Style: Progressive Electronic, Film Score, Experimental
Vibes: Dystopian, Hallucinatory, Mysterious, Suspenseful, Gloomy, Hypnotic, Futuristic, Exploratory, Ominous, Cinematic, Haunting, Imaginative
Musical Qualities: Suite, Vignettes, Atmospheric, Studio-as-an-Instrument, Progressive
Instrumentation: Synthesizers, Piano, Experimental Vocals, Drums
Robert Wyatt – The Animals Film Read More »
featuring Robert Wyatt,. Karen Kraft, Chris Spedding, Gary Windo, Gary Valente, Howard Johnson, Terry Adams
Style: Jazz-Rock, Avant-Rock, Zolo
Vibes: Playful, Surreal, Theatric, Anxious, Complex, Cryptic, Eccentric
Carla Bley & Nick Mason – Fictitious Sports Read More »
Style: Canterbury Scene, Progressive Pop
Moods: Plaintive, Playful, Lonely, Longing, Melancholy, Dreamy, Eccentric, Tender, Sentimental
Instrumentation: Mellotron, Piano, Drums, Organ, Electric Bass, Electric Guitar, Electric Piano, Drums, Voice
Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced
Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting
Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose
Style: Canterbury Scene, Jazz-Rock, Progressive Pop
Moods: Surreal, Playful, Warm, Cryptic, Bittersweet, Eccentric, Imaginative, Meandering, Bright
Musical Qualities: Suite, Melodic, Studio-as-an-Instrument, Progressive, Experimental Vocals
Instrumentation: Piano, Trumpet, Vocals, Electric Bass, Saxophone, Bass Clarinet, Drums
Robert Wyatt – Ruth is Stranger Than Richard Read More »
Style: Canterbury Scene, Progressive Pop, Art Rock, Singer/Songwriter
Vibe: Playful, Uplifting, Eclectic, Joyful, Eccentric, Stoned, Warm, Eccentric, Romantic
Musical Qualities: Catchy, Lush, Melodic, Lyrical, Orchestral
Kevin Ayers – Whatevershesbringswesing Read More »
Style: Art Pop, Experimental Electronic, Trip-Hop
Vibe: Somatic, Primal, Sensual, Passionate, Winter, Ancestral, Complex, Imaginative, Surreal, Heartfelt
Musical Qualities: A’Cappella, Choral Vocals, Experimental Vocals (Throat Singing, Beat Boxing, Manipulated Vocal Production), Studio-as-an-Instrument
Style: Surreal Pop, Imaginative Singer/Songwriter, Prog-Pop, Canterbury Scene
Vibe: Dreamy, Ethereal, Airy, Floating, Surreal, Eclectic, Introspective, Complex, Mellow, Imaginative, Atmospheric
Musical Attributes: Progressive, Melodic, Studio-as-an-Instrument, Active listening, Jazz-Influenced
Robert Wyatt – Shleep Read More »
Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock
Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic
Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano
Robert Wyatt – Old Rottenhat Read More »
Style: Canterbury Scene, Jazz-Rock, Progressive Rock
Vibe: Exploratory, Complex, Mysterious, Epic
Musical Attributes: Collective Improvisation, Instrumental, Thematic, Suite, Progressive, Technical, Live, Odd Time Signatures
Soft Machine – Live at Henie Onstad Art Center 1971 Read More »
Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced
Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting
Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose
The Soft Machine – The Soft Machine [2nd Press] Read More »
Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)
Soft Machine – Third Read More »
Released in 1974 on Virgin Records Original U.S. Pressing, Promo Copy
Robert Wyatt – Rock Bottom [Promo] Read More »
Soft Machine’s second album is an eclectic suite packed full of whimsical psychedelia, Dadaist detours, complex prog structures and jazz-inspired musicianship.
Soft Machine – Volume Two Read More »
