Trip-Hop

Dwight Trible & The Life Force Trio – Love is the Answer

Produced by Carlos Niño & Dexter Story; featuring production from Ras G, Sa-ra, Madlib, J Dilla, Daedelus, Georgia Anne Muldrow, etc…

Styles: Acid Jazz, Organic Beat Music, Jazz-Funk, Spiritual Jazz, Trip-Hop, Vocal Jazz

Moods: Devotional, Uplifting, Spiritual, Communal, Sunny, Warm, Passionate, Groovy, Triumphant, Conscious

Musical Qualities: Beats, Collage, Rhythmic, Eclectic

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Audio Liberation Technologies (Reflections of Dystopia) [Moon Glow Radio | 04.02.2023]

This brooding mix of gritty, nocturnal electronics, de-constructed experimentation, and post-industrial beats conceptualizes music as a liberation technology, channelling vital information & powerful energies within its sonic codes. Artists such as Dälek, Moor Mother, The Knife, Joe Rainey, & Efrim Menuck draw from theories of de-colonialism, marxism, Black Quantum Futurism, free jazz, anti-imperialism & anarchy to illuminate & confront oppressive systems as they really are, inspiring collective resistance, and illuminating new pathways forward.

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A.R. Kane – 69

Style: Dream Pop, Neo-Psychedelia

Vibe: Ethereal, Sensual, Moody, Nocturnal, Messy, Abstract, Dreamy, Eclectic, Hedonistic, Psychedelic, Surreal

Musical Qualities: Washy, Catchy, Raw, Dub FX, Noisy

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Björk – Medulla

Style: Art Pop, Experimental Electronic, Trip-Hop

Vibe: Somatic, Primal, Sensual, Passionate, Winter, Ancestral, Complex, Imaginative, Surreal, Heartfelt

Musical Qualities: A’Cappella, Choral Vocals, Experimental Vocals (Throat Singing, Beat Boxing, Manipulated Vocal Production), Studio-as-an-Instrument

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Loma – Loma

Style: Art Pop, Ambient Pop

Influences: Chamber-Folk, Trip-Hop, Slowcore, Post-Rock

Vibe: Existential, Introspective, Brooding, Gossamer, Dreamy, Melancholy, Reflective, Moody, Eclectic

Musical Qualities: Lush, Atmospheric, Studio-as-an-Instrument, Lyrical

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Poliça – United Crushers

The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.

For fans of Portishead, The Knife

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