Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
Album Information: Released in 1978 on ECM Records Recorded November 1977 at Talent Studio, Oslo Engineered by Jan Erik Kongshaug … More
Performed on acoustic guitar and an early delay pedal, Christopher Idylls is a soothing, reflective way to ease into the morning. It fits somewhere between ambient, new age, and American primitive guitar.
Album Information: Released in 2017 on Temporary Residence Records
Guitar-genius Mdou Moctar visits Portland, Oregon from his home country of Niger to record a hypnotic solo album of desert folk sung in Tamasheq. Most songs consist of intricate fingerstyle acoustic guitar with occasional electric guitar overdubs to accent the melodies.
Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.
An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements