Soprano Saxophone

Alan Silva and His Celestrial Communication Orchestra – Luna Surface

featuring Leroy Jenkins, Archie Shepp, Malachi Favors, Anthony Braxton, Grachan Moncur III, Dave Burrell, Claude Delcloo, Kenneth Terroade, Bernard Vitet, Berb Guérin

Style: Free Space Music, Cosmic Jazz, Avant-Garde Big Band

Vibe: Intense, Chaotic, Bombastic, Ecstatic, Free, Cosmic, Hypnotic, Raw, Communal, Apocalyptic

Musical Qualities: Conducted Improvisation, Dense, Atonal, Dissonant, Acoustic

Anthony Braxton – For Trio

Style: Creative Music, Avant-Garde Chamber Jazz

Vibes: Mystical, Cerebral, Ritualistic, Numerological, Abstract, Philosophical, Spiritual, Open, Cosmic

Musical Qualities: Modular Notation, Poly-Free Improvisation, Dynamic, Acoustic, Percussive, Polyphonic, Sparse

Billy Hart – Enchance

featuring Buster Williams, Dewey Redman, Dave Holland, Oliver Lake, Eddie Henderson, Don Pullen & Thabo Michael Carvin

Style: Jazz-Fission, Spiritual Jazz, Post-Bop

Moods: Exploratory, Forest, Spiritual, Nocturnal, Triumphant, Communal, Energetic, Free, Knotty, Intertwined, Mysterious, Spontaneous

Musical Qualities: Polyphonic, Collective Improvisation, Ostinato, Acoustic, Complex, Dense, Progressive, Technical

Albert Ayler – Revelations

Style: Spiritual Jazz, Free Jazz

Moods: Ecstatic, Uplifting, Anthemic, Passionate, Energetic, Bittersweet, Cathartic, Chaotic, Cosmic, Flowing, Free, Heartfelt, Joyful, Kinetic, Love, Spiritual, Tender

Musical Qualities: Thematic, Collective Improvisation, Acoustic, Extended Technique, Live Performance

Miles Davis – On the Corner

featuring Billy Hart, Bennie Maupin, Badal Roy, Mtume, Michael Henderson, Jack DeJohnette, Herbie Hancock, Paul Buckmaster, John McLaughlin, Dave Liebman, Don Alias, Carlos Garnett, Colin Walcott, Khalil Balakrishna, Lonnie Liston Smith, Chick Corea, Harold Williams, David Creamer

Style: Abstract Groove, Jazz Fission, Avant-Funk

Moods: Surreal, Urban, Hypnotic, Communal, Groovy, Colorful, Playful, Circular, Futuristic

Musical Qualities: Rhythmic, Repetitive, Dense, Improvisation, Instrumental, Studio-as-an-instrument

World Saxophone Quartet – Live at Brooklyn Academy of Music

Style: Post-Bop, Modern Creative

Moods: Elegant, Intertwined, Warm, Reflective, Airy, Colorful

Musical Qualities: Polyphonic, Thematic, Improvisation, Acoustic, Live

Instrumentation: Saxophones (Baritone, Alto, Soprano, Tenor), Clarinet, Bass Clarinet

Art Ensemble of Chicago – Nice Guys

Styles: Modern Creative, Avant-Garde Jazz

Moods: Communal, Colorful, Eclectic, Ritualistic, Uplifting, Playful, Suspenseful, Mysterious, Abstract, Noir, Open

Musical Qualities: Collective Improvisation, Percussive, Acoustic, Dynamic, Sparse

Horace Tapscott with the Pan-Afrikan Peoples Arkestra – Live at I.U.C.C.

Style: Spiritual Jazz, Avant-Garde Big Band

Moods: Triumphant, Communal, Spiritual, Uplifting, Epic, Warm

Musical Qualities: Polyphonic, Progressive, Uncommon Time Signatures, Live, Dense, Acoustic, Complex, Rhythmic, Thematic, Collective Improvisation, Orchestral

Instrumentation: Piano, Horns, Drums, Percussion, Upright Bass, Drums, Woodwinds, Cello

Coltrane live at Birdland

Style: Post-Bop

Moods: Passionate, Sentimental, Tender, Cathartic, Mournful, Energetic, Spiritual

Musical Qualities: Improvisation, Acoustic, Virtuosic, Instrumental

The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

Eberhard Weber – Yellow Fields

Style: ECM Jazz, Atmospheric Jazz Fusion

Vibe: Ethereal, Adventurous, Autumnal, Pastoral, Misty, Impressionistic, Complex, Intricate

Musical Qualities: Thematic Improvisation, Reverbed Production, Chorus FX, Melodic, Uncommon Time Signatures

Instrumentation: Upright Bass (w/ heavy chorus), Soprano Saxophone, Keyboards, Drums

John Surman – Upon Reflection

Style: Post-Minimalism, Ambient Jazz, Folk-Jazz, ECM Style

Moods: Meditative, Pastoral, Futuristic, Mysterious, Impressionistic, Hypnotic, Soothing, Searching

Musical Qualities: Electro-Acoustic, Minimalist, Instrumental, Pulse, Solo

Instrumentation: soprano saxophone, baritone saxophone, bass clarinet, synthesizer

John Coltrane & Pharoah Sanders – Live in Seattle

Style: Free Jazz, Spiritual Jazz

Vibe: Apocalyptic, Intense, Transcendent, Epic, Cosmic, Bombastic, Chaotic, Complex, Exploratory, Energetic, Serpentine, Powerful, Passionate, Triumphant, Spiritual, Heavy

Musical Qualities: Dense, Dissonant, Polyphonic, Collective Improvisation, Acoustic, Live Recording, Extended Technique, Progressive, Technical

Charles Mingus – Mingus Mingus Mingus Mingus Mingus

Style: Post-Bop, Progressive Big Band

Vibe: Elegant, Romantic, Nocturnal, Bustling, Passionate, Warm, Complex, Energetic

Musical Qualities: Polyphonic, Progressive, Dense, Technical, Acoustic, Improvisation, Lush, Melodic

Marion Brown – Afternoon of a Georgia Faun

featuring Chick Corea, Anthony Braxton, Bennie Maupin, Andrew Cyrille, etc…

Style: Modern Creative, Avant-Garde Jazz

Vibe: Mysterious, Suspenseful, Nature, Abstract, Surreal, Kinetic, Visceral, Earthy, Swirling, Pastoral (Side A)

Musical Qualities: Collective Improvisation, Dynamic, Sparse, Acoustic, Atonal, Experimental Vocals, Extended Techniques, Dissonant, Percussive, Homemade Instrument

Coltrane “LIVE” at the Village Vanguard

Style: Spiritual Jazz, Modal Jazz, Post-Bop

Vibe: Searching, Communicative, Passionate, Bustling, Driving

Musical Qualities: Modal, Improvisation, Acoustic, Live Recording, Technical, Thematic, Dense

Anthony Braxton – New York, Fall 1974

Featuring Jerome Cooper, Julius Hemphill, Dave Holland, Leroy Jenkins, Kenny Wheeler…

Style: Avant-Garde Jazz, Modern Creative, Post-Bop
Vibe: Knotty, Angular, Complex, Cerebral, Exploratory, Serious, Bustling (Side A), Mysterious (Side B)
Musical Qualities: Polyphonic, Extended Technique, Improvisation, Thematic, Instrumental

Modern Nature – Island of Noise

Style: Chamber Pop, Post-Rock, Chamber Jazz, Singer/Songwriter

Vibe: Reflective, Warm, Intertwined, Nature, Breezy, Spiritual, Morning, Apocalyptic, Uplifting

Musical Qualities: Lush, Soft, Suite, Melodic

Instrumentation: Vocals, Soprano Saxophone, Piano, Trumpet, Upright Bass, Electric Guitar, Drums, Cello, Reed Organ, Viola, Alto Saxophone, Bass Clarinet

Miles Davis – Live in Tokyo 1973

Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute

Style: Abstract Groove, Psychedelic Jazz Fusion

Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic

Kuumba-Toudie Heath – Kawaida

Style: Spiritual Jazz, Modal Jazz, Post-Bop

Vibe: Self-Determination, Communal, Triumphant, Spiritual, Devotional, Uplifting, Conscious, Warm

Musical Qualities: Collective Improvisation, Lush, Rhythmic, Acoustic, Thematic, Modal, Spoken Word, Percussive

Damon & Naomi – Within These Walls

Style: Chamber Folk, Slowcore, Dream Country

Vibe: Flowing, Lethargic, Peaceful, Dreamy, Melancholy, Elegant, Airy, Romantic, Bittersweet, Contemplative, Intertwined, Intimate, Mellow, Sentimental, Smooth, Soothing, Twangy

Musical Qualities: Acoustic, Lush, Slow, Soft, Simple, Chamber Arrangements, Melodic

Jack DeJohnette’s Directions – Untitled

Style: Progressive Jazz, Post-Bop, Jazz Fusion

Vibe: Triumphant, Pastoral, Airy, Searching, Eclectic, Mysterious, Soothing

Musical Qualities: Thematic, Improvisation, Progressive, Odd Time Signatures, Atmospheric

Hermeto Pascoal – Slaves Mass

Style: Jazz Fusion, Avant-Garde Jazz, Baião

Vibe: Warm, Passionate, Spiritual, Eclectic, Groovy, Energetic, Tropical, Psychedelic

Musical Qualities: Improvisation, Percussive, Polyrhythmic, Complex

Horace Tapscott & the Pan-Afrikan Peoples Arkestra – The Call

Style: Avant-Garde Big Band, Spiritual Jazz, Vocal Jazz (A2)

Vibe: Spiritual, Communal, Epic, Passionate, Active Listening, Energetic, Religious, Triumphant

Musical Qualities: Polyphonic, Complex, Dense, Acoustic, Thematic, Improvisation, Melodic, Technical, Orchestral

Miles Davis – Live Evil

Style: Social Music, Abstract Groove, Psych-Jazz, Free Fusion

Vibe: Adventure, Driving, Groovy, Menacing, Confident, Energetic, Complex, Climactic, Exploratory

Musical Qualities: Collective Improvisation, Dense, Percussive, Polyrhythmic, Thematic, Instrumental, Polyphonic

Embryo – We Keep On

Style: Jazz-Rock, Prog, Kosmische, Psychedelic Jazz, Space Rock

Vibe: Exploratory, Triumphant, Adventurous, Cosmic, Epic, Groovy, Spacey, Playful, Psychedelic

Musical Qualities: Polyphonic, Complex, Improvisation, Percussive, Polyrhythmic, Progressive, Raga, Technical

Instrumentation: Saxophones (Soprano & Alto), Flutes, Nadaswaram, Mallet Percussion (Vibraphone, Marimba, Hammered Dulcimer), Electric Guitar, Electric Bass, Drums, Percussion, Saz, Keyboards (Piano, Fender Rhodes, Clavinet)

Muhal Richard Abrams – Colors in Thirty-Third

Style: Creative Music, Chamber Jazz, Free Jazz, Post-Bop

Vibe: Colorful, Sentimental, Impressionistic, Eclectic, Energetic, Introspective

Musical Qualities: Acoustic, Dynamic, Poly-free Improvisation, Complex, Spacious

Mulatu Astatke – Timeless

Style: Ethio-Jazz, Afro-Cuban Jazz, Jazz Funk

Vibe: Serpentine, Groovy, Warm, Mysterious, Lush

Musical Attributes: Live, Rhythmic, Improvisation, Live, Percussive, Technical

Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.