Tortoise

Tortoise & The Ex – In the Fishtank 5

Style: Experimental Rock, Noise Rock

Vibe: Angsty, Hypnotic, Muscular, Deconstructed, Anxious, Aggressive, Surreal, Moody

Musical Qualities: Noisy, Dissonant, Repetitive, Rhythmic, Improvisation, Spoken Word

Sam Prekop – Sam Prekop

Featuring Jim O’Rourke, Josh Abrams, Rob Mazurek, Chad Taylor, John McEntire, Julie Pomerleau, & Archer Prewitt

Style: Chamber Pop, Jazz Pop, Lounge Music

Influences: Bossa Nova, Math Rock, Post-Rock

Vibe: Gentle, Breezy, Intricate, Summer, Intertwined, Mellow, Bright, Smooth

Musical Qualities: Lush, Soft, Polished, Melodic

Pullman – Turnstyles & Junkpiles

LP, Thrill Jockey, 1998 Reissue (2015) Style: Chamber Folk Vibe: Pastoral, Peaceful, Warm, Focused, Morning, Intertwined Musical Qualities: Acoustic, Technical, Melodic Instrumentation: Acoustic Guitars, Acoustic Bass, Classical Guitar, Irish Bazouki, and Dobro

Tortoise – TNT

Style: Post-Rock, Experimental Rock
Influences: Dub, Kosmische Musik, Bossa Nova, Lounge, Minimalism, Jazz, Electronic
Vibe: Contemplative, Eclectic, Focused, Futuristic, Impressionistic, Lush, Meditative, Peaceful, Soothing
Musical Attributes: Atmospheric, Complex, Digital Production, Percussive, Polyphonic, Studio-as-an-Instrument, Loops, Headphone Album, Rhythmic, Pulse, Instrumental, Progressive, Polished

Tortoise – Tortoise

Originally released in 1994 on Thrill Jockey Records 2016 reissue Recorded November 29 thru December 5, 1993

Brokeback – Field Recordings from the Cook County Water Table

Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)

Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks