water themes, often leading to profound realizations of a very personal sense of spirituality. The lush orchestrations are arranged by the amazing and unique violist Eyvind Kang, which include woodwinds, horns, strings, and pedal steel slide guitar from Susan Alcorn.

For fans of Animal Collective’s “Campfire Songs” and the slow portions of “Feels”.

Click for full review

Ryley Walker – Golden Sings that have been Sung (Deep Cuts Edition)

Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.

David Grubbs – The Thicket

On experimental musician/author/professor David Grubb’s first album as singer-songwriter, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, drones, and an eclectic cast of musicians, including drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.

Holy Sons – In the Garden

After 20+ years of using his introspective songwriting as a playground for psychedelic lo-fi experimentation, underdog hero Emil Amos hands the production reins to John Angello (Sonic Youth, Dinosaur Jr.) for his most polished album yet, capturing the best aspects of 70’s rock classics without ever feeling cliché. The hi-fi analogue production brings a newfound clarity and depth that allows Amos’ songwriting and instrumental performances to bloom; the choruses are anthemic, the atmospheres are darkly psychedelic, and his lyrics are just as philosophical and contemplative as ever.

Young Jesus – The Whole Thing is Just There

The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.

Deradoorian – The Exploding Flower Planet

Recommended for those who know that “psychedelic” is not a sound, but a spirit of creativity and exploration within the mind. Those who know Deradoorian for her work with Dirty Projectors will appreciate the complex arrangements and production, albeit in a much more mysterious context. Fans of Bjork, Black Moth Super Rainbow, Flaming Lips, Portishead, or Can will also find a lot to love.

Kendrick Lamar – To Pimp a Butterfly

Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.

Julie Byrne – Not Even Happiness

Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.


Tim Buckley – Blue Afternoon

Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.

Danny Brown – Atrocity Exhibition

On his Warp Records debut, the eccentric rapper crafts an album of shadowy hip-hop that expresses a unique creative vision. His bipolar, extremely personal lyrics fluctuate from paranoid agoraphobia and self-deprecating reflection to uninhibited hedonism and braggadocios swagger, sometimes in the course of a couple lines. Highly recommended for fans of Busdriver, Aesop Rock and other psychedelic hip-hop artists

Holy Sons: The Fact Facer

I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.