Masaki Batoh

Ghost – Temple Stone

All tracks recorded live in sacred places (Seiryu Temple, Waseda Salvation Church)

Style: Ritual Folk, Acid Folk

Vibes: Mystical, Ancient, Ritualistic, Spiritual, Forest, Psychedelic, Mysterious, Medieval, Haunting, Dreamy, Eclectic

Instrumentation: Chants, Flutes, 12-String Guitar, Cello, Drums, Organ, Hurdy Gurdy, Harp, Piano, Horn

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Helena Espvall & Masaki Batoh – Overloaded Ark

Style: Progressive Folk, Acid Folk, Psychedelic Chamber Music

Moods: Mysterious, Exploratory, Medieval, Mystical, Ancient, Brooding, Forest, Haunting, Serpentine, Ritualistic, Cinematic

Musical Qualities: Complex, Dense, Acoustic, Progressive, Percussive, Noisy, Improvisation

Instrumentation: Cello, Acoustic & Electric Guitars, Organ, Sho, Banjo, Renaissance Harp, Rauschpfeife, Crumhorn, Cornamuse, Hurdy Gurdy, Electronics, Darbuka, Riq, Frame Drum, Percussion, Recorder, Piano, Vocal Harmonies

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Bitchin Bajas – Bajas Fresh

Features Masaki Batoh, Ben Lamar Gay, Jim Becker,

Style: Space Ambient, Progressive Electronic, Kosmische, New Age

Moods: Meditative, Cosmic, Peaceful, Warm, Intertwined, Hypnotic, Psychedelic

Musical Qualities: Pulse, Instrumental, Progressive, Atmospheric, Washy, Droney

Instrumentation: Analogue Synthesizers, Organ, Bass Clarinet, Flute, Electric Guitar, Percussion, Cornet

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Helena Espvall & Masaki Batoh

On this self-titled collaboration, acid folk luminaries Helena Espvall (Espers) and Masaki Batoh (Ghost) create mysterious and earthy interpretations of traditional Medieval, Swedish, Japanese, and Finnish folk songs, plus a Son House cover, an original, and a handful of free improvisations.

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