Originally released in 1998 Exiled Records reissue (2016) Format: LPx2, blank D-side
Style: Kosmische Music, Psychedelic Rock, Space Rock
Influences: Arabic Music, African Music, Prog
Vibe: Exploratory, Psychedelic, Desert, Tribal
Musical Attributes: Improvisation, Studio-as-an-instrument, Sound Collage, Riffs
Released in 2019 on 33-33 Records Format: LP Style: Free-Rock, Psychedelic Rock, Experimental Rock Influences: Arabic Folk Music, Free Improvisation, … More
Released in 2012 on Constellation Records Format: LP + 7″
Released in 1968 on Elektra Records Format: LP
These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.
Released in 2009 on Drag City Format: LP Recorded by Steve Albini at Electrical Audio, Chicago, March 2009
Released in 2014 on Drag City Format: LPx2, 45rpm
Released in 2007 on Temporary Residence Format: LPx2, etching on D-side
Released in 2002 on Holy Mountain Format: LP
Darkly cinematic rock instrumentals with some creeping, Dostoevskian vibes. This is probably the most meticulous and progressive album I’ve heard from these guys, who are always finding new ways of funneling their omnivorous library of influences into their dramatic and atmospheric psych rock stylings.
“World Music” is often a cheap umbrella term for non-Eurocentric music, but when acoustic guitar shredders Jorge Strunz and Ardeshir Farah, from Costa Rica and Iran respectively, bring together a Cuban rhythm section, South Indian violinist, and Kuwaiti guitarist, the music they create truly does have a sense of cultural unity deserving of the term.
For fans of flamenco, Arabic folk, and acoustic guitar virtuosity
Whilst in Istanbul for an artist residency, the adventurous Canadian chamber rock group (featuring past members of Silver Mt. Zion and GY!BE) recorded with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, drums, and tenor banjo with the saz and several other instruments used in Turkish and Arabic folk music.
The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.
On his debut album, the guitar and banjo virtuoso starts off with a 22-minute droning epic fusing American and Arabic Folk music with Indian Raga on his acoustic guitar (often trying to imitate the feeling of the oud). Here, he is accompanied by the fluid, driving drums of Billy Higgins. Side 2 is made up of 4 shorter solo pieces, mostly for the banjo, including an impressive rendition of “Carmina Burana” by German composer Carl Orff and a folky mountain song.
Album Information: Released in 2007 on Southern Lord Records Produced by Steve Albini and Om Recorded and mixed by Steve … More