Fender Rhodes

National Health – National Health

National Health was a continuation of Canterbury supergroup Hatfield & the North, bringing over essentially everyone from that project, except Hatfield’s bassist Richard Sinclair (Caravan), including Pip Pyle (Gong), Dave Stewart (Egg), Amanda Parsons, and Phil Miller (Matching Mole). Unsurprisingly, the LP is packed with warm, playful virtuosity. Overdriven bass takes the helm for most of the themes, locked in with propulsive grooves and shifting time signatures of Pyle’s drums. The space fills out quite colorfully with harmonious waves of electric piano, woodwinds and Moog synthesizer. When things need to be taken up a notch, Miller comes in with some triumphantly energizing guitar solos. What really makes this album special though are Amanda Parson’s vocals, which work both as a wordless instrument within the polyphonic arrangements, and as a unifying, lyrical force during the album’s most epic moments.

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MV – Blazing Grace

featuring Meg Baird, P.G. Six, MICK Flower, J. Mascis, Erika Elder…

Style: Weird Americana, Country Psych, Dream-Folk

Vibes: Hazy, Relaxed, Introspective, Stoned, Rural, Uplifting, Dreamy, Warm, Psychedelic, Raw, Cosmic, Earthy, Reflective, Peaceful

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Osamu Kitajima – Osamu

Style: Fusion, Neoclassical New Age, Jazz-Rock, Progressive Rock, Mystical Folk

Vibes: Ethereal, Groovy, Exploratory, Dreamy, Cosmic, Meditative, Playful, Psychedelic, Smooth, Soothing, Spiritual

Instrumentation: Koto, Biwa, Acoustic & Electric Guitars, Shakuhachi, Nohkan, Strings, Rhodes, Organ, Clavinet, Synthesizers, Chamberlin, Drums, Electric & Acoustic Bass

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Joanna Newsom – Divers

“But stand brave, life-liver, bleeding out your days in the river of time.
Stand brave: time moves both ways, in the nullifying, defeating, negating, repeating joy of life.
The moment of your greatest joy sustains: not axe nor hammer, tumor, tremor, can take it away, and it remains.
And it pains me to say, I was wrong. Love is not a symptom of time. Time is just a symptom of love”

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Miles Davis – On the Corner

featuring Billy Hart, Bennie Maupin, Badal Roy, Mtume, Michael Henderson, Jack DeJohnette, Herbie Hancock, Paul Buckmaster, John McLaughlin, Dave Liebman, Don Alias, Carlos Garnett, Collin Walcott, Khalil Balakrishna, Lonnie Liston Smith, Chick Corea

Style: Abstract Groove, Jazz Fission, Avant-Funk

Moods: Surreal, Urban, Hypnotic, Communal, Groovy, Colorful, Playful, Circular, Futuristic

Musical Qualities: Rhythmic, Repetitive, Dense, Improvisation, Instrumental, Studio-as-an-instrument

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Eddie Henderson – Inside Out

Style: Jazz Fission, Abstract Groove, Cosmic Jazz, Free-Fusion

Moods: Cosmic, Propulsive, Exploratory, Adventurous, Spiritual, abstract groove, communal, cosmic, driving, epic, exploratory, improvisation, instrumental, mysterious, rhythmic, thematic, psychedelic,

Musical Qualities: Collective Improvisation, Rhythmic, Ostinato, Dub Fx, Thematic

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Jackie-O Motherfucker – Bloom

“I am not me” the chorus sings repeatedly, a spell to dissolve the ego and deconstruct the myth of American individualism, leaving fertile ground for a collective vision of abundance to bloom. The open-door band of multi-instrumentalists shakily weave through a suite of haunting drone seances, raggedly tender folk sing-a-longs, liberated group improvisations and triumphant post-rock discord. Once again Jackie-O Motherfucker continues their forward march to a beautiful anarchic world without losing touch with its roots in the weird American underground.

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The Antlers – Familiars

Style: Chamber Pop, Ambient Pop

Moods: Sentimental, Bittersweet, Mellow, Reflective, Ethereal, Flowing, Dreamy, Passionate, Sad

Musical Qualities: Soft, Slow, Lush, Lyrical, Polished, Dynamic

Instrumentation: Synthesizers, Electric Guitar, Drums, Trumpet, Upright Bass, Fender Rhodes, Organ, Cello, Trombone, Euphonium, Tuba, Baritone Saxophone, Tenor Saxophone

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Osamu Kitajima – Masterless Samurai

Styles: Jazz-Funk, Japanese Folk, Prog

Moods: Triumphant, Spring, Smooth, Mysterious, Epic, Adventure

Musical Qualities: Lush, Groovy, Progressive, Uncommon Time Signatures, Orchestral, Improvisation, Instrumental, Technical

Instrumentation: Shakuhachi, Koto, Shamisen, Synthesizers, Biwa, Acoustic Guitar, Strings, Electric Bass, Drums, Percussion, Rhodes, Saxophone, Piano, Ehru, Gong, Organ

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Eiko Ishibashi – Imitation of Life

Style: Chamber Pop, Prog-Pop, Jazz Pop, Singer-Songwriter

Vibe: Lush, Warm, Sunny, Sci-Fi, Playful, Philosophical, Surreal, Energetic, Imaginative

Musical Qualities: Progressive, Dense, Catchy, Complex, Melodic, Dense, Technical, Rhythmic

Instrumentation: Piano, Vibraphone, Drums, Flute, Rhodes, Electric & Acoustic Bass, Saxophone, Clarinet, Violin, Cello , Synthesizers, Steel Drum, French Horn

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Embryo – We Keep On

Style: Jazz-Rock, Prog, Kosmische, Psychedelic Jazz, Space Rock

Vibe: Exploratory, Triumphant, Adventurous, Cosmic, Epic, Groovy, Spacey, Playful, Psychedelic

Musical Qualities: Polyphonic, Complex, Improvisation, Percussive, Polyrhythmic, Progressive, Raga, Technical

Instrumentation: Saxophones (Soprano & Alto), Flutes, Nadaswaram, Mallet Percussion (Vibraphone, Marimba, Hammered Dulcimer), Electric Guitar, Electric Bass, Drums, Percussion, Saz, Keyboards (Piano, Fender Rhodes, Clavinet)

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Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.

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Eddie Henderson – Realization

Style: Abstract Funk, Jazz Fusion, Spiritual Jazz

Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson

Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual

Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument

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Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

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