Esmerine – If Only a Sweet Surrender to the Nights to Come Be True

Style: Chamber Rock, Post-Rock

Vibe: Mournful, Lethargic, Contemplative, Exploratory, Melancholy, Moody

Musical Attributes: Acoustic, Atmospheric, Chamber, Instrumental, Slow, Murky

Instrumentation: Cello, Mallet Percussion, Drums, Violin, Harmonium, Upright Bass

Revolutionary Ensemble

Style: Free Jazz, Creative Music

Vibe: Ritualistic, Loose, Cathartic, Complex

Musical Attributes: Collective Improvisation, Acoustic, Polyphonic, Active Listening, Instrumental, Dynamic, Live

Instrumentation: Violin, Upright Bass, Drums

David Grubbs – The Coxcomb [Review]

Style: Primitivist Theater, Avant-Folk Minimalism, Drone

Vibe: Pastoral, Alienation, Hypnotic, Abstract

Musical Attributes: Sparse, Theatrical, Repetitive, Minimalist, Acoustic

Instrumentation: Acoustic Guitar, Voices, Organ, Cello, Trombone, Bass Trombone, Saxophone


[Follow link for brief review]

Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel, 
Milford Graves, Chris Vatalaro, James Sultan

Pharoah Sanders – Wisdom Through Music

Style: Spiritual Jazz



Vibe: Joyful, Passionate, Spiritual, Uplifting, Warm, Love, Colorful, Communal, Cosmic, Earthy, Energetic, Groovy



Musical Attributes: Acoustic, Chants, Africa-Influenced, India-Influenced, Improvisation, Polyrhythmic, Percussive

Pelt – Pearls from the River

Style: Ritual Folk, Dhrupad, Free Folk

Vibe: Meditative, Mysterious, Psychedelic, Spiritual, Earthy, Hypnotic

Musical Attributes: Acoustic, Drone, Improvisation, Instrumental, Repetitive, Raga

Elizabeth Cotten – Folksongs and Instrumentals with Guitar

Style: Appalachian Folk, Folk Blues, American Primitive Guitar



Vibe: Bittersweet, Rural, Spiritual, Intimate, Pastoral, Warm, Rootsy



Musical Attributes: Acoustic Fingerstyle, Solo Performance, Sparse, Technical

Osamu Kitajima – Benzaiten

Style: Progressive Acid-Folk, Ritual-Folk, Psych-Rock



Moods: Sombre, Earthy, Ritualistic, Psychedelic, Brooding, Exploratory, Mysterious, Spiritual



Musical Attributes: Progressive, Acoustic, Percussive, Rhythmic, Complex, Dynamic



Joshua Abrams – Natural Information

Style: Psychedelic Trance Music, Avant-Jazz, Creative Music, Post-Minimalism

Influences: Gnawa, Spiritual Jazz, Raga, Kosmische Musik

Vibe: Earthy, Hypnotic, Meditative, Cosmic, Psychedelic, Ritualistic, Spiritual, Tribal

Musical Attributes: Polyrhythmic, Acoustic, Minimalistic, Improvisation, Percussive, Instrumental

Califone – All My Friends Are Funeral Singers

Style: New Weird America, Alt-Country, Psychedelic Americana, Chamber Folk

Vibe: Rustic, Rootsy, Bittersweet, Psychedelic

Musical Attributes: Chamber, Percussive, Studio-as-an-instrument, Rhythmic, Electro-Acoustic, Loops

Instrumentation: Acoustic Guitar, Banjo, Vocals, Keyboards, Synthesizer, Fiddle, Mallet Percussion, Horns, Electronic Percussion, Upright Bass, Electric Bass, Piano

Pharoah Sanders – Live at the East

Style: Spiritual Jazz, Free Jazz

Vibe: Ritualistic, Spiritual, Triumphant, Uplifting, Warm, Cathartic, Communal, Cosmic, Energetic, Intense, Passionate

Musical Attributes: Collective Improvisation, Acoustic, Live, Polyphonic, Percussive, Multiple Drummers

Shabaka & the Ancestors – We Are Sent Here by History

Style: South African Jazz, Spiritual Jazz, Progressive Jazz

Vibe: Conscious, Intense, Ritualistic, Cathartic

Lyrical Themes: History, Politics, Death, Spirituality

Musical Attributes: Acoustic, Complex, Spoken Word, Technical

The Incredible String Band – U

Style: Psychedelic Folk, Brit-Folk

Vibe: Theatric, Colorful, Eccentric, Eclectic, Imaginative, Messy, Mystical, Playful, Surreal, Warm

Musical Attributes: Acoustic, Lyrical, Conceptual, Indian-Influenced

Lyrics: Storytelling, Philosophical, Fantasy, Humorous, Poetic

Anna & Elizabeth – The Invisible Comes to Us

The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.

Charles Mingus – The Great Concert of Charles Mingus

Format: LPx3

Style: Post-Bop, Avant-Garde Jazz

Vibe: Bombastic, Passionate, Energetic, Intense, Manic, Playful

Musical Attributes: Complex, Dynamic, Live, Improvisation, Acoustic, Instrumental, Polyphonic, Progressive, Rhythmic

Albert Ayler – Holy Ghost

Style: Free Jazz, Spiritual Jazz
Vibe: Abstract, Active Listening, Chaotic, Energetic, Raw, Spiritual
Musical Attributes: Improvisation (Collective, Thematic, Free), Live, Lo-Fi, Instrumental, Acoustic

John Surman, John McLaughlin, Dave Holland, Karl Berger, Stu Martin – Where Fortune Smiles

Style: Free Jazz, Avant-Garde Jazz

Vibe: Triumphant, Energetic, Epic, Exploratory, Loose, Spiritual, Suspenseful, Angular, Chaotic

Musical Attributes: Polyphonic, Progressive, Complex, Dissonant, Dynamic, Technical, Acoustic, Improvisation (Collective, Thematic), Instrumental

Doug Carn – Spirit of the New Land

Style: Spiritual Jazz, Black Liberation Music, Vocal Jazz

Vibe: Triumphant, Uplifting, Conscious, Groovy, Passionate, Poetic, Cathartic, Spiritual

Musical Attributes: Improvisation, Dynamic, Acoustic, Progressive, Rhythmic, Technical, Melodic, Complex

Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk
Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark
Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical
Lyrical Themes: Alienation, Religious, Christian, Storytelling

Robbie Basho – Visions of the Country

Style: American Primitivism, Singer/Songwriter, Folk, Raga
Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical

Ilyas Ahmed – I Am All Your Own

Style: Loner Folk, Singer Songwriter, Psych Folk

Vibe: Lethargic, Loner, Peaceful, Soothing, Airy, Mellow, Contemplative, Dreamy, Droney, Hypnotic, Intimate, Introspective

Musical Attributes: Acoustic, Droney, Slow, Sparse, Soft

The Microphones – The Glow Pt. 2

Style: Lo-Fi, Experimental Singer/Songwriter, Loner Folk
Vibe: Heartfelt, Imaginative, Introspective, Nature, Intimate, Loner, Bittersweet, Depressive, Psychedelic, Raw, Lonely
Lyrical Themes: Existential, Alienation, Breakup, Philosophical, Poetic, Personal, Death
Musical Attributes: Acoustic, Noisy, Studio-as-an-Instrument, Analogue Recording, lo-fi, Distorted

John Coltrane – Live at the Village Vanguard Again!

Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Spiritual, Exploratory, Triumphant, 
Musical Attributes: Complex, Modal, Thematic, Acoustic, Live, Improvisation, Dynamic, Instrumental

Pharoah Sanders – Village of the Pharoahs

Style: Spiritual Jazz, Free Jazz
Vibe: Communal, Earthy, Energetic, Hypnotic, Intense, Loose, Mystical, Passionate, Spiritual, Tribal, Uplifting, Warm, Dance
Musical Attributes: Acoustic, Complex, Collective Improvisation, Percussive, Dense, Thematic, Suite

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

Mike and Lal Waterson – Bright Phoebus

Style: British Folk, Country-Influenced
Vibe: Contemplative, Earthy, Introspective, Melancholy, Rootsy, Rural, Storytelling
Musical Attributes: Acoustic, Vocal Harmonies, Lyrical, Melodic, Simple, Sparse

Third Ear Band – Alchemy

Style: Free Folk, Chamber Music, Progressive Folk

Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory

Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic

Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Anthony Davis – Epistēmē

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil … More

John Fahey & His Orchestra – Old Fashioned Love

Another interesting one from Fahey, side A consists of some amazingly intricate guitar duets with Woodrow Mann, including my favorite Fahey song “Jaya Shiva Shankarah”. Side B takes a strange turn though…halfway through the title track a 10-piece dixieland band kicks for a few tracks of New Orleans-style jazz. The album closes in a more familiar place with a contemplative solo piece that most Fahey fans would dig.