Styles: Progressive Pop, Post-Industrial Chamber Music, IDM, Gabber, Deconstructed Club
Moods: Earthy, Knotty, Sensual, Futuristic, Surreal, Romantic, Mystical, Passionate, Messy, Hallucinogenic, Intense, Forest, Eccentric, Epic, Tribal
Musical Qualities: Polyphonic, Dense, Dynamic, Complex, Glitchy, Progressive, Uncommon Time Signatures, Electro-Acoustic
Instrumentation: Digital Programming, Woodwinds (Bass Clarinet, Oboe, Clarinet), Strings, Choral Vocals
Style: Free Folk, Organic Music, Progressive Folk, Psychedelic Chamber Music
Moods: Ritualistic, Ancient, Flowing, Tribal, Earthy, Communal, Hypnotic, Intertwined, Medieval, Mysterious, Mystical, Nocturnal
Musical Qualities: Percussive, Collective Improvisation, ?Acoustic, Suite, Thematic, Progressive, Atmospheric, Repetitive
Style: Free Folk, Cosmic Folk, New Weird Americana, Psych Folk
Vibe: Haunting, Rustic, Mysterious, Intertwined, Suspenseful, Communal, Eerie, Ragged, Discomforting, Ritualistic, Raw
Musical Qualities: Lo-Fi, Droney, Loose, Improvisation, Electro-Acoustic, Percussive
On this self-titled collaboration, acid folk luminaries Helena Espvall (Espers) and Masaki Batoh (Ghost) create mysterious and earthy interpretations of traditional Medieval, Swedish, Japanese, and Finnish folk songs, plus a Son House cover, an original, and a handful of free improvisations.
Helena Espvall & Masaki Batoh Read More »
Released in 1974 Chrysalis Pressing (US, 1978) Format: LP Style: Psychedelic Chamber Folk, Singer/Songwriter, Progressive Folk Vibe: Romantic, Floating, Heartfelt, Introspective, Psychedelic, Intimate, Contemplative, Dreamy, Elegant, Mellow, Morning, Peaceful, Airy Musical Qualities: Vocal Harmonies, Acoustic, Sparse, Lush, Progressive, Lyrical, Melodic
Roy Harper – Valentine Read More »
Style: Psychedelic Chamber Music, Kosmische Musik, Ritual-Folk, Global Fusion
Vibe: Spiritual, Meditative, Communal, Psychedelic, Earthy, Forest, Ritualistic, Tribal
Musical Qualities: Acoustic, Atmospheric, Chamber, Droney, Raga, Percussive, Chants
Instrumentation: Oboe, Keyboards, Conga, Acoustic Guitar, Bamboo Flute
Between – And the Waters Opened Read More »
Style: New Weird America, Alt-Country, Psychedelic Americana, Chamber Folk
Vibe: Rustic, Rootsy, Bittersweet, Psychedelic
Musical Attributes: Chamber, Percussive, Studio-as-an-instrument, Rhythmic, Electro-Acoustic, Loops
Instrumentation: Acoustic Guitar, Banjo, Vocals, Keyboards, Synthesizer, Fiddle, Mallet Percussion, Horns, Electronic Percussion, Upright Bass, Electric Bass, Piano
Califone – All My Friends Are Funeral Singers Read More »
Psychedelic electro-acoustics and earthy minimalism from long-running avant-folk group Spires that in the Sunset Rise. The multi-instrumentalist duo of Ka Baird and Taralie Peterson ritualistically loop and layer a hypnotic tapestry of pre-verbal vocalizations, upright bass, flute, saxophone, synth, and autoharp, running each instrument through trippy stereo delays, visually represented by the two minute-apart clocks next to each other on the album cover. While not as witchy or jarring as the their early releases, Psychic Oscillations finds the band as entrancing as ever.
Spires that in the Sunset Rise – Psychic Oscillations [Review] Read More »
