Amon Düül II – Carnival in Babylon

Released in 1972 on United Artists Records Recorded 1971 Format: LP

Dungen – Tio Bitar

Released in 2007 on Kemado Records Format: LP, mirrored cover

The Black Angels – Phosphene Dream

Released in 2010 on Blue Horizon Format: LP Recommended Tracks: B3 – True Believers, A1 – Bad Vibrations, B2 – … More

Freddie Gibbs & Madlib – Bandana

Released in 2019 on RCA Records Format: LP

Yesterday’s New Quintet presents Yesterday’s Universe: Prepare for a New Yesterday (Vol. 1)

Released in 2007 on Stones Throw Records Format: LPx2

Boris – Pink

Originally released in 2005 2006 Southern Lord Reissue Format: LPx2, Pink vinyl Includes 3 sheets of blotter paper

Electric Wizard – Come My Fanatics…

Quasimoto – The Unseen

Released in 2000 on Stones Throw Records Format: LPx2

Black Sabbath – Black Sabbath

David Crosby – If Only I Could Remember My Name…

Released in 1971 on Atlantic Records Format: LP

Holy Sons – The Fall of Man

Released in 2015 on Thrill Jockey Records Format: LP, gold vinyl

The Black Angels – Directions to See a Ghost

Grateful Dead – Live/Dead

Originally released in 1969 on Warner Bros. Records 1973 Pressing Format: LPx2

The Beatles – Sgt. Pepper’s Lonely Hearts Club Band

Released in 1967 on Capitol Records Format: LP, includes cut outs

King Tubby & August Pablo – King Tubbys Meets Rockers Uptown

Originally released in 1977 on Clocktower Records Later pressing

Boris – Noise

Released in 2014 on Sargent House Format: LPx2, marbled grey vinyl

Grails – Deep Politics

Darkly cinematic rock instrumentals with some creeping, Dostoevskian vibes. This is probably the most meticulous and progressive album I’ve heard from these guys, who are always finding new ways of funneling their omnivorous library of influences into their dramatic and atmospheric psych rock stylings.

Marriages – Kitsune

A unique blend of post-rock, stoner rock, and shoegaze crafted into a cohesive, perfectly fluid 25 minutes. Hallucinogenic atmospheres, shadowy guitar effects, and mysterious pitch-shifted vocals envelope driving, stoner-fuzz bass lines that often liquify into the watery chorus-bass you might find on the Cure’s Disintegration or an Isis album.