Chicago

Bird Show Band

Ben Vida (Moog Voyager); Josh Abrams (Upright Bass); John Herndon (Drums); Dan Bitney (Drums); Jim Baker (Arp 2600)

Style: Future Jazz, Progressive Electronic, Electro-Jazz, Post-Rock

Moods: Spacey, Exploratory, Suspenseful, Abstract, Playful, Responsive, Knotty, Mysterious, Futuristic, Spontaneous, Hypnotic

ONO – Red Summer

Styles: Industrial-Gospel, Dub Poetry, No Wave, Experimental

Moods: Visceral, Dystopian, Disturbing, Haunting, Surreal, Aggressive, Mechanical, Heavy, Deconstructed, Vulgar, Cerebral, Conscious, Dark, Ominous, Shadow

Themes: Racism, History, Philosophy, Sex

Musical Qualities: Noisy, Spoken Word, Dub, Sampling, Rhythmic, Studio-as-an-Instrument, Dissonant

Art Ensemble of Chicago – Nice Guys

Styles: Modern Creative, Avant-Garde Jazz

Moods: Communal, Colorful, Eclectic, Ritualistic, Uplifting, Playful, Suspenseful, Mysterious, Abstract, Noir, Open

Musical Qualities: Collective Improvisation, Percussive, Acoustic, Dynamic, Sparse

Brother Malachi Favors Magoustous – Natural & Spiritual

Style: Spiritual Jazz, Modern Creative

Moods: Ritualistic, Spiritual, Devotional, Passionate, Mysterious

Musical Qualities: Solo Improvisation, Percussive, Acoustic, Sparse, Live, Lo-Fi

Instrumentation: Upright Bass, Percussion, Spoken Word

The Art Ensemble of Chicago – We Are On the Edge

Style: Modern Creative, Chamber Jazz, Experimental Big Band, Great Black Music, Avant-Garde Classical

Vibe: Communal, Triumphant, Suspenseful, History, Eclectic, Colorful, Intricate, Ritualistic, Patient, Open, Complex, Theatric

Musical Qualities: Poly-Free Improvisation, Dynamic, Collective, Progressive Structures, Technical, Orchestral, Percussive, Reductionism, Suite, Polyphonic

Instrumentation: Trumpets, Upright Bass, Spoken Word, Operatic Vocals, Drums, Percussion, Saxophone, Cello, Violin, Viola

Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

Sam Prekop – Sam Prekop

Featuring Jim O’Rourke, Josh Abrams, Rob Mazurek, Chad Taylor, John McEntire, Julie Pomerleau, & Archer Prewitt

Style: Chamber Pop, Jazz Pop, Lounge Music

Influences: Bossa Nova, Math Rock, Post-Rock

Vibe: Gentle, Breezy, Intricate, Summer, Intertwined, Mellow, Bright, Smooth

Musical Qualities: Lush, Soft, Polished, Melodic

Curtis Mayfield – Sweet Exorcist

Style: Chicago Soul, Funk, Singer/Songwriter

Vibe: Conscious, Groovy, Warm, Triumphant, Romantic

Musical Qualities: Lush, Rhythmic, Melodic

Angel Bad Dawid – Transition East

Style: Organic Beat Music, Spiritual Jazz, Cosmic Folk

Vibe: Intertwined, Hypnotic, Earthy, Warm, Spiritual, Cosmic

Musical Qualities: Polyrhythmic, Percussive, Acoustic, Improvisation, Electro-Acoustic, Beats

Instrumentation: Clarinet, Keyboards, Piano, Drum Machine, Percussion, Cornet, Upright Bass, Pocket Trumpet

Ben Lamar Gay – Open Arms to Open Us

Style: Creative Music, Future Jazz, Organic Beat Music, Pan-Americana, Art Pop

Vibe: Romantic, Sci-Fi, Determined, Triumphant, Colorful, Eclectic, Communal, Futuristic, Groovy, Rootsy, Spiritual, Warm

Musical Qualities: Thematic, Polyphonic, Percussive, Polyrythmic, Percussive, Improvisation, Electro-Acoustic, Progressive

Pullman – Turnstyles & Junkpiles

LP, Thrill Jockey, 1998 Reissue (2015) Style: Chamber Folk Vibe: Pastoral, Peaceful, Warm, Focused, Morning, Intertwined Musical Qualities: Acoustic, Technical, Melodic Instrumentation: Acoustic Guitars, Acoustic Bass, Classical Guitar, Irish Bazouki, and Dobro

Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

Muhal Richard Abrams – Colors in Thirty-Third

Style: Creative Music, Chamber Jazz, Free Jazz, Post-Bop

Vibe: Colorful, Sentimental, Impressionistic, Eclectic, Energetic, Introspective

Musical Qualities: Acoustic, Dynamic, Poly-free Improvisation, Complex, Spacious

Jason Molina – Eight Gates

Style: Singer/Songwriter, Americana, Slowcore

Vibe: Lament, Depressive, Intimate, Lonely, Rustic, Mournful, Dark

Musical Qualities: Sparse, Lyrical

Instrumentation: Voice, Electric & Acoustic Guitars, Organ, Cello

Revolutionary Ensemble

Style: Free Jazz, Creative Music

Vibe: Ritualistic, Loose, Cathartic, Complex

Musical Attributes: Collective Improvisation, Acoustic, Polyphonic, Active Listening, Instrumental, Dynamic, Live

Instrumentation: Violin, Upright Bass, Drums

Josh Abrams & Natural Information Society – Representing

Style: Psychedelic Jazz, Creative Music, Post-Minimalism

Influences: Gnawa, Kosmische Music, Spiritual Jazz, Minimalism

Vibe: Earthy, Hypnotic, Exploratory, Mysterious, Ritualistic, Psychedelic

Musical Attributes: Acoustic, Improvisation, Minimalistic, Percussive, Polyrhythmic

Chicago Underground Quartet – Good Days

Style: Creative Music, Electro-Jazz, Fusion
Vibe: Warm, Colorful, Eclectic, Uplifting
Musical Attributes: Improvisation (Thematic), Melodic, Instrumental, Technical, Percussive

Art Ensemble of Chicago – Full Force

Style: Avant-Garde Jazz, Free Jazz
Vibe: Abstract, Communal, Exploratory, Rootsy
Musical Attributes: Collective Improvisation, Poly-Free Improvisation, Dynamic

Tortoise – Tortoise

Originally released in 1994 on Thrill Jockey Records 2016 reissue Recorded November 29 thru December 5, 1993

Jim O’Rourke – Insignificance

After a prolific career as a noise/improvisational/experimental guitarist and a few forays into folk and chamber pop, Jim O’Rourke surprised his audience with an album closer to straightforward rock than his audience could have ever expected of him. Yet underneath it’s catchy, cheery, and polished exterior, his lyrics are full of humorously bitter resentment. Like his debut singer/songwriter album Eureka, Insignificance is full of the meticulous and lush arrangements that Jim would become known for.

Crown Larks – Populations

Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.

Joshua Abrams & Natural Information Society – Magnetoception

Meditative jazz explorations of space, rhythm and textures inspired by Miles Davis’ ambient jazz pieces, Gnawa ceremonial music of North Africa, the spiritual jazz of Pharoah Sanders and Don Cherry, and the mutating minimalism of Steve Reich.

Click for full review

Wilco – Yankee Hotel Foxtrot

Album Information: Released in 2002 on Nonesuch Records Produced by Wilco Mixed by Jim O’Rourke Recorded at the Loft, Chicago Format: 180g LPx2, includes CD

Jim O’Rourke – Bad Timing

An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements