Samoans – Laika
Progressive alt-rock that prioritizes dynamics and atmosphere over flashy solos or superfluous complexity. Recommended for fans of Oceansize, Deftones, Mogwai, or the last two Isis albums.?
Vinyl
Vinyl Williams – Into
Kaleidoscopic pop driven by round, groovy bass locked in with funky, motorik drumming, all floating through layers of swirling, delayed guitars, shimmering synths, and dreamy vocals. Recommended to anyone looking for a smooth, sugary middle ground between Stereolab, Toro y Moi, and Neu!
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Godspeed You! Black Emperor – Yanqui U.X.O.
Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer.
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Iron & Wine – Ghost on Ghost
Charming 70’s AM Pop vibes with elaborate string and horn arrangements and a jazzy rhythm section, including the legendary Brian Blade on drums. Great songwriting from Sam Beam, as usual.
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Tim Buckley – Blue Afternoon [4menwithbeards]
Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.
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Joni Mitchell – The Hissing of Summer Lawns
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
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Ought – More Than Any Other Day
An anxious, eccentric celebration of the mundane informed by post-punk, noise, no wave, and drone.
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Danny Brown – Atrocity Exhibition
On his Warp Records debut, the eccentric rapper crafts an album of shadowy hip-hop that expresses a unique creative vision. His bipolar, extremely personal lyrics fluctuate from paranoid agoraphobia and self-deprecating reflection to uninhibited hedonism and braggadocios swagger, sometimes in the course of a couple lines. Highly recommended for fans of Busdriver, Aesop Rock and other psychedelic hip-hop artists
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Sturgill Simpson – Metamodern Sounds in Country Music
Psychedelic, cosmic country with a raw emotional core.
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Jim O’Rourke – Bad Timing
An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements
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David Bowie – Low
Style: Art Rock, Ambient (Side B)
Moods: Manic, Cryptic, Surreal, Alienation, Anxious, Abstract, Lonely, Futuristic
Musical Qualities: Studio-as-an-Instrument, Groovy, Atmospheric
Songs: Ohia – The Magnolia Electric Co
“Sometimes it’s hard doing anything”. Somehow Jason Molina knows how to perfectly express what depression feels like without ever succumbing to hopelessness. His music has been a friend and a voice of encouragement when I need it most, reminding me to persist and not beat myself up when I feel unproductive or lazy or unmotivated. “The real truth about it is no one gets it right. The real truth about it is we’re all supposed to try”
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Akron/Family – S/T II: The Cosmic Birth and Journey of Shinju TNT
For fans of eclectic psych rock, communal freakfolk celebrations, and references to Kurt Vonnegut and Pharoah Sanders
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Bitchin Bajas – Bitchitronics
Soothing, cosmic drones constructed with tape loops, synths, organs, guitar, mellotron and flute.
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Tim Hecker – Harmony in Ultraviolet
A dense fog you can sink into and never want to leave…Glacial, enveloping waves of sound meticulously sculpted from processed organs, piano, and distorted guitar feedback.
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Feist – Pleasure
A cohesive, intimate collection of chamber pop songs, ornate with colorful arrangements, lush production, and some bluesy guitar licks.
Marvin Gaye – What’s Going On
Style: Soul, Singer/Songwriter
Moods: Conscious, Spiritual, Passionate, Uplifting, Bittersweet, Christian, Peaceful, Political, Sentimental, Warm
Musical Qualities: Lush, Groovy, Lyrical, Suite, Melodic
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Nick Drake – Five Leaves Left
Style: Chamber Folk, Singer-Songwriter, Brit-Folk
Moods: Rainy, Melancholy, Sombre, Intimate, Peaceful, Lonely, Contemplative, Pastoral, Mellow
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Western Skies Motel – Settlers
Somber ambient-folk with layers of delicate, circular fingerpicking and sparse arrangements of droning harmonium, piano, guitar feedback and the occasional chirping crickets. The soft reverb dampens everything like a light drizzle over the American prairie
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Bob Dylan – Live 1966: The “Royal Albert Hall” Concert (Bootleg Series Vol. 4)
Recorded at Royal Albert Hall in 1966
Format: 2xLP Box Set, 200g, Includes 12″ 20-page booklet of photos and essays
Style: Singer/Songwriter, Folk-Rock
Mood: Cryptic, Poetic, Reflective, Bittersweet, Rebellious, Romantic, Surreal, Intimate
Musical Qualities: Lyrical, Live, Melodic, Simple, Raw, Solo (LP1), Acoustic (LP1)
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Leo Kottke – 6 & 12-String Guitar
Style: American Primitive Guitar, Folk
Moods: Joyful, Warm, Playful, Summer, Contemplative, Rootsy, Pastoral, Nature, Loner
Musical Qualities: Solo, Acoustic, Fingerstyle, Instrumental, Technical
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Jack Rose – Opium Musick
Primitivist acoustic guitar instrumentals in the form of droney ragas, jovial ragtime, and pastoral fingerpicking
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J.J. Cale – Naturally
The debut LP from this unpretentious songwriters’ songwriter offers a quality collection of warm & uplifting songwriting with economic guitar genius and top-notch rootsy arrangements, featuring the heavenly, dreamy reflections of “Magnolia”.
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Jason Molina – Pyramid Electric Co.
Unlike Molina’s work with Songs: Ohia or Magnolia Electric Co, this sparse, weary record is void of guest musicians or overdubs, leaving his words alone with nothing but a damp bed of reverbed guitar or mournful, sustained piano chords supporting them.
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Ryley Walker – Primrose Green
Jazzy Folk-Rock with dynamic songwriting, passionate vocals, and acoustic shredding accompanied by fluid drums, watery vibraphones, distorted keys and groovy upright bass. FFO Astral Weeks, Joni Mitchell, John Martyn, and Tim Buckley
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Botany – Deepak Verbera
organic washes of piano and zither, analog synthesizers, wood flutes, saxophone, and the occasional free jazz drums recorded, looped, and manipulated through cassette and reel tape recorders and then masterfully woven into a cosmic tapestry of blissful, meditative drones
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Jack DeJohnette – In Movement
The past, present, and future of jazz converge on this progressive new release from the legendary drummer Jack DeJohnette, who’s played on everything from Miles Davis’ Bitches Brew to albums with Keith Jarrett, Alice Coltrane, Freddie Hubbard, and numerous other masters since the late 60?s. Joining him are two descendants of the classic John Coltrane Quartet, Ravi Coltrane on tenor and soprano sax and Matthew Garrison (son of Jimmy Garrison) on electric bass and electronics. Rather than dwell in the shadows of their fathers, these two have already developed their own powerful and unique voices which are welcome additions to the jazz lineage.
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Omar Rodriguez-López – Xenophanes [Review]
This album is full of energetic, psych-prog maximalism that occasionally settles down into (relatively) slowed down, spacious grooves. I recommend this to fans of The Mars Volta or anyone looking for a manic blend of psych, prog, fusion, punk and latin influences.
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Holy Sons – The Fact Facer [Review]
I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.
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Dead Recipe – Day of Mangoes [Review]
“Day of Mangoes” is overstimulation at it’s finest. Just imagine floating down a river through an unexplored tropical paradise where every corner brings a new array of colorful sounds. Warm synths gliding over clunking piano give way to chorus-drenched highlife guitars strumming over thick synth basslines. Manipulated vocal samples emerge from nowhere and then disappear into radio static just as quickly…RIYL: Animal Collective, King Sunny Ade, & Madlib
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John Coltrane – Interstellar Space [Review]
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
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Björk – Vulnicura
Style: Art Pop, Trip-Hop, Experimental Electronic
Vibe: Breakup, Passionate, Heartfelt, Personal, Intense, Futuristic
Musical Qualities: Orchestral, Glitchy, Lush, Digital Beats
[Click for full review]