New Age

Joseph Shabason – Anne

Style: New Age, Ambient Jazz, Progressive Electronic

Vibe: Healing, Woozy, Personal, Ethereal, Soothing, Intimate, Hypnotic, Mellow

Musical Qualities: Atmospheric, Spoken Word, Soft, Slow, Electroacoustic, Field Recordings, Studio-as-an-Instrument

Instrumentation: Saxophone (w/ FX), Synthesizers, Piano, Electric Guitar, Percussion, Violin, Trumpet, Flute

Steve Tibbets – Northern Song

Style: Ambient Folk, ECM-Jazz, New Age

Vibe: Soothing, Airy, Meditative, Pastoral, Winter, Open, Hypnotic, Nature

Musical Qualities: Acoustic, Percussive, Sparse, Progressive

Instrumentation: 6 & 12-String Acoustic Guitars, Percussion (Kalimba, Shaker, Bongos, Congas, etc), Tape Loops

Dennis Wise – Wize Music

Style: Innervisionary, Psychedelic Tape Music, Ambient Dub, Future Folk, Experimental, New Age

Vibe: Alien, Mystical, Woozy, Nocturnal, Exploratory

Musical Qualities: Collage, Loops, Electro-acoustic, Percussive, Dub Fx, Dissonance

Carlos Niño & Friends – More Energy Fields, Current

Featuring Laraaji, Shabaka Hutching, Sam Gendel, Jamire Williams, Aaron Shaw, Sharada, Jamael Dean, Nate Mercereau, Jira ><, Adam Rudolph, Devin Daniels

Style: Ambient Jazz, Ambient Beats, New Age

Vibe: Healing, Airy, Soothing, Woozy, Peaceful, Hypnotic, Aquatic, Communal, Spiritual

Musical Qualities: Atmospheric, Improvisation, Beats, Sampling, Sound Sculpture, Studio-as-an-Instrument, Field Recordings

Popol Vuh – Hosianna Mantra

Style: Ecstatic Chamber Music, Kosmische, Neoclassical New Age

Vibe: Spiritual, Ethereal, Mystical, Meditative, Mysterious, Soothing, Peaceful, Mellow, Ritualistic, Sentimental, Religious (Christian), Pastoral

Musical Qualities: Acoustic, Lush, Chamber Arrangements, Atmospheric, Melodic, Suite

Instrumentation: Harpsichord, Piano, Electric Guitar, Oboe, Tanpura, Hymnal Vocals, Violin

Terry Riley – Shri Camel

Style: Ecstatic Minimalism, New Age, Drone

Vibe: Spiritual, Meditative, Heavenly, Cosmic, Hypnotic, Mystical, Longing, Intertwined

Musial Attributes: Just Intonation, Instrumental, Minimalistic, Repetitive, Suite, Improvisation, Drone

Instrumentation: Yamaha YC-45D Organ with multiple digital delay channels for live layering & interactions

Ash Ra Tempel – New Age of Earth

Style: Kosmische Musik, Progressive Electronic, Space Ambient, New Age

Vibe: Meditative, Cosmic, Soothing, Hypnotic, Spacey, Peaceful, Ethereal, Futuristic

Musical Qualities: Instrumental, Minimalistic, Polished, Repetitive

Instrumentation: Synthesizers, Electric Guitar, Keyboard, Loops

Sarah Louise – Earth Bow

Style: Free Folk, Cosmic Appalachia, Ambient Folk, Healing Music

Vibe: hypnotic, amorphous, confident, cosmic, dreamy, earthy, ethereal, existential, exploratory, forest, warm, spiritual, spontaneous, soothing, psychedelic, passionate, nature, meditative, hallucinogenic

Musical Qualities: Suite, Electro-Acoustic, Studio-as-an-instrument, Loops, Home Recording, Progressive, Field Recordings

Between – And the Waters Opened

Style: Psychedelic Chamber Music, Kosmische Musik, Ritual-Folk, Global Fusion

Vibe: Spiritual, Meditative, Communal, Psychedelic, Earthy, Forest, Ritualistic, Tribal

Musical Qualities: Acoustic, Atmospheric, Chamber, Droney, Raga, Percussive, Chants

Instrumentation: Oboe, Keyboards, Conga, Acoustic Guitar, Bamboo Flute

Between – Dharana

Style: Spiritual Folk, Psychedelic Chamber Music, Kosmische, New Age
Vibe: Ritualistic, Religious (Hindu), Hypnotic, Spiritual, Tribal
Musical Attributes Acoustic, Percussive, Raga-Influenced, Chants

Natalie Rose Lebrecht – Mandarava Rose

Style: Ambient Pop, Free Folk, New Age

Vibe: Cosmic, Dreamy, Earthy, Ethereal, Lethargic, Meditative, Mystical, Passionate, Ritualistic, Soothing, Spiritual

Musical Attributes: Atmospheric, Droney, Slow

New Balance – The Spirits will Shimmer while I stare at their Shadows

While escapism is an understandable instinct in times of turmoil, The Spirits Will Shimmer encourages reflection on our current realities rather than turning a blind eye. New Balance’s Jeremy Leasure thoughtfully constructs a sonic cocoon of backwoods ambience from warped banjo improvisations and Casio synth atmospheres, foregoing the vivid lyrical imagery and lush arrangments of past releases. By offering a temporary respite from overstimulation, these meditative mood pieces carve out the space necessary to process the endless stream of information weighing on our hearts and minds.

Mike Oldfield – Ommadawn

Style: Celtic New Age, Symphonic Prog

Vibe: Ethereal, Medieval, Spring, Mellow, Meditative, Rainy, Soothing, Cinematic, Eclectic, Epic, Pastoral

Musical Qualities: Suite, Orchestral, Lush, Atmospheric, Progressive, Studio-as-an-Instrument

Instrumentation: harp, electric guitar, acoustic bass, electric bass, bagpipe, uilleann pipes, acoustic guitar, 12-string guitar, classical guitar, mandolin, bodhran, bouzouki, banjo, spinet, piano, Organ, synthesizer, glockenspiel, percussion, choral vocals, brass, tympani, drums, percussion

Bonnie ‘Prince’ Billy & Bitchin Bajas – Epic Jammers and Fortunate Little Ditties

A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.

Natural Information Society & Bitchin Bajas – Automaginary

On Automaginary, the Gnawa-inspired cosmic jazz of Natural Information Society is augmented by the flowing textures of Chicago new age trio Bitchin Bajas to create an album of enveloping drones and trance-inducing rhythms. (Follow link for full Review)

John Abercrombie – Characters

Album Information: Released in 1978 on ECM Records Recorded November 1977 at Talent Studio, Oslo Engineered by Jan Erik Kongshaug Cover by Don Leavitt Produced by Manfred Eicher Format: LP, promo copy Recommended Track: B1 – Ghost Dance

Gimmer Nicholson – Christopher Idylls

Performed on acoustic guitar and an early delay pedal, Christopher Idylls is a soothing, reflective way to ease into the morning. It fits somewhere between ambient, new age, and American primitive guitar.

Botany – Deepak Verbera

organic washes of piano and zither, analog synthesizers, wood flutes, saxophone, and the occasional free jazz drums recorded, looped, and manipulated through cassette and reel tape recorders and then masterfully woven into a cosmic tapestry of blissful, meditative drones