Robert Wyatt

Matching Mole

Style: Canterbury Scene, Progressive Pop

Moods: Plaintive, Playful, Lonely, Longing, Melancholy, Dreamy, Eccentric, Tender, Sentimental

Instrumentation: Mellotron, Piano, Drums, Organ, Electric Bass, Electric Guitar, Electric Piano, Drums, Voice

The Soft Machine

Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced

Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting

Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose

Robert Wyatt – Ruth is Stranger Than Richard

Style: Canterbury Scene, Jazz-Rock, Progressive Pop

Moods: Surreal, Playful, Warm, Cryptic, Bittersweet, Eccentric, Imaginative, Meandering, Bright

Musical Qualities: Suite, Melodic, Studio-as-an-Instrument, Progressive, Experimental Vocals

Instrumentation: Piano, Trumpet, Vocals, Electric Bass, Saxophone, Bass Clarinet, Drums

Kevin Ayers – Whatevershesbringswesing

Style: Canterbury Scene, Progressive Pop, Art Rock, Singer/Songwriter

Vibe: Playful, Uplifting, Eclectic, Joyful, Eccentric, Stoned, Warm, Eccentric, Romantic

Musical Qualities: Catchy, Lush, Melodic, Lyrical, Orchestral

Björk – Medulla

Style: Art Pop, Experimental Electronic, Trip-Hop

Vibe: Somatic, Primal, Sensual, Passionate, Winter, Ancestral, Complex, Imaginative, Surreal, Heartfelt

Musical Qualities: A’Cappella, Choral Vocals, Experimental Vocals (Throat Singing, Beat Boxing, Manipulated Vocal Production), Studio-as-an-Instrument

Robert Wyatt – Shleep

Style: Surreal Pop, Imaginative Singer/Songwriter, Prog-Pop, Canterbury Scene

Vibe: Dreamy, Ethereal, Airy, Floating, Surreal, Eclectic, Introspective, Complex, Mellow, Imaginative, Atmospheric

Musical Attributes: Progressive, Melodic, Studio-as-an-Instrument, Active listening, Jazz-Influenced

Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

Soft Machine – Live at Henie Onstad Art Center 1971

Style: Canterbury Scene, Jazz-Rock, Progressive Rock

Vibe: Exploratory, Complex, Mysterious, Epic

Musical Attributes: Collective Improvisation, Instrumental, Thematic, Suite, Progressive, Technical, Live, Odd Time Signatures

The Soft Machine – The Soft Machine [2nd Press]

Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced

Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting

Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose

Soft Machine – Third

Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)

Soft Machine – Volume Two

Soft Machine’s second album is an eclectic suite packed full of whimsical psychedelia, Dadaist detours, complex prog structures and jazz-inspired musicianship.