Style: Singer/Songwriter, Folk Baroque, Country-Influenced
Vibes: Laid Back, Morning, Sunny, Peaceful, Pastoral, Loner
Instrumentation: Acoustic Guitar, Pedal Steel, Fiddle, Mandolin, Piano, Electric Bass, Drums
Bert Jansch – L.A. Turnaround Read More »
Originally released in 1969 on Columbia Records 1977 Pressing
Miles Davis – In a Silent Way Read More »
An ethereal and somewhat haunting dream-folk collaboration between guitarist/singer Meg Baird (Espers, Heron Oblivion), and harpist Mary Lattimore, who’s recorded with Fursaxa, Steve Gunn, and others in addition to her hypnotic solo work.
Highly Recommended for fans of Natural Snow Buildings, Cocteau Twins “Victorialand”, Laraaji, and 60’s British & Scottish Folk music
Meg Baird & Mary Lattimore – Ghost Forests Read More »
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.
Eric Chenaux – Slowly Paradise Read More »
Style: Singer/Songwriter
Subgenres: Slowcore, Country, Folk
Vibe: Depressive, Intimate, Lonely, Sad, Introspective, Raw, Loner
Musical Attributes: Lo-fi, Sparse, Raw, Simple
Palace Brothers – Palace Brothers Read More »
Originally released in 2002 on Secretly Canadian 2014 deluxe reissue Format: LPx2 (full album on first LP and demos on second LP)
Songs: Ohia – Didn’t It Rain (Deluxe Edition) Read More »
Enveloping blankets of piano and synthesizers that are mostly beautifully soothing, but occasionally venture down shadowy alleyways full of eerie suspense.
Harold Budd/Brian Eno – Ambient 2: The Plateaux of Mirror Read More »
Released in 2015 on People Teeth Format: LP
Port St. Willow – Syncope Read More »
Information: Released in 1978 on PVC Records Format: LP
Brian Eno – Ambient 1: Music for Airports Read More »
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
John Martyn – Solid Air Read More »
Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.?
Julie Byrne – Not Even Happiness Read More »
Makes me feel like I’m sitting alone at a party, gazing across a dark, smoky room; an outsider looking in. Chill, disjointed beats, hushed atmospheres, lonely melodies.
Shlohmo – Bad Vibes Read More »
Album Information: This album was self-released on CD in 1997 This pressing was released by Constellation Records in 2013 Format: 2xLP, 180g, Includes die-cut sleeve with 4 alternative cover inserts
Do Make Say Think – Do Make Say Think Read More »
Album Information: Released in 2012 on XL Recordings Format: LPx2
Sigur Ros – Valtari Read More »
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
Six Organs of Admittance – Asleep on the Floodplains Read More »
Style: ECM-Jazz, Solo Guitar
Vibes: Ethereal, Mysterious, Airy, Mellow, Soothing, Contemplative, Suspenseful
John Abercrombie – Characters Read More »
Performed on acoustic guitar and an early delay pedal, Christopher Idylls is a soothing, reflective way to ease into the morning. It fits somewhere between ambient, new age, and American primitive guitar.
Gimmer Nicholson – Christopher Idylls Read More »
While each Grails album uses instrumental rock as a means to explore a vast record collection’s worth of influences, none have done so with the subtlety and focus put into each track of this latest offering, allowing us to see the intangible essence of their sound more clearly than ever.
Grails – Chalice Hymnal Read More »
Guitar-genius Mdou Moctar visits Portland, Oregon from his home country of Niger to record a hypnotic solo album of desert folk sung in Tamasheq. Most songs consist of intricate fingerstyle acoustic guitar with occasional electric guitar overdubs to accent the melodies.
Mdou Moctar – Sousoume Tamache Read More »
Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.
Tim Buckley – Blue Afternoon [4menwithbeards] Read More »
An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements
Jim O’Rourke – Bad Timing Read More »
Style: Chamber Folk, Singer-Songwriter, Brit-Folk
Moods: Rainy, Melancholy, Sombre, Intimate, Peaceful, Lonely, Contemplative, Pastoral, Mellow
Nick Drake – Five Leaves Left Read More »
