2005

Murcof – Remembranza

Styles: Chamber Ambient, Dark Ambient, Glitch, Ambient Techno

Vibes: Nocturnal, Brooding, Eerie, Mysterious, Cinematic, Dark, Desolate, Hypnotic, Melancholy, Mournful, Mysterious, Ominous, Shadowy, Sombre, Suspenseful

Musical Qualities: Micro-Sampling, Electro-Acoustic, Glitchy, Atmospheric, Instrumental, Orchestral, Beats

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Spires that in the Sunset Rise – Four Winds the Walker

Style: Avant-Folk, Acid Folk, Free Folk

Moods: Cryptic, Thorny, Communal, Witchy, Anxious, Haunting, Ominous, Nocturnal, Eerie, Mystical, Psychedelic, Surreal, Shadow, Dark

Instrumentation: Acoustic Guitar, Banjo, Cello, Vocal Harmonies, Mbira, Zither, Percussion, Slide Guitar, Drums, Electric Guitar, Organ, Xylophone, Autoharp, Harmonium, Spike Fiddle, Thumb Piano, Lap Steel

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The No-Neck Blues Band – Qvaris

Style: Free Rock, Ritual Psych, Experimental

Moods: Primordial, Free, Exploratory, Mysterious, Suspenseful, Ritualistic, Shadowy, Meandering, Deconstructed, Abstract, Communal, Deconstructed, Nihilistic, Murky, Stoned, Raw, Haunting, Surreal, Nocturnal

Musical Qualities: Collective Improvisation, Dissonant, Repetitive, Loose, Droney

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Jack Rose – Raag Manifestos

Style: Free Folk, Appalachian Raga, Piedmont Blues

Feelings: Searching, Tangled, Spiritual, Sombre, Intense, Thorny, Introspective, Cathartic, Meditative, Nature, Ominous, Mysterious, Focused, Complex, Hallucinogenic, Forest, Epic, Visceral, Jagged

Musical Qualities: Raga, Acoustic, Polyphonic, Modal, Droney, Technical, Dissonance

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Dwight Trible & The Life Force Trio – Love is the Answer

Produced by Carlos Niño & Dexter Story; featuring production from Ras G, Sa-ra, Madlib, J Dilla, Daedelus, Georgia Anne Muldrow, etc…

Styles: Acid Jazz, Organic Beat Music, Jazz-Funk, Spiritual Jazz, Trip-Hop, Vocal Jazz

Moods: Devotional, Uplifting, Spiritual, Communal, Sunny, Warm, Passionate, Groovy, Triumphant, Conscious

Musical Qualities: Beats, Collage, Rhythmic, Eclectic

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Magnolia Electric Co. – What Comes After the Blues

“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.

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