Originally released as 2 separate releases in 1988 and 1989 on Venture Records 2019 Grönland compilation Format: LPx2 Advertisements
Originally released in 1974 on Brain Records 2015 Grönland Pressing Format: LP, 180g
Released in 1991 on Touch and Go Records 2000’s pressing Format: LP
Originally released in 1999 on Chemikal Underground 2014 Deluxe Pressing Format: LPx4 box set, includes poster
Released in 2013 by Drag City Format: LPx2 Front and back cover by Michal Mozolewski Inner gatefold drawing by Simon … More
Released in 2012 on Invada Records Format: LPx2, orange vinyl Limited to 500 copies
While the music on Zeit feels motionlessly suspended in the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.
Enveloping blankets of piano and synthesizers that are mostly beautifully soothing, but occasionally venture down shadowy alleyways full of eerie suspense.
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Released in 2012 on Editions Mego Format: LP
Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.
Album Information: Released in 2017 on Blue Chopsticks Records (Imprint of Drag City Records) Eli Keszler – Drums, Percussion (Tracks … More
Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves