Songs: Ohia – Love & Work: The Lioness Sessions

Style: Lo-Fi Singer/Songwriter, Slowcore, Alt-Country

Vibe: Intimate, Depressive, Romantic, Nocturnal, Sombre, Tender, Haunting, Dark, Lethargic, Lonely, Longing, Love, Poetic, Raw

Smog – Red Apple Falls

Style: Singer/Songwriter, Americana, Slowcore, Alt-Country, Loner Folk

Vibe: Existential, Warm, Morning, Spiritual, Deadpan, Peaceful, Poetic, Introspective, Lonely, Melancholy, Mellow, Contemplative, Intimate

Musical Qualities: Slow, Lo-fi, Lush, Soft, Sparse, Lyrical

Instrumentation: Pedal Steel, Piano, Hammond Organ, Guitar, Trumpet, Drums, Drum Machine, Hurdy Gurdy, French Horn

Richard Youngs – Sapphie

Style: Lo-Fi Songwriter, Loner Folk, Slowcore

Vibe: Intimate, Sad, Ethereal, Hypnotic, Heartfelt, Stream of Consciousness, Introspective, Longing, Depressive, Lonely, Melancholy, Loss

Musical Qualities: Sparse, Acoustic, Lo-Fi, Minimalistic, Raw, Repetitive

Damon & Naomi – Within These Walls

Style: Chamber Folk, Slowcore, Dream Country

Vibe: Flowing, Lethargic, Peaceful, Dreamy, Melancholy, Elegant, Airy, Romantic, Bittersweet, Contemplative, Intertwined, Intimate, Mellow, Sentimental, Smooth, Soothing, Twangy

Musical Qualities: Acoustic, Lush, Slow, Soft, Simple, Chamber Arrangements, Melodic

Bonnie ‘Prince’ Billy – Beware

Style: Singer/Songwriter, Americana, Loner Folk, Slowcore-Country

Vibes: Contemplative, Bittersweet, Warm, Loner, Mellow, Uplifting, Love, Break-up, Intimate, Heartfelt, Playful, Soothing, Intertwined

Musical Qualities: Acoustic, Lush, Lyrical, Vocal Harmonies

Nick Cave & the Bad Seeds – Skeleton Tree

On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.

Bonnie ‘Prince’ Billie & Matt Sweeney – Superwolves

Style: Americana, Singer-Songwriter, Folk, Slowcore

Vibe: Moody, Cryptic, Grim, Playful, Surreal, Stark, Sexual, Bittersweet, Warm, Dark Humor

Musical Qualities: Lyrical, Acoustic, Melodic, Sparse

Palace Brothers – There is No-One What Will Take Care of You

Style: Lo-Fi Folk, Slowcore Country, Singer/Songwriter

Vibe: Religious, Raw, Melancholy, Back-Porch, Lethargic, Stark, Intimate, Rustic

Lyrics: Christian, Alienation, Sexual

Musical Qualities: Acoustic, Sparse, Lo-Fi

Vic Chesnutt – At the Cut

Style: Singer/Songwriter, Southern Gothic, Chamber Punk, Slowcore, Folk Rock

Vibe: Depressive, Angsty, Triumphant, Moody, Introspective, Somber, Passionate, Sad, Cathartic

Musical Attributes: Dynamic, Raw

Instrumentation: Acoustic Guitar, Electric Guitars, Upright Bass, Violin, Drums

Bonnie Prince Billy – Ask Forgiveness

Bonnie covers Björk, Mickey Newbury, Danzig, R. Kelly and others with help from Espers’ Meg Baird & Greg Weeks

Style: Folk, Slowcore, Singer/Songwriter

Vibe: Introspective, Morning, Melancholy, Existential, Bittersweet

Musical Qualities: Covers, Vocal Harmonies, Sparse, Soft, Acoustic

Papa M – Whatever, Mortal

Style: Singer/Songwriter, Slowcore, Americana

Vibe: Apathetic, Bittersweet, Breakup, Contemplative, Depressive, Humorous, Intimate, Lethargic, Loner, Love, Melancholy, Mellow, Moody, Personal, Rootsy

Musical Attributes: Acoustic, Sparse, Simple

Slint – Spiderland

Style: Post-Rock, Math Rock, Post-Hardcore, Slowcore

Vibe: Angsty, Angular, Cold, Heavy, Impressionistic, Suspenseful

Lyrical Themes: Alienation, Existential, Poetic, Storytelling

Musical Attributes: Dynamic, Slow, Dissonant, Raw, Repetitive

Mogwai – Mr. Beast

Style: Post-Rock, Shoegaze, Slowcore

Vibe: Cinematic, Moody, Contemplative, Focused, Fuzzy, Melancholy, Sombre, Cathartic

Musical Attributes: Dynamic, Melodic, Noisy, Repetitive, Slow, Atmospheric, Polyphonic

Dirty Three – Horse Stories

The third album from the Melbourne (Au) violin/guitar/drum trio consists of loose, drifting instrumentals that conjure images of vast, open plains. Though the music here is often melancholic and lethargic, it is occasionally swept up with bursts of passionate energy and possessed by cathartic longing (especially the pleading and utterly beautiful violin solo on “Warren’s Lament”). All three instrumentalists have very individual styles that complement and dialogue with each other in refreshingly unique ways.