Loner

Tim Buckley – Blue Afternoon

Blue Afternoon continues the flowing jazz-folk of Happy Sad while occasionally detouring into the avant-garde atmospheres that manifest more fully on Lorca and Starsailor. The arrangements are characterized by fluid vibraphones, lobbing upright bass, and the virtuosic jazz guitar of Lee Underwood, but what really ties everything together are the vocals and songwriting. Buckley’s voice is so versatile that he is able to express a wide range of emotions, sometimes blurring them from one moment to the next.

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P.G. Six – Slightly Sorry

Style: Loner Folk, Weird Americana, Folk Rock, Singer Songwriter

Vibe: Peaceful, Melancholy, Reflective, Romantic, Gentle, Rustic, Warm, Autumnal, Bittersweet, Breezy, Contemplative, Lethargic, Mellow, Intertwined

Musical Qualities: Soft, Lush, Lyrical, Vocal Harmonies, Acoustic, Atmospheric

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Smog – Red Apple Falls

Style: Singer/Songwriter, Americana, Slowcore, Alt-Country, Loner Folk

Vibe: Existential, Warm, Morning, Spiritual, Deadpan, Peaceful, Poetic, Introspective, Lonely, Melancholy, Mellow, Contemplative, Intimate

Musical Qualities: Slow, Lo-fi, Lush, Soft, Sparse, Lyrical

Instrumentation: Pedal Steel, Piano, Hammond Organ, Guitar, Trumpet, Drums, Drum Machine, Hurdy Gurdy, French Horn

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The Microphones – The Glow Pt. 2

Style: Lo-Fi, Experimental Singer/Songwriter, Loner Folk
Vibe: Heartfelt, Imaginative, Introspective, Nature, Intimate, Loner, Bittersweet, Depressive, Psychedelic, Raw, Lonely
Lyrical Themes: Existential, Alienation, Breakup, Philosophical, Poetic, Personal, Death
Musical Attributes: Acoustic, Noisy, Studio-as-an-Instrument, Analogue Recording, lo-fi, Distorted

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Tim Buckley – Blue Afternoon [4menwithbeards]

Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.

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