2012

Matana Roberts – Coin Coin Chapter Two: Mississippi Moonchile

Style: Jazz (Spiritual, Avant-Garde, Folk), Modern Creative, Spirituals

Moods: Spiritual, Storytelling, Passionate, Reflective, Intertwined, Rootsy, Warm, Uplifting, Poetic, Communal

Musical Qualities: Suite, Progressive, Acoustic, Collage, Complex, Dense, Conducted Improvisation, Thematic,

Instrumentation: Alto Saxophone, Group Vocals, Wordspeak, Operatic Vocals, Piano, Trumpet, Upright Bass, Drums

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Danny Brown – XXX

Style: Hardcore Hip-Hop, Psychedelic Hip-Hop

Vibe: Hedonistic, Personal, Sexual, Vulgar, Manic, Playful, Introspective, Depressive, Nihilistic, Aggressive, Anxious, Dark, Stoned, Storytelling, Urban, Surreal, Disturbing, Existential, Sarcastic

Musical Qualities: Sampling, Lyrical

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Beth Orton – Sugar Season

Session musicians include Brian Blade, Eyvind Kang, Sam Amidon, Nico Muhly, Marc Ribot, Rob Burger, etc.

Style: Chamber Folk, British Folk-Rock, Singer-Songwriter, Folk-Pop

Vibe: Autumnal, Bittersweet, Melancholy, Moody, Rootsy, Warm, Mellow

Musical Qualities: Lyrical, Lush, Melodic, Soft

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King Crimson – Lark’s Tongue in Aspic [Steven Wilson Mix]

Style: Prog, Chamber Rock

Vibe: Mercurial, Menacing, Bombastic, Cryptic, Muscular, Cerebral, Epic, Medieval, Aggressive, Bipolar, Heavy, Headphone Album

Musical Qualities: Dynamic, Complex, Progressive Structures, Uncommon Time Signatures, Percussive, Riffs,

Instrumentation: Electric Guitar, Violin, Mellotron, Electric Bass, Electric Keyboards, Percussion, Drums, Vocals

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Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

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Marriages – Kitsune

A unique blend of post-rock, stoner rock, and shoegaze crafted into a cohesive, perfectly fluid 25 minutes. Hallucinogenic atmospheres, shadowy guitar effects, and mysterious pitch-shifted vocals envelope driving, stoner-fuzz bass lines that often liquify into the watery chorus-bass you might find on the Cure’s Disintegration or an Isis album.

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