Primal

Keiji Haino / Jim O’Rourke / Oren Ambarchi – With Pats on the Head, Just One Too Few Is Evil One Too Many Is Good That’s All It Is

On their twelfth live recording, the electrifying power trio continues to expand the vocabulary of their improvised sonic sorcery. One LP of mysterious duo invocations, followed by two LPs of primordial free rock. Through concentrated force and harnessed chaos, the trio patiently pushes primordial riffs to their noisiest, most visceral limits, striving to become the sound itself.

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Sunburned Hand of the Man

Style: Free-Rock, Ritual-Psych, Group Therapy, Abstract Groove

Moods: Spontaneous, Communal, Groovy, Ritualistic, Exploratory, Primordial, Abstract, Meandering, Mysterious, Cathartic, Primal, Kinetic, Spacey, Eccentric, Stream-of-Conscious

Musical Qualities: Collective Improvisation, Propulsive, Rhythmic, Percussive, Spoken Word, Dense, Droney, Lo-Fi, Repetitive

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The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

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Björk – Medulla

Style: Art Pop, Experimental Electronic, Trip-Hop

Vibe: Somatic, Primal, Sensual, Passionate, Winter, Ancestral, Complex, Imaginative, Surreal, Heartfelt

Musical Qualities: A’Cappella, Choral Vocals, Experimental Vocals (Throat Singing, Beat Boxing, Manipulated Vocal Production), Studio-as-an-Instrument

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Sumac – Love in Shadow

Style: Free Sludge, Post-Metal

Vibe: Heavy, Cathartic, Murky, Aggressive, Surreal, Complex, Epic, Primal, Abstract, Powerful

Musical Qualities: Dissonant, Noisy, Collective Improvisation, Growling Vocals, Progressive Structures, Odd Time Signatures, Fuzzy Riffs, Dynamic, Reductionism

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Fire! – Defeat

Style: Avant-Garde Jazz, Progressive Fusion

Vibe: Nocturnal, Groovy, Primal, Surreal, Alien, Propulsive, Powerful, Seductive, Suspenseful, Moody, Monochromatic

Musical Qualities: Rhythmic, Polyphonic, Complex, Dissonant, Extended Technique, Thematic Improvisation, Repetition, Experimental Vocals

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Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

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Keiji Haino & Sumac

The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.

Style: Free-Sludge, Avant-Metal, Free Improvisation

Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex

Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive

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Death Grips – The Powers that B

This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).

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