Released in 2011 on Blackest Rainbow Format: LPx2, 180g Ltd. to 750 copies
“Side one features a collection of songs performed by a pliant and almost pristine quartet playing songs by Ornette Coleman, Paul Motian, Chris Schlarb, and Shadduck himself, while side two finds Anthony leading a loose, rocking and roiling double quartet performing more obliquely structures pieces and employing a healthy dose of spontaneous improvisation. Both ensembles strike my ear as CLASSIC, spanning the areas of jazz impressionism and edgy-yet-controlled “free jazz” with dedication and distinction.”
[From the liner notes, written by Nels Cline]
Released in 2015 on Sargent House
A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.
Released in 2014 on Stones Throw Format: LPx2
Darkly cinematic rock instrumentals with some creeping, Dostoevskian vibes. This is probably the most meticulous and progressive album I’ve heard from these guys, who are always finding new ways of funneling their omnivorous library of influences into their dramatic and atmospheric psych rock stylings.
Whilst in Istanbul for an artist residency, the adventurous Canadian chamber rock group (featuring past members of Silver Mt. Zion and GY!BE) recorded with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, drums, and tenor banjo with the saz and several other instruments used in Turkish and Arabic folk music.
“Recorded during the same session as last year’s sublime Angels of Darkness I, the followup sees Dylan Carlson’s Earth take their panoramic instrumentals, heavy on improvisation this time, into uncharted territories. As with so much of Carlson’s work, these five songs suggest a mournful last dance in the decrepit roadhouse of some faded midwest mining town. But its the little flourishes that make them truly majestic: the droning psyche-folk thrum of His Teeth Did Brightly Shine; the country twang and graceful melodies of A Multiplicity of Doors”…”
After 20+ years of using his introspective songwriting as a playground for psychedelic lo-fi experimentation, underdog hero Emil Amos hands the production reins to John Angello (Sonic Youth, Dinosaur Jr.) for his most polished album yet, capturing the best aspects of 70’s rock classics without ever feeling cliché. The hi-fi analogue production brings a newfound clarity and depth that allows Amos’ songwriting and instrumental performances to bloom; the choruses are anthemic, the atmospheres are darkly psychedelic, and his lyrics are just as philosophical and contemplative as ever.
This was released in 2017 on Black Truffle Records Recorded live on October 28, 2014 at SuperDeluxe Tokyo by Masahide … More
Released in 2014 on Invada Records Format: LPx2 Tannum Brown vinyl, limited to 1000 copies
Released in 2015 on Drag City Composed using Ben Chasny’s Hexadic System
On Towards Language, Norweigan trumpeter Arve Henriksen creates a blend of meditative and suspenseful ambient-jazz, demonstrating a more soothing side to his playing than his noisier output with electro-acoustic improvisers Supersilent.
The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.
Released in 2018 on Domino Records Format: LPx2 Includes 12″x12″ glossy lyric and photo booklet
Released in 2018 on P.W. Elverum & Sun Records Format: LP
Released in 2018 on Thrill Jockey Records Format: LPx2, Metallic Silver Vinyl
There is a fathomless void within each of us. And while many choose to run from it, clinging to anything to keep from falling in, Deradoorian dove right in on her meditative release, Eternal Reccurrence. Here she provides somewhat of a sonic roadmap for diving deep within yourself, guided by the blooming drones of harmonium, Juno synthesizers, and flutes. Arising from the ether, layers of otherworldly voices sing mantras of facing our Shadow (“Mirrorman”), finding the love that resides in the core of our being, and bringing it back with us into this material dimension.
An ethereal and somewhat haunting ambient-folk collaboration between guitarist/singer Meg Baird (Espers, Heron Oblivion), and harpist Mary Lattimore, who’s recorded with Fursaxa, Steve Gunn, and others in addition to her hypnotic solo work.
Highly Recommended for fans of Natural Snow Buildings, Laraaji, and 60’s British & Scottish Folk music
The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.
Recommended for those who know that “psychedelic” is not a sound, but a spirit of creativity and exploration within the mind. Those who know Deradoorian for her work with Dirty Projectors will appreciate the complex arrangements and production, albeit in a much more mysterious context. Fans of Bjork, Black Moth Super Rainbow, Flaming Lips, Portishead, or Can will also find a lot to love.
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.
Dynamic and uplifting house music characterized by filtered drums and enveloping synth textures. With its driving arpeggiations, danceable 4-on-the-floor grooves, hypnotic build-ups, and soothing ambient tracks, Singularity is extremely well-paced, and it’s most beautiful moments full of sublime wonder.
On Automaginary, the Gnawa-inspired cosmic jazz of Natural Information Society is augmented by the flowing textures of Chicago new age trio Bitchin Bajas to create an album of enveloping drones and trance-inducing rhythms. (Follow link for full Review)
Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.
An Angel Fell is a call to action for protecting and healing our planet, using folklore, group vocals, uplifting themes, deep grooves, and expressive improvisations to deliver the message. While not as wild and loose as the dense free jazz the Pyramids made back in the 70s, this record is an organic and vibrant fusion of spiritual jazz, dub, and Afrobeat that will give fans of musical geniuses such as Sun Ra, King Tubby, Fela Kuti, and Pharoah Sanders plenty to vibe to.
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
Released in 2010 on 4AD Records Format: LP, white vinyl
Released in 2014 on RCA Records Format: LPx2 Includes 12″x12″ lyric booklet
Categorization and comparison are the least of lojii’s worries, instead prioritizing creative expression and finding spiritual truth and power in this dimly lit dystopia. He delivers his prophetic words with a focused, unwavering determination, while the beats are gritty and nocturnal with their open percussion, eerie synths, and negative space. Don’t miss out on this one.
Released in 2011 on Sub Pop Records Produced by Phil Ek and Fleet Foxes Format: LPx2 Includes large foldout poster
Originally released in 2010 on Columbia Records 2014 RSD pressing Mastered from original analogue tapes No. 1175/4000 Format: LPx2, 180g
On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.
A unique blend of post-rock, stoner rock, and shoegaze crafted into a cohesive, perfectly fluid 25 minutes. Hallucinogenic atmospheres, shadowy guitar effects, and mysterious pitch-shifted vocals envelope driving, stoner-fuzz bass lines that often liquify into the watery chorus-bass you might find on the Cure’s Disintegration or an Isis album.
“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)
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Hailing from Jersey Island in the U.K., Astral Cloud Ashes’ sole member Antony Walker channels math rock, third-wave emo, post-hardcore, prog, and shoegaze through shimmering and melodic alternative rock.
For fans of Circa Survive, HRVRD, Dredg, Oceansize, Taking Back Sunday
Lushly cinematic folk-rock draped in sweeping string arrangements and spacey synth atmospheres. Damien’s reverbed falsetto recalls Jim James (My Morning Jacket) and Bon Iver as he softly sings of God, “spaceships”, and other imagery blending Christian themes with science-fiction.
For fans of My Morning Jacket, Band of Horses, and Beck’s Sea Change
Released in 2015 on People Teeth Format: LP
Released in 2018 on Yakketeeyak Music Review: Right out of the gate Little Boat sounds like an homage to the country-tinged … More
Armed with only an acoustic guitar, harmonica, and her sultry, resonant vocals, the trans-femme folk-punk songstress tells raw, direct stories recalling raunchy escapades with ex-lovers, nostalgic adventures of hitchhiking and robbery, and not-so-fond memories of gambling-addicted boyfriends and escaping hometown judgement.
Poliça’s brooding, atmospheric trip-hop/synth pop consists of the passionately dynamic vocals (from co-leader/lyricist Channy Leaneagh), prominent, groovy basslines, driving double drums, and occasional string and horn arrangements all run through effects and mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and even addressing on police violence on “Wedding”.
For fans of Portishead, The Knife
On their debut long-player, the Houston quartet explores apathy, disconnectedness and the loss of relationships through their sludgy post-hardcore.
For fans of These Arms Are Snakes, Drive Like Jehu, Unwound
Album Information: Self-released in 2017 Format: LP Also available as a visual album on Blu-Ray Written, Performed, and Recorded by … More
Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.
Lush, beautiful psych-folk with a spiritual jazz fluidity that comes from Larkin inviting her close musician friends to improvise over her passionate songs with harp, trumpet, strings, woodwinds, etc. Think Tim Buckley meets Alice Coltrane
Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.
The singer makes an album dealing with the grief and eventual acceptance that followed her sister’s suicide. The style is reminiscent of the spacey lounge-pop of her previous band, Stereolab, although much lighter and dreamier.
Makes me feel like I’m sitting alone at a party, gazing across a dark, smoky room; an outsider looking in. Chill beats, hushed atmospheres, melancholy melodies.
Album Information: Compilation of 3 EPs, released in 2013 on Temporary Residence Format: LPx2, etchings on each side
Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.
Album Information: Released in 2014 on Constellation Records
Album Information: Released in 2014 on Merge Records Format: LP
Album Information: Released in 2012 on XL Recordings Format: LPx2
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
Album Information: Released in 2012 on Editions Mego Format: LP
Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.
Kamasi Washington and his band The Next Step, pick up where their forefathers and mothers left off by making spiritual jazz that respects the jazz canon without getting stuck in the past. This album ranges from free to groovy to melodic without losing sight of its mission. The inclusion of such a large band, an orchestra, a choir, and even a turntablist allows an infinite, colorful array of tonal and dynamic possibilities.
Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded … More
Album Information: Released in 2013 on Mexican Summer Hand numbered: 777/1000 Format: LP
Album Information: Released in 2014 on Mexican Summer Hand numbered: 139/1000 Format: 12″ EP
Album Information: Released in 2017 on Sub Pop Records Format: 2xLP on gold and silver vinyl, Deluxe Edition with 4 … More
Album Information: Released in 2017 on Temporary Residence Records
Taking a detour from his usual loner-droner psych folk style, Ben Chasney enlists former Comets on Fire bandmates to jam some heavy rock burners with a a cosmic amount of electric guitar shredding, evoking Neil Young & Crazy Horse blasting off on a rocket. The new electric energy brought to this album is balanced out by an equal amount of the fingerpicking prog-folk and meditative acoustic ballads that have been developing in his music since the 90’s. While I will always love his more melancholy, nocturnal records that sound like he’s lost in a forest somewhere, I welcome the fiery energy of Ascent.
Album Information: Released in 2017 on RCA Records
Album Information: Released in 2017 on Blue Chopsticks Records (Imprint of Drag City Records) Eli Keszler – Drums, Percussion (Tracks … More
Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 … More
Meditative jazz explorations of space, rhythm and textures inspired by Miles Davis’ ambient jazz pieces, Gnawa ceremonial music of North Africa, the spiritual jazz of Pharoah Sanders and Don Cherry, and the mutating minimalism of Steve Reich.
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Sludgy drone-metal with heavy, feedback-laden guitars, sparse but viscerally pounding drums, and cathartic, impassioned vocals reminiscent of Björk during her punk years. FFO Neurosis, Swans, Godspeed You! Black Emperor and Sunn O)))
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This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).
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Inner Gatefold (Left)Inner Gatefold (Right)Back Cover Vinyl Etching Album Information: Released in 2017 on Ipecac/Deadverse Format: LPx2 with side D … More
18 years after their last album, golden-era hip-hop legends A Tribe Called Quest return with a fresh, progressive take on their signature sound. Featuring André 3000, Talib Kweli, Anderson Paak, Kendrick Lamar, and Busta Rhymes
A psychedelic, transcendent fusion of hip-hop, jazz, prog, and IDM meant to simulate the cosmic experience of death. Featuring Kendrick Lamar, Thundercat, Herbie Hancock, Kamasi Washington, Snoop Dogg, and others..,
Guitar-genius Mdou Moctar visits Portland, Oregon from his home country of Niger to record a hypnotic solo album of desert folk sung in Tamasheq. Most songs consist of intricate fingerstyle acoustic guitar with occasional electric guitar overdubs to accent the melodies.
“Classic creative bop melodies and golden era beat memories woven into a vibrant new thread of psychedelic soul jazz”
Progressive alt-rock that prioritizes dynamics and atmosphere over flashy solos or superfluous complexity. Recommended for fans of Oceansize, Deftones, Mogwai, or the last two Isis albums.
Kaleidoscopic pop driven by round, groovy bass locked in with funky, motorik drumming, all floating through layers of swirling, delayed guitars, shimmering synths, and dreamy vocals. Recommended to anyone looking for a smooth, sugary middle ground between Stereolab, Toro y Moi, and Neu!
Charming 70’s AM Pop vibes with elaborate string and horn arrangements and a jazzy rhythm section, including the legendary Brian Blade on drums. Great songwriting from Sam Beam, as usual.
An anxious, eccentric celebration of the mundane informed by post-punk, noise, no wave, and drone.
On his Warp Records debut, the eccentric rapper crafts an album of shadowy hip-hop that expresses a unique creative vision. His bipolar, extremely personal lyrics fluctuate from paranoid agoraphobia and self-deprecating reflection to uninhibited hedonism and braggadocios swagger, sometimes in the course of a couple lines. Highly recommended for fans of Busdriver, Aesop Rock and other psychedelic hip-hop artists
Psychedelic, cosmic country with a raw emotional core.
For fans of eclectic psych rock, communal freakfolk celebrations, and references to Kurt Vonnegut and Pharoah Sanders