1980s

Ut – In gut’s House

Style: No Wave, Post-Punk, Experimental Rock, Noise Rock

Vibes: Angsty, Visceral, Hypnotic, Urban, Intertwined, Aggressive, Dystopian, Brooding, Cathartic, Cryptic, Dark, Moody, Ominous, Passionate, Raw

Musical Qualities: Noisy, Dissonant, Vocal Harmonies, Heavy, Lo-Fi

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Robert Wyatt – The Animals Film

Style: Progressive Electronic, Film Score, Experimental

Vibes: Dystopian, Hallucinatory, Mysterious, Suspenseful, Gloomy, Hypnotic, Futuristic, Exploratory, Ominous, Cinematic, Haunting, Imaginative

Musical Qualities: Suite, Vignettes, Atmospheric, Studio-as-an-Instrument, Progressive

Instrumentation: Synthesizers, Piano, Experimental Vocals, Drums

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Arthur Russell – Iowa Dream

Style: Singer/Songwriter, Folk Pop, Americana

Vibe: Warm, Tender, Romantic, Reflective, Playful, Love, Compassionate, Rustic, Bittersweet, Intimate, Mellow

Musical Qualities: Catchy, Lyrical, Lush, Home Recording, Acoustic, Melodic

Instrumentation: Vocals, Cello, Acoustic Guitar, Piano, Drums, Keyboards, Organ, Vibraphone, Tabla, Violin, Bongos, Horns, Flute, Bass

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Tim Berne – 7X

featuring Alex Cline, Nels Cline, Vinny Golia, Roberto Miranda, & John Rapson

Style: Post-Bop, Avant-Garde Jazz

Vibe: Busy, Urban, Knotty, Energetic, Driving, Bombastic, Complex, Powerful

Musical Qualities: Polyphonic, Collective Improvisation, Dynamic, Shredding, Technical, Thematic, Rhythmic

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Steve Tibbetts – Yr

Style: Progressive Folk, Jazz Fusion, ECM Jazz

Vibes: Mystical, Pastoral, Ethereal, Ancient, Pagan, Earthy, Exploratory, Smooth, Spiritual

Musical Qualities: Acoustic, Atmospheric, Complex, Instrumental, Uncommon Time Signatures, Percussive, Polyrhythmic, Progressive, Shred, Technical

Instrumentation: Acoustic & Electric Guitars, Congas, Drums, Kalimba, Synthesizer, Tabla, Electric Bass, Bongos

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Michael O’Shea

Style: Avant-Folk, Post-Minimalism

Moods: Hypnotic, Mysterious, Meditative, Ritualistic, Nocturnal, Haunting, Ethereal

Musical Qualities: Pulse, Homemade Instrument, Minimalistic, Solo, Improvisation, Repetitive, Electro-Acoustic, Extended Technique, Sparse

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Pererin – Haul ar yr eira

Style: Progressive Folk-Rock, Welsh Folk

Moods: Medieval, Mystical, Sentimental, Epic, Passionate, Earthy, Communal, Intricate

Instrumentation: Acoustic & Electric Guitars, Vocal Harmonies, Celtic Harp, Flute, Bodhran, Congas, Bongos, Keyboard, Electric Bass, Recorder, Drums, 12-String Guitar, Mandolin, Mellotron

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Tim Berne – Fulton Street Maul

featuring Bill Frisell, Alex Cline, Hank Roberts

Style: Jazz Fission, Avant-Garde Jazz

Moods: Gritty, Angular, Apocalyptic, Aggressive, Bombastic, Chaotic, Dark, Disorienting, Driving, Dystopian, Futuristic, Heavy, Intense, Urban

Musical Qualities: Dissonant, Improvisation, Uncommon Time Signatures, Progressive, Rhythmic

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Arthur Blythe – Illusions

Style: Free Jazz, Abstract Groove, Avant Jazz-Funk

Moods: Funky, Playful, Angular, Driving, Passionate, Intertwined, Eccentric, Triumphant, Uplifting, Knotty, Exploratory, Kinetic, Spiritual, Energetic

Musical Qualities: Thematic, Rhythmic, Uncommon Time Signatures, Progressive, Dense, Collective Improvisation, Technical

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Fred Frith – Gravity

Style: Zolo, Experimental Rock, Avant-Prog, Rock in Opposition, European-Folk Influenced

Vibe: Angular, Playful, Eccentric, Surreal, Disorienting

Musical Qualities: Dissonant, Uncommon Time Signatures, Progressive, Rhythmic, Technical

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Osamu Kitajima – Masterless Samurai

Styles: Jazz-Funk, Japanese Folk, Prog

Moods: Triumphant, Spring, Smooth, Mysterious, Epic, Adventure

Musical Qualities: Lush, Groovy, Progressive, Uncommon Time Signatures, Orchestral, Improvisation, Instrumental, Technical

Instrumentation: Shakuhachi, Koto, Shamisen, Synthesizers, Biwa, Acoustic Guitar, Strings, Electric Bass, Drums, Percussion, Rhodes, Saxophone, Piano, Ehru, Gong, Organ

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African Head Charge – My Life in a Hole in the Ground

LP, On-U Sound Records (1981/2016 RE) Styles: Industrial Dub, African Folk Music, Psychedelic Electronic Moods: Mysterious, Nocturnal, Earthy, Spiritual, Surreal, Tribal, Mechanical, Dark, Hypnotic, Groovy, Exploratory, Psychedelic, Woozy Musical Qualities: Percussive, Polyrhythmic, Studio-as-an-instrument, Repetitive, Loops My Life In A Hole In The Ground by African Head Charge

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Osjan – Roots

Style: Free Folk, Organic Music, Progressive Folk, Psychedelic Chamber Music

Moods: Ritualistic, Ancient, Flowing, Tribal, Earthy, Communal, Hypnotic, Intertwined, Medieval, Mysterious, Mystical, Nocturnal

Musical Qualities: Percussive, Collective Improvisation, ?Acoustic, Suite, Thematic, Progressive, Atmospheric, Repetitive

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A.R. Kane – 69

Style: Dream Pop, Neo-Psychedelia

Vibe: Ethereal, Sensual, Moody, Nocturnal, Messy, Abstract, Dreamy, Eclectic, Hedonistic, Psychedelic, Surreal

Musical Qualities: Washy, Catchy, Raw, Dub FX, Noisy

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Brother Ah and the Sounds of Awareness – Key to Nowhere

Style: Spiritual Jazz, World Fusion, Soul Jazz

Vibe: Devotional, Communal, Flowing, Peaceful, Warm, Mysterious, Longing, Conscious, Uplifting, Cosmic, Airy, Groovy, Lush, Eclectic

Musical Qualities: Acoustic, Percussive, Improvisation, Thematic, Instrumental (Except A1, B3)

Instrumentation: Flute, Harp, Electric Guitar, Mbiri, Upright Bass, Drums, Gong, French Horn, Harmonica, Berimbau, Electric Bass, Percussion

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Material – Temporary Music

Style: Industrial Jazz-Funk, Abstract Fusion, No Wave

Vibe: Futuristic, Menacing, Cold, Groovy, Mechanical, Hypnotic, Industrial, Dystopian

Musical Qualities: Rhythmic, Repetitive, Dub Production, Instrumental, Percussive, Sampling

Instrumentation: Saxophone, Electric Bass, Drums, Percussion, Electric Guitar, Rhythm Box, Prepared Piano, Clarinet

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John Carter – Fields

Style: Avant-Garde Jazz, Country-Jazz, Jazz Theater

Vibe: Rural, Historical, Sombre, Resolute, Intertwined, Passionate, Storytelling, Determined, Resolute, Heartfelt, Complex, Theatric, Conceptual

Musical Qualities: Suite, Acoustic, Progressive, Collective Improvisation, Polyphonic, Dynamic, Technical

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Peter Kardas – I Saw You

Style: Inner Space Music, Ambient Pop, Tape Music, Minimal Wave

Vibe: Ethereal, Suspenseful, Introspective, Soothing, Nocturnal, Hypnotic, Meditative, Cinematic, Dreamy, Ominous (A2, B2, B3)

Musical Qualities: Pulse, Home Recording, Minimalistic, Atmospheric, Vignettes

Instrumentation: Keyboards, Drum Machine, Vocals, Tape Loops, Electric Guitar, Marimba, Echo

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The Same – The Same

LP, Originally released in 1981 by Unlikely Records Freedom to Spend Reissue (2021) Style: Ambient Pop, Experimental Home Recording, Minimal Wave Vibe/Mood: Aquatic, Nocturnal, Hypnotic, Impressionistic, Moody, Intertwined, Dreamy, Headphone album Musical Qualities: Loops, Home Recording, Atmospheric, Percussive, Polyphonic, Pulse, Electro-Acoustic Instrumentation: electric guitar, casio vl-tone, vocals, marimba, electric bass, acoustic guitar, digital organ

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King Crimson – Beat

Style: Art Rock, Progressive Pop

Vibe: Anxious, Eccentric, Romantic, Cerebral, Complex, Catchy, Bombastic, Dramatic, Surreal, Slick, Intertwined

Musical Qualities: Polyphonic, Uncommon Time Signatures, Polished, Progressive, Technical, Rhythmic

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Terry Riley – Shri Camel

Style: Ecstatic Minimalism, New Age, Drone

Vibe: Spiritual, Meditative, Heavenly, Cosmic, Hypnotic, Mystical, Longing, Intertwined

Musial Attributes: Just Intonation, Instrumental, Minimalistic, Repetitive, Suite, Improvisation, Drone

Instrumentation: Yamaha YC-45D Organ with multiple digital delay channels for live layering & interactions

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Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

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Anthony Davis – Epist?m?

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

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Strunz & Farah – Mosaico

“World Music” is often a cheap umbrella term for non-Eurocentric music, but when acoustic guitar shredders Jorge Strunz and Ardeshir Farah, from Costa Rica and Iran respectively, bring together a Cuban rhythm section, South Indian violinist, and Kuwaiti guitarist, the music they create truly does have a sense of cultural unity deserving of the term.
For fans of flamenco, Arabic folk, and acoustic guitar virtuosity

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Massacre – Killing Time

Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures

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