Daughters – You Won’t Get What You Want

Style: Industrial Noise Rock, Mathcore-Influenced

Vibe: Misanthropic, Aggressive, Pessimistic, Ominous, Cathartic, Apocalyptic, Powerful, Dark, Nihilistic, Mechanical, Angsty, Dystopian

Musical Qualities: Dissonant, Heavy, Noisy, Dense, Lyrical

Danny Brown – XXX

Style: Hardcore Hip-Hop, Psychedelic Hip-Hop

Vibe: Hedonistic, Personal, Sexual, Vulgar, Manic, Playful, Introspective, Depressive, Nihilistic, Aggressive, Anxious, Dark, Stoned, Storytelling, Urban, Surreal, Disturbing, Existential, Sarcastic

Musical Qualities: Sampling, Lyrical

Miles Davis – Sorcerer

Style: Post-Bop, Modal Jazz

Vibe: Mysterious, Driving, Nocturnal, Complex, Anxious, Intertwined, Sensual, Energetic

Musical Qualities: Improvisation, Modal, Acoustic, Instrumental (except B3)


Personnel:

Miles Davis – Trumpet; Herbie Hancock – Piano; Ron Carter; Upright Bass; Tony Williams – Drums; Wayne Shorter – Saxophone

Squarepusher – Feed Me Weird Things

Style: Drill & Bass, Future Jazz, IDM

Vibe: Mechanical, Winter, Energetic, Urban, Nocturnal, Chaotic, Cold, Anxious, Futuristic, Mysterious, Surreal

Musical Qualities: Rhythmic, Instrumental, Technical, Complex, Sampling, Fast

Instrumentation: Drum Machines, Fretless Bass, Electric Bass, Sampler, Synthesizers, Keyboards

Portishead – Roseland NYC Live

Style: Trip-Hop

Vibe: Noir, Brooding, Sensual, Passionate, Melancholy, Angsty, Sombre, Mysterious, Cinematic, Anxious, Sad, Dark

Musical Qualities: Orchestral, Live, Lush, Dense, Rhythmic, Sampling

David Bowie – Scary Monsters (and Super Creeps)

Style: Glam Rock, Art Pop, Funk Rock

Vibe: Sleek, Eccentric, Energetic, Anxious, Grandiose, Urban, Dystopian, Theatric, Playful, Passionate, Futuristic, Manic, Sleazy, Surreal

Musical Qualities: Groovy, Polished, Dense, Catchy, Riffs, Anthemic, Rhythmic

Aphex Twin – …I Care Because You Do

Style: Braindance / IDM, Acid Techno

Vibe: Anxious, Ominous, Romantic, Aggressive, Playful, Bittersweet, Surreal, Mechanical

Musical Qualities: Polyrhythmic, Melodic, Instrumental, Noisy, Repetitive

Instrumentation: Drum Machine, Synthesizers, Organ, Sampling, Drums, Percussion

Frank Lowe – Fresh

2 Thelonious Monk compositions & 3 originals, featuring Joseph & Lester Bowie, Charles Bobo Shaw, & Abdul Wadud (Cello)

Style: Post-Bop, Free Jazz, Jazz Fusion (B2)

Vibe: Energetic, Spontaneous, Playful, Passionate, Groovy

Musical Qualities: Improvisation, Dynamic, Rhythmic

Media Jeweler – The Sublime Sculpture of Being Alive

Style: Post-Punk, Math Rock, Art Rock

Vibes/Moods: Alienation, Overstimulated, Anxious, Urban, Eccentric, Anthemic, Satirical, Dystopian, Angular, Chaotic, Colorful, Urban, Philosophical, Playful

Musical Qualities: Catchy, Dissonant, Riffs, Dynamic, Dense, Melodic, Rhythmic

Public Enemy – It Takes a Nation of Millions to Hold Us Back

Style: Hip-Hop (East Coast, Political, Hardcore)

Vibe: Rebellious, Gritty, Political, Dystopian, Angry, Energetic, Confident, Anxious, Conscious, Urban, Heavy, Passionate

Musical Qualities: Dense, Sampling, Noisy, Rhythmic

The Kni?e – Shaking the Habitual

Style: Experimental Electronic, Post-Industrial

Vibe/Mood: Ominous, Disorienting, Mechanical, Brooding, Chaotic, Colorful, Anti-Capitalist, Feminist, Complex, Cryptic, Dance, Futuristic, Surreal, Messy

Musical Qualities: Manipulated Vocals, Dissonant, Polyrhythmic, Dense, Percussive, Polyphonic, Noisy, Repetitive

Lonnie Holley & Matthew E. White – Broken Mirror

Style: Abstract Groove, Psychedelic Funk, Cosmic Blues, Trip-Hop

Vibe: Stream-of-Consciousness, Reflective, Futuristic, Mechanical, Jagged, Groovy, Psychedelic, Spacey, Poetic, Driving, Anxious

Musical Qualities: Rhythmic, Dub, Cut Up, Vocal Improvisation, Dense, Percussive

King Crimson – Beat

Style: Art Rock, Progressive Pop

Vibe: Anxious, Eccentric, Romantic, Cerebral, Complex, Catchy, Bombastic, Dramatic, Surreal, Slick, Intertwined

Musical Qualities: Polyphonic, Uncommon Time Signatures, Polished, Progressive, Technical, Rhythmic

King Crimson – Three of a Perfect Pair

Style: Art Rock, Prog, Experimental Rock, Progressive Pop

Vibe: Anxious, Angular, Cerebral, Mechanical, Catchy, Ominous, Philosophical, Suspenseful, Dystopian, Urban, Confident

Musical Attributes: Complex, Uncommon Time Signatures, Polyrhythmic, Polished, Progressive, Technical

Richard Dawson – 2020 [Review]

Style: Progressive Songwriter, Art Rock, Progressive Pop

Vibe: Satirical, Depressive, Anxious, Dystopian, Bright, Eccentric, Existential, Longing, Pessimistic, Urban, Storytelling

Musical Qualities: Complex, Dense, Progressive, Intricate, Dynamic, Conceptual

Wendy Eisenberg – Auto

Style: Progressive-Pop, Avant-Songwriter, Jazz-Rock, Math-Pop

Vibe: Whispery, Angular, Intimate, Heartfelt, Cerebral, Reflective, Love / Breakup, Restrained, Introspective, Contemplative, Anxious, Loner

Musical Qualities: Odd Time Signatures, Jazz-Influenced, Technical, Dynamic, Lyrical

Univers Zéro – Univers Zero

Style: Chamber Rock, Avant-Prog, Rock In Oppositon

Vibe: Anxious, Angular, Mysterious, Ominous, Dark, Dystopian

Musical Attributes: Instrumental, Complex, Dissonant

Instrumentation: Bassoon , Violin, Viola, Cello, Harmonium, Electric Guitar, Electric Bass, Drums

This Heat – Deceit

Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP

Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

King Crimson – Discipline

Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.

Massacre – Killing Time

Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures

Death Grips – The Powers that B

This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).

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