Released in 2015 on Asthmatic Kitty Records Format: LP, clear vinyl First Pressing, limited to 10,000 copies
Tag: Sparse
Helen Money – Arriving Angels
Released in 2013 on Corpse Flower Records Format: LP, Orange Vinyl Limited to 300 copies, 215/300
Bob Dylan – The Times They Are A-Changin’
Released in 1964 on Columbia Records Recorded in 1963 Format: LP
Ensemble Pearl – Ensemble Pearl
Released in 2013 by Drag City Format: LPx2 Front and back cover by Michal Mozolewski Inner gatefold drawing by Simon … More
Songs: Ohia – Ghost Tropic
Earth – Angels is Darkness, Demons of Light II
Released in 2012 on Southern Lord Records Format: LPx2, etching on D-side
Bob Dylan – More Blood, More Tracks: The Bootleg Series Vol. 14
Released in 2018 on Columbia Records Recorded September and December, 1974
Palace Brothers – Palace Brothers
lojii – lofeye
Categorization and comparison are the least of lojii’s worries, instead prioritizing creative expression and finding spiritual truth and power in this dimly lit dystopia. He delivers his prophetic words with a focused, unwavering determination, while the beats are gritty and nocturnal with their open percussion, eerie synths, and negative space. Don’t miss out on this one.
Harold Budd/Brian Eno – Ambient 2: The Plateaux of Mirror
Enveloping blankets of piano and synthesizers that are mostly beautifully soothing, but occasionally venture down shadowy alleyways full of eerie suspense.
Brian Eno – Ambient 1: Music for Airports
Information: Released in 1978 on PVC Records Format: LP
Bob Dylan – The Freewheelin’ Bob Dylan
Information: Originally released in 1963 on Columbia This pressing was released in 2001 on Sundazed records Format: LP, 180g, Mono
A Silver Mt. Zion – He Has Left Us Alone But Shafts Of Light Sometimes Grace The Corner Of Our Rooms…
Album Information: Released in 2000 on Constellation Records Recorded November 1999 at the mighty Hôtel2Tango
Western Skies Motel – Settlers
Somber ambient-folk with layers of delicate, circular fingerpicking and sparse arrangements of droning harmonium, piano, guitar feedback and the occasional chirping crickets. The soft reverb dampens everything like a light drizzle over the American prairie
Jason Molina: Pyramid Electric Co.
Unlike Molina’s work with Songs: Ohia or Magnolia Electric Co, this sparse, weary record is void of guest musicians or overdubs, leaving his words alone with nothing but a damp bed of reverbed guitar or mournful, sustained piano chords supporting them.
