2000s
Sleep – Dopesmoker
Album Information: Originally released in 1999 as Jerusalem on London Records, and then in 2003 as Dopesmoker on Tee-Pee Records. This is the 2012 pressing on Southern Lord Format: LPx2, Blue vinyl, limited to 1000 copies
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The Antlers – Hospice
Released in 2009 on Frenchkiss Records Format: LP
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Do Make Say Think – You, You’re a History in Rust
LP, Released in 2007 on Constellation Records
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Erykah Badu – Mama’s Gun
Album Information: Released in 2000 on Motown Records 2016 pressing on Motown Format: LPx2
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A Silver Mt. Zion – He Has Left Us Alone But Shafts Of Light Sometimes Grace The Corner Of Our Rooms…
Album Information: Released in 2000 on Constellation Records Recorded November 1999 at the mighty Hôtel2Tango
Six Organs of Admittance – Asleep on the Floodplains
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
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Om – Pilgrimage
Style: Drone-Mantra, Drone-Metal, Stoner Metal
Moods: Spiritual, Devotional, Desert, Meditative, Epic, Monolithic
Musical Qualities: Slow, Droney, Dynamic, Fuzzy, Riffs, Heavy
Grails – Take Refuge in Clean Living
Released in 2008 on Important Records Format: LP
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White Denim – Fits/Exposion
Album Information: Released in 2009 on Downtown Music Exposion originally released in 2008 and is included as a bonus LP Origin: Austin, TX Format: LPx2
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Wilco – Yankee Hotel Foxtrot
Album Information: Released in 2002 on Nonesuch Records Produced by Wilco Mixed by Jim O’Rourke Recorded at the Loft, Chicago Format: 180g LPx2, includes CD
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Do Make Say Think – Goodbye Enemy Airship, The Landlord is Dead
“Recorded in an old wooden barn, this second album is swaddled in twilight autumnal ambiance. While the record is bookended by the band’s awesome psych-rock explosions, much of the material here shows increased referencing of jazz influences (modal horns, brushed percussion) and a more organic deployment of micro-electronics. Raw and polished, visceral and cerebral, the band combines rock and jazz traditions of space music with the ‘instrumental’ potentials of mixing room to present a true gem of a record.” (Press Release)
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Jim O’Rourke – The Visitor
A fingerpicking folk odyssey that traverses through passages of delicate piano motifs, tribal drum circles, meditative ambience, celebratory horn arrangements, reverent organ drones, and even a cathartic drum solo, all within a single 40 minute track.
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Do Make Say Think – Other Truths
Styles: Post-Rock
Moods: Autumnal, Focused, Hypnotic, Contemplative, Warm, Driving, Soothing
Musical Qualities: Instrumental, Atmospheric, Melodic
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Deerhoof – Friend Opportunity
Styles: Noise Pop, Art Rock, Neo-Psychedelia, Math-Pop
Moods: Playful, Cryptic, Energetic, Eclectic, Colorful, Angular, Tangled, Deconstructed
Musical Qualities: Uncommon Time Signatures, Catchy, Flux Tempo, Dynamic, Riffs, Progressive
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Godspeed You! Black Emperor – Yanqui U.X.O.
Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer.
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Songs: Ohia – The Magnolia Electric Co
“Sometimes it’s hard doing anything”. Somehow Jason Molina knows how to perfectly express what depression feels like without ever succumbing to hopelessness. His music has been a friend and a voice of encouragement when I need it most, reminding me to persist and not beat myself up when I feel unproductive or lazy or unmotivated. “The real truth about it is no one gets it right. The real truth about it is we’re all supposed to try”
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Tim Hecker – Harmony in Ultraviolet
A dense fog you can sink into and never want to leave…Glacial, enveloping waves of sound meticulously sculpted from processed organs, piano, and distorted guitar feedback.
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Jack Rose – Opium Musick
Primitivist acoustic guitar instrumentals in the form of droney ragas, jovial ragtime, and pastoral fingerpicking
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Jason Molina – Pyramid Electric Co.
Unlike Molina’s work with Songs: Ohia or Magnolia Electric Co, this sparse, weary record is void of guest musicians or overdubs, leaving his words alone with nothing but a damp bed of reverbed guitar or mournful, sustained piano chords supporting them.
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Omar Rodriguez-López – Xenophanes [Review]
This album is full of energetic, psych-prog maximalism that occasionally settles down into (relatively) slowed down, spacious grooves. I recommend this to fans of The Mars Volta or anyone looking for a manic blend of psych, prog, fusion, punk and latin influences.
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