Tag: 2010s

Avec le Soleil sortant de sa bouche – Pas pire pop [I ♥ You So Much]

Style: Art Rock, Progressive Pop, Post-Punk

Influences: Krautrock, No Wave, Afrobeat, Funk

Vibe: Driving, Muscular, Motorik, Mechanical, Hypnotic, Cathartic, Primal, Epic, Messy

Musical Qualities: Rhythmic, Repetitive, Noisy, Progressive

Jenks Miller / James Toth – Road to Ruin

Style: Gothic Americana, New Weird America, Country-Drone

Vibe: Haunting, Western, Pastoral, Moody, Rainy, Loner, Dark

Musical Qualities: Droney, Lo-fi, Atmospheric, Improvisation

Instrumentation: Banjo, Electric Guitar, Acoustic Guitar, Field Recordings, Percussion, Harmonium

Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

Elkhorn – Elk Jam

Style: Folk Rock, Psych, Jam Band

Vibe: Scorched, Summer, Desert, Stoned, Pastoral Peaceful, Sunny, Traveling, Psychedelic

Musical Qualities: Acoustic, Instrumental, Improvisation, Fuzzy, Mellow, Riffs, Loose

Eli Keszler – Stadium

Style: EAI (electroacoustic improvisation), Future Jazz

Vibe: Futuristic, Kinetic, Urban, Abstract, Impressionistic, Meditative, Suspenseful, Mysterious, Complex

Musical Qualities: Percussive, Electroacoustic, Polyrhythmic, Field Recordings, Instrumental, Improvisation (Solo), Odd Time Signatures, Studio-as-an-Instrument

Beth Orton – Sugar Season

Session musicians include Brian Blade, Eyvind Kang, Sam Amidon, Nico Muhly, Marc Ribot, Rob Burger, etc.

Style: Chamber Folk, British Folk-Rock, Singer-Songwriter, Folk-Pop

Vibe: Autumnal, Bittersweet, Melancholy, Moody, Rootsy, Warm, Mellow

Musical Qualities: Lyrical, Lush, Melodic, Soft

Keiji Haino, Jim O’Rourke, & Oren Ambarchi – This Dazzling, Genuine “Difference” Now Where Shall It Go?

Style: Free Improvisation, Noise Rock, Free Rock

Vibe: Cathartic, Intense, Suspenseful, Hallucinogenic, Ritualistic, Heavy, Chaotic, Hypnotic, Primal, Energetic

Musical Qualities: Collective Improvisation, Noisy, Dynamic, Atonal, Dissonant, Fuzzy, Repetition

Hiss Golden Messenger – Terms of Surrender

Vibe: Contemplative, Tender, Soothing, Warm, Bittersweet, Rustic, Open, Pastoral, Light

Themes: Family, Existential, Spirituality, Love

Musical Qualities: Soft, Melodic, Vocal Harmonies, Atmospheric Production, Lyrical

Instrumentation: Vocals, Acoustic & Electric Guitars, Banjo, Piano, Organ, Harmonica, Mandolin Synthesizer, Electric Bass, Lap Steel Slide Guitar, Omnichord, Drums, Percussion

Curanderos – Curanderos

Style: Free-Psych, Spiritual Stoner Rock, Drone-Rock

Influences: Shoegaze, Spiritual Jazz, Kosmische, Prog, Drone

Vibe: Mysterious, Nocturnal, Spiritual, Exploratory, Brooding, Amorphous, Witchy, Murky, Psychedelic, Ritualistic, Washy, Hypnotic, Stoned

Musical Qualities: Collective Improvisation, Repetitive, Atmospheric, Loose, Noisy, Instrumental

Eiko Ishibashi – Imitation of Life

Style: Chamber Pop, Prog-Pop, Jazz Pop, Singer-Songwriter

Vibe: Lush, Warm, Sunny, Sci-Fi, Playful, Philosophical, Surreal, Energetic, Imaginative

Musical Qualities: Progressive, Dense, Catchy, Complex, Melodic, Dense, Technical, Rhythmic

Instrumentation: Piano, Vibraphone, Drums, Flute, Rhodes, Electric & Acoustic Bass, Saxophone, Clarinet, Violin, Cello , Synthesizers, Steel Drum, French Horn

Hiss Golden Messenger – Poor Moon

Style: Americana, Country Soul, Singer/Songwriter, Folk Rock

Vibe: Warm, Introspective, Existential, Rustic, Mystical, Reflective, Uplifting, Christian

Musical Qualities: Lush, Melodic, Lyrical

Zs – Xe

Style: Experimental Rock, Brutal Prog, Free Minimalism, Math Rock, Noise

Vibe: Hypnotic, Cold, Ritualistic, Dystopian, Mysterious, Chaotic, Surreal, Loose

Musical Qualities: Dissonant, Improvisation, Minimalistic, Noisy, Complex, Instrumental, Pulse, Uncommon Time Signatures

Instrumentation: Saxophone, Electric Guitar, Loops, Percussion

Nick Cave & the Bad Seeds – Skeleton Tree

On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.

Earth – Angels of Darkness, Demons of Light I

Style: Drone Rock, Post-Rock

Vibe: Meditative, Desert, Hypnotic, Soothing, Spiritual, Western, Lethargic, Determined, Psychedelic

Musical Qualities: Slow, Riffs, Repetition, Improvisation, Minimalistic, Instrumental

Sons of Kemet – Your Queen Is a Reptile

Style: Afro-Caribbean Jazz, Spiritual Jazz

Vibe: Protest, Political, Intense, Propulsive, Conscious, Energetic, Groovy, Hypnotic, Passionate, Rebellious, Spiritual, Powerful, Tropical, Conceptual

Musical Qualities: Dense, Polyphonic, Rhythmic, Improvisation, Spoken Word, Percussive

Swans – The Glowing Man

Style: Experimental Rock, Post Rock

Vibe: Cathartic, Visceral, Spiritual, Brooding, Shadowy, Apocalyptic, Ritualistic, Suspenseful, Climactic, Dark, Powerful, Heavy, Cryptic, Philosophical, Surreal, Epic, Hypnotic, Sombre, Meditative, Mysterious, Monolithic, Longing, Existential, Disorienting

Musical Qualities: Dynamic, Repetitive, Dense, Crescendo, Rhythmic, Droney

Spires that in the Sunset Rise – Ancient Patience Wills It Again Part II

Style: Free Folk, Ecstatic Minimalism

Vibe: Ritualistic, Forest, Nocturnal, Haunting, Hallucinatory, Cautious, Exploratory

Musical Qualities: Loops, Repetitive, Dissonance, Drones, Slow, Electro-Acoustic

Instrumentation: Experimental Vocals, Harmonium, Flute, Spiked Fiddle, Banjo, Acoustic & Electric Guitars

Jerry David Decicca – Understanding Land

Style: Americana, Singer/Songwriter, Folk

Vibe: Peaceful, Rustic, Deadpan, Mellow, Lethargic, Nature, Warm, Morning

Musical Qualities: Acoustic, Slow, Vocal Harmonies, Lush, Simple

Instrumentation: Acoustic Guitar, Piano, Lap Steel & Pedal Steel Guitars, Strings, Upright Bass, Vibraphone, Tabla, Bongos

Holden – The Inheritors

Style: Progressive Electronic, IDM, Microhouse

Vibe: Ancient, Tribal, Ritualistic, Pagan, Brooding, Mythic, Cold, Visceral, Mechanical, Hypnotic, Driving, Epic, Focused, Mysterious, Mystical, Patient, Powerful, Suspenseful, Earthy

Musical Qualities: Repetitive, Distorted, Heavy, Rhythmic, Percussive, Loops, Dissonant, Dense, Instrumental, Pulse, Noisy, Progressive, Field Recordings, Sampling

Instrumentation: Bodhrán (Irish Frame Drum), Synthesizers, Drum Machine, Saxophone, Organ, Chanting, Melodeon (Pump Organ), Electric Guitar, Electric Bass, Xylophone, Live Electronics

The Kniфe – Shaking the Habitual

Style: Experimental Electronic, Post-Industrial

Vibe/Mood: Ominous, Disorienting, Mechanical, Brooding, Chaotic, Colorful, Anti-Capitalist, Feminist, Complex, Cryptic, Dance, Futuristic, Surreal, Messy

Musical Qualities: Manipulated Vocals, Dissonant, Polyrhythmic, Dense, Percussive, Polyphonic, Noisy, Repetitive

Sumac – Love in Shadow

Style: Free Sludge, Post-Metal

Vibe: Heavy, Cathartic, Murky, Aggressive, Surreal, Complex, Epic, Primal, Abstract, Powerful

Musical Qualities: Dissonant, Noisy, Collective Improvisation, Growling Vocals, Progressive Structures, Odd Time Signatures, Fuzzy Riffs, Dynamic, Reductionism

Nicolas Jaar – Space is Only Noise

Style: Progressive Electronic, Ambient House, Collage Pop, Sound Sculpture

Moods: Cryptic, Surreal, Aquatic, Hypnotic, Nocturnal, Futuristic, Melancholy, Collage, Urban, Mellow, Meditative, Ethereal, Eclectic, Rainy, Romantic

Musical Qualities: Sampling, Electro-Acoustic, Field Recordings, Atmospheric, Melodic, Loops

São Paulo Underground – Beija Flors Velho E Sujo

Style: Future Jazz, Abstract Groove, Psychedelic Fusion

Vibe: Adventure, Futuristic, Triumphant, Spacey, Psychedelic, Energetic, Bombastic, Complex

Musical Qualities: Collective Improvisation, Thematic, Progressive, Percussive, Uncommon Time Signatures

Personnel:
Mauricio Takara – Percussion, Cavaquinho, Electronics
Guilherme Granado – Keyboards, Synths, Sampler, Voice
Rob Mazurek – Cornet, Evolver, Ring Modulator, Analog Delay, Harmonium

Meg Baird – Don’t Weight Down the Light

Style: Psychedelic Folk, Singer/Songwriter

Vibe: Flowing, Dreamy, Nocturnal, Mellow, Soothing, Introspective, Haunting, Pastoral, Airy, Ethereal, Intimate Bittersweet, Melancholy, Contemplative, Loner, Peaceful, Soft

Musical Qualities: Vocal Harmonies, Acoustic, Lush, Melodic, Sparse, Reverb

Anderson .Paak – Malibu

Style: Psychedelic Neo-Soul, Dream Funk, West Coast Hip-Hop

Vibe: Romantic, Summer, Playful, Warm, Catchy, Groovy, Sensual, Uplifting, Urban, Warm, Carefree, Dreamy, Joyful

Musical Qualities: Lush, Rhythmic, Polished, Sampling, Melodic

Loren Mazzacane Conners & Daniel Carter – The Departing of a Dream Volume VII

Style: Drone, Free Improvisation, Ambient

Vibe: Suspenseful, Haunting, Murky, Mysterious, Meditative, Responsive, Noir

Musical Qualities: Lo-Fi, Improvisation, Noisy, Atmospheric, Heavy Reverb

Bill Orcutt – Odds Against Tomorrow

Style: American Primitvism, Ambient Blues, Solo Electric Guitar

Vibe: Meditative, Longing, Spiritual, Pastoral, Loose, Kinetic

Musical Qualities: Improvisation, Dissonance, Instrumental, Sparse

Josef Van Wissem / SQÜRL – Only Lovers Left Alive

Style: Film Score (LP1 – Stoner Rock, Noise Rock; LP2 – Psych Folk, Arabic Folk, Gnawa)

Vibe: Nocturnal, Murky, Melancholy, Hypnotic, Raw, Loose, Dark, Loner, Stoned, Droney, Alienation

Musical Qualities: Atmospheric, Noisy, Fuzzy, Riffs

Horse Lords – Interventions

Style: Experimental Rock, Totalism, Math Rock, Tishoumaren-Influenced

Vibe: Anxious, Complex, Energetic, Exploratory, Hypnotic, Disorienting

Musical Qualities: Instrumental, Microtonal, Odd Time Signatures, Percussive, Polyrhythmic, Repetitive, Minimalistic, Technical, Drones, Glitchy, Dissonant

Loma – Loma

Style: Art Pop, Ambient Pop

Influences: Chamber-Folk, Trip-Hop, Slowcore, Post-Rock

Vibe: Existential, Introspective, Brooding, Gossamer, Dreamy, Melancholy, Reflective, Moody, Eclectic

Musical Qualities: Lush, Atmospheric, Studio-as-an-Instrument, Lyrical

Mogwai – Rave Tapes

Style: Post-Rock, Space Rock, Electronic-Rock, Kosmische-Influenced

Vibe: Futuristic, Nocturnal, Mechanical, Focused, Cinematic, Restrained

Musical Qualities: Instrumental, Dynamic, Pulse, Studio-as-an-Instrument

King Krule – The Ooz

Style: Art Rock, Singer/Songwriter, Trip-Hop, Neo-Psychedelia

Influences: Lounge, Jazz, Post-Punk

Vibe: Brooding, Angsty, Woozy, Lonely, Nocturnal, Alienation, Depressive, Eclectic, Rainy, Urban

Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

Richard Dawson – 2020 [Review]

Style: Progressive Songwriter, Art Rock, Progressive Pop

Vibe: Satirical, Depressive, Anxious, Dystopian, Bright, Eccentric, Existential, Longing, Pessimistic, Urban, Storytelling

Musical Qualities: Complex, Dense, Progressive, Intricate, Dynamic, Conceptual

Christian Scott Atunde Adjuah – Ancestral Recall

Style: Organic Beat Music, Spiritual Jazz, Cybernetic Jazz, Progressive Jazz

Vibe: Ritualistic, Triumphant, Poetic, Tribal, Afro-Futurism, Epic, Moody, Earthy

Musical Qualities: Beats, Structured Improvisation, Polyrhythmic, Progressive, Percussive

Natural Information Society with Evan Parker – descension (Out of Our Constrictions

Style: Avant-Garde Jazz, Ecstatic Post-Minimalism, Psychedelic Trance Music, Gnawa-Influenced

Vibe: Hypnotic, Meditative, Psychedelic, Ecstatic, Spiritual, Cathartic, Mosaic,

Musical Qualities: Collective Improvisation, Live, Minimalistic, Acoustic, Instrumental, Polyphonic, Polyrhythmic, Repetitive

Instrumentation: Guimbri, Soprano Saxophone, Bass Clarinet, Harmonium, Drums

Bardo Pond – Volume 8

Style: Free Psych, Space Rock, Jam Band, Shoegaze

Vibe: Adventurous, Communal, Cathartic, Murky, Epic, Psychedelic, Exploratory, Monolithic, Stoned

Musical Qualities: Collective Improvisation, Dynamic, Droney, Atmospheric, Fuzzy, Loose, Riffs

Loren Connors – Beautiful Dreamer (for Steve Dalachinksy)

Style: Dark Ambient, Free Improvisation, Ambient Blues

Vibe: Murky, Meditative, Washy, Haunting, Suspenseful, Mysterious, Ethereal

Musical Attributes: Solo Electric Guitar Improvisation, Sparse, Atmospheric, Slow, Lo-fi

Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

Hiss Golden Messenger – Haw

Style: Country-Soul, Americana, Singer/Songwriter


Vibe: Passionate, Rootsy, Rural, Spiritual, Triumphant, Uplifting, Warm, Contemplative, Introspective

Musical Attributes: Lush, Lyrical

Lyrical Themes: Existential, Christian

Yves Jarvis – The Same but by Different Means

Style: Psychedelic Gospel Folk, Bedroom Soul, Experimental Singer/Songwriter

Vibe: Woozy, Imaginative, Cryptic, Warm, Ethereal, Stoned

Musical Attributes: Lo-fi, Studio-as-an-Instrument, Vocal Harmonies, Vocal Manipulation, Eclectic, Collage

Joshua Abrams – Natural Information

Style: Psychedelic Trance Music, Avant-Jazz, Creative Music, Post-Minimalism

Influences: Gnawa, Spiritual Jazz, Raga, Kosmische Musik

Vibe: Earthy, Hypnotic, Meditative, Cosmic, Psychedelic, Ritualistic, Spiritual, Tribal

Musical Attributes: Polyrhythmic, Acoustic, Minimalistic, Improvisation, Percussive, Instrumental

Josh Abrams & Natural Information Society

Style: Psychedelic Jazz, Creative Music, Post-Minimalism

Influences: Gnawa, Kosmische Music, Spiritual Jazz, Minimalism

Vibe: Earthy, Hypnotic, Exploratory, Mysterious, Ritualistic, Psychedelic

Musical Attributes: Acoustic, Improvisation, Minimalistic, Percussive, Polyrhythmic

Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

Natalie Rose Lebrecht – Mandarava Rose

Style: Ambient Pop, Free Folk, New Age

Vibe: Cosmic, Dreamy, Earthy, Ethereal, Lethargic, Meditative, Mystical, Passionate, Ritualistic, Soothing, Spiritual

Musical Attributes: Atmospheric, Droney, Slow

Mount Eerie – Sauna

Style: Experimental Singer/Songwriter, Avant-Folk, Drone

Vibe: Winter, Existential, Imaginative, Introspective, Contemplative, Epic, Philosophical, Poetic, Ethereal, Loner, Meditative, Eclectic

Musical Attributes: Atmospheric, Droney, Lo-Fi, Lyrical, Progressive

Ahleuchatistas – Head Full of Poison

Genre: Experimental Rock, Brutal Prog, Math Rock

Vibe: Exploratory, Cathartic, Cold, Angular, Adventurous

Musical Attributes: Instrumental, Complex, Loops, Dissonant, Odd Time Signatures, Progressive, Percussive, Dynamic, Improvisation

Damon Locks’ Black Monument Ensemble

Style: Creative Music, Black Liberation Music, Avant-Garde Jazz

Vibe: Communal, Triumphant, Conscious, Earthy, Futuristic, Passionate, Political, Rebellious, Theatric

Musical Attributes: Improvisation, Spoken Word, Suite, Percussive, Progressive, Live, Group Vocals

Anna & Elizabeth – The Invisible Comes to Us

The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.

Fairhorns – Doki Doki Run

Style: Progressive Electronic

Influences: Kosmische Musik, Industrial, Drone, Shoegaze

Vibe: Angsty, Dystopian, Cathartic, Mechanical, Depressive, Futuristic, Hypnotic, Intimate, Loner, Spacey, Raw, Murky

Musical Attributes: Drone, Loops, Noisy Analogue Synthesizers, Drum Machine, Atmospheric, Motorik, Lo-fi, Vocal Manipulation

David Bowie – Black Star

Style: Art Rock, Jazz-Rock
Vibe: Introspective, Moody, Passionate, Sentimental, Sombre, Conceptual
Musical Attributes: Lyrical, Complex, Studio-as-an-Instrument, Rhythmic, Progressive
Lyrical Themes: Death, Existential, Personal, Reflective

Off World – 1

Style: Progressive Electronic, Experimental
Vibe/Mood: Ethereal, Spacey, Futuristic, Mysterious, Suspenseful, impressionistic
Musical Attributes: Atmospheric, Instrumental, Studio-as-an-instrument (Loops, Editing, Dubs), Vignettes, Improvisation
Instrumentation: Synthesizer, Drum Machine

Lonnie Holley – Mith

Style: Experimental Singer-Songwriter, Soul Blues, Psychedelic Soul

Vibe: Imaginative, Bluesy, Cathartic, Conscious, Cosmic, Spiritual, Heartfelt, Passionate, Psychedelic, Rootsy, Bittersweet, Poetic

Lyrical Themes: Existential, Afro-Futurism, History, Racism, Reflective

Musical Attributes: Atmospheric, Lyrical, Improvisation, Raw, Studio-as-an-Instrument

Instrumentation: Vocals, Piano, Synthesizers, Keyboards, Saxophone, Trombone, Percussion

Ilyas Ahmed – I Am All Your Own

Style: Loner Folk, Singer Songwriter, Psych Folk

Vibe: Lethargic, Loner, Peaceful, Soothing, Airy, Mellow, Contemplative, Dreamy, Droney, Hypnotic, Intimate, Introspective

Musical Attributes: Acoustic, Droney, Slow, Sparse, Soft

Jamila Woods – Heavn

Style: Soul, Art Pop

Vibe: Confident, Heartfelt, Introspective, Colorful, Triumphant, Uplifting, Urban, Loner

Lyrical Themes: Conscious, Poetic, Political, Personal, Black Pride, Love, Feminist

Musical Attributes: Groovy, Lush, Headphone Album, Polished, Catchy, Technical

Julia Holter – Have You in My Wilderness

Style: Chamber Pop, Art Pop
Vibe: Lush, Ethereal, Imaginative, Sensual, Storytelling, Surreal, Intricate, Airy, Dreamy
Instrumentation: Vocals, Keyboards (Piano, Harpsichord, etc), Upright Bass, Strings, Drums, Saxophone

Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

Alex G – Beach Music

Listening to Alex G, one might imagine a young alien sitting alone in his martian bedroom baring his angsty, teenage confessions to his 4-track tape recorder. Yet, at the core of his music, underneath layers of psychedelic guitars, weird pitch-shifted vocals, and occasional lo-fi hiss, lies some genius pop songs that feel simultaneously adolescent and mature.

Recommended for fans of lo-fi experimentation and bedroom pop. Alex seems to pull influences from all over and channel them through his own unique personality and penchant for odd, psychedelic production. Recalls Elliot Smith’s loner acoustic songwriting and drum machines pulled from 80′s pop songs; there’s even a fucked up jazz piano ballad thrown into the mix.

Atoms for Peace – Amok

Style: Glitch-Pop, IDM, Electronic Rock

Vibe: Moody, Groovy, Glitchy, Mechanical, Dance, Futuristic

Musical Attributes: Loops, Percussive, Polyrhythmic, Polished, Live Instrumentation, Digital Post-Production

Keiji Haino & Sumac

The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.

Style: Free-Sludge, Avant-Metal, Free Improvisation

Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex

Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive

The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]