Upright Bass

Carnascialia – Carnascialia

Style: Progressive Chamber-Folk

Vibe: Rustic, Intertwined, Warm, Passionate, Hypnotic, Celebratory, Exploratory, Morning, Eclectic

Musical Qualities: Acoustic, Vocal Harmonies, Polyrhythmic, Percussive, Technical

Instrumentation: Accordion, Saxophone, Panpipe, Acoustic Guitar, Upright Bass, Electric Bass, Drums, Mandolin, Violin, Piano

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Marion Brown – Afternoon of a Georgia Faun

featuring Chick Corea, Anthony Braxton, Bennie Maupin, Andrew Cyrille, etc…

Style: Modern Creative, Avant-Garde Jazz

Vibe: Mysterious, Suspenseful, Nature, Abstract, Surreal, Kinetic, Visceral, Earthy, Swirling, Pastoral (Side A)

Musical Qualities: Collective Improvisation, Dynamic, Sparse, Acoustic, Atonal, Experimental Vocals, Extended Techniques, Dissonant, Percussive, Homemade Instrument

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Brother Ah and the Sounds of Awareness – Key to Nowhere

Style: Spiritual Jazz, World Fusion, Soul Jazz

Vibe: Devotional, Communal, Flowing, Peaceful, Warm, Mysterious, Longing, Conscious, Uplifting, Cosmic, Airy, Groovy, Lush, Eclectic

Musical Qualities: Acoustic, Percussive, Improvisation, Thematic, Instrumental (Except A1, B3)

Instrumentation: Flute, Harp, Electric Guitar, Mbiri, Upright Bass, Drums, Gong, French Horn, Harmonica, Berimbau, Electric Bass, Percussion

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Sathima Bea Benjamin – Windsong

Personnel: Sathima Bea Benjamin – Vocals; Kenny Barron – Piano; Buster Williams – Upright Bass; Billy Higgins – Drums

Style: Vocal Jazz, Spiritual Jazz, Ballads, Traditional

Vibe: Healing, Flowing, Warm, Airy, Spiritual, Soothing, Sombre, Heartfelt, Elegant, Uplifting, Bittersweet, Intimate, Morning, Peaceful, Reflective, Rootsy, Sentimental,

Musical Qualities: Acoustic, Soft, Improvisation, Slow, Polished, Lyrical, Lush

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Modern Nature – Island of Noise

Style: Chamber Pop, Post-Rock, Chamber Jazz, Singer/Songwriter

Vibe: Reflective, Warm, Intertwined, Nature, Breezy, Spiritual, Morning, Apocalyptic, Uplifting

Musical Qualities: Lush, Soft, Suite, Melodic

Instrumentation: Vocals, Soprano Saxophone, Piano, Trumpet, Upright Bass, Electric Guitar, Drums, Cello, Reed Organ, Viola, Alto Saxophone, Bass Clarinet

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The Art Ensemble of Chicago – We Are On the Edge

Style: Modern Creative, Chamber Jazz, Experimental Big Band, Great Black Music, Avant-Garde Classical

Vibe: Communal, Triumphant, Suspenseful, History, Eclectic, Colorful, Intricate, Ritualistic, Patient, Open, Complex, Theatric

Musical Qualities: Poly-Free Improvisation, Dynamic, Collective, Progressive Structures, Technical, Orchestral, Percussive, Reductionism, Suite, Polyphonic

Instrumentation: Trumpets, Upright Bass, Spoken Word, Operatic Vocals, Drums, Percussion, Saxophone, Cello, Violin, Viola

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Albert Ayler – Love Cry

Albert Ayler – Tenor & Alto Saxophones, Vocals
Alan Silva – Upright Bass
Milford Graves – Drums & Percussion
Call Cobbs Jr. – Harpsichord
Donald Ayler – Trumpet

Vibe: Ecstatic, Passionate, Anthemic, Energetic, Spiritual, Joyful, Deconstructed, Uplifting

Musical Qualities: Thematic, Collective Improvisation, Acoustic, Loose, Melodic

Style: Spiritual Jazz, Free Jazz

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Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

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John Coltrane – Sun Ship

Style: Spiritual Jazz, Avant-Garde Jazz

Vibe: Cathartic, Transcendent, Triumphant, Passionate, Intense, Chaotic, Powerful, Adventure, Searching, Spiritual

Musical Qualities: Collective Improvisation, Dense, Dynamic, Complex, Acoustic, Thematic, Dissonant, Technical

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Sam Amidon – Sam Amidon

Style: Dream Folk, Jazz-Folk, Warped Americana

Vibes: Warm Melancholy, Springtime Reflection, Rootsy, Early Afternoons in the Garden, Dreamy, Intertwined, Heartfelt

Musical Qualities: Lush; Improvised Arrangements; Studio-as-an-Instrument, Melodic, Vocal Fx

Instrumentation: Banjo, Saxophone, Acoustic Guitar, Percussion, Flute, Acoustic Bass, Synthesizers, Piano

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John Carter – Fields

Style: Avant-Garde Jazz, Country-Jazz, Jazz Theater

Vibe: Rural, Historical, Sombre, Resolute, Intertwined, Passionate, Storytelling, Determined, Resolute, Heartfelt, Complex, Theatric, Conceptual

Musical Qualities: Suite, Acoustic, Progressive, Collective Improvisation, Polyphonic, Dynamic, Technical

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Pentangle – Solomon’s Seal

Style: Brit-Folk, Chamber Folk, Jazz-Folk

Vibe: Flowing, Morning, Breezy, Warm, Medieval, Sentimental, Rootsy, Mellow, Pastoral, Uplifting

Musical Qualities: Vocal Harmonies, Acoustic, Traditional, Melodic, Improvisation

Instrumentation: Acoustic Guitars (Fingerstyle), Vocals, Upright Bass, Sitar, Dulcimer, Banjo, Recorder, Harmonica, Electric Guitar, Drums

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Sun Ra – Lanquidity [Definitive Edition]


Style: Cosmic Jazz Fusion, Avant-Garde Big Band

Vibe: Mysterious, Elegant, Hypnotic, Nocturnal, Cosmic, Futuristic, Spacey, Ethereal, Groovy, Mellow, Flowing

Musical Qualities: Rhythmic, Atmospheric, Collective Improvisation, Thematic, Polyphonic, Odd Time Signatures, Melodic, Progressive

Instrumentation: Fender Rhodes, Synthesizers (Arp, Minimoog, Crumar Electronic Keyboard), Organ, Piano, Bells, electric Guitar, Drums, Percussion, Group Vocals, Trumpet, Saxophone, Flute, Oboe, Bassoon, Congo, Baritone Sax, Bass Clarinet, Upright Bass

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Miles Davis – Sorcerer

Style: Post-Bop, Modal Jazz

Vibe: Mysterious, Driving, Nocturnal, Complex, Anxious, Intertwined, Sensual, Energetic

Musical Qualities: Improvisation, Modal, Acoustic, Instrumental (except B3)


Personnel:

Miles Davis – Trumpet; Herbie Hancock – Piano; Ron Carter; Upright Bass; Tony Williams – Drums; Wayne Shorter – Saxophone

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Bert Jansch – Birthday Blues

Style: Chamber Folk, British Folk, Acoustic Blues, Jazz-Folk

Vibe: Breezy, Mellow, Contemplative, Autumnal, Uplifting, Melancholy, Warm, Joyful, Love, Intertwined, Reflective, Poetic

Musical Qualities: Acoustic, Melodic, Lush, Rootsy, Bluesy, Chamber Arrangements

Instrumentation: Acoustic Guitar, Upright Bass, Flute, Saxophone, Harmonica

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Beth Orton – Sugar Season

Session musicians include Brian Blade, Eyvind Kang, Sam Amidon, Nico Muhly, Marc Ribot, Rob Burger, etc.

Style: Chamber Folk, British Folk-Rock, Singer-Songwriter, Folk-Pop

Vibe: Autumnal, Bittersweet, Melancholy, Moody, Rootsy, Warm, Mellow

Musical Qualities: Lyrical, Lush, Melodic, Soft

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Jack DeJohnette – Have You Heard?

Recorded in Tokyo with regular collaborators Gary Peacock and Benny Maupin, plus amazing local pianist Hideo Ichikawa, “Have You Heard?” is an interesting & exploratory record from master drummer Jack DeJohnette. Two shorter cuts of nocturnal modal-jazz bookend a pair of longer, abstract pieces that recall the “modern creative” improvisations coming out of Chicago.

Recommended for fans of Miles Davis’ Nefertiti as well as the works of Art Ensemble of Chicago

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Irreversible Entanglements – Open the Gates

Style: Free Jazz, Future Jazz, Jazz Poetry, Liberation Music

Vibe: Ritualistic, Triumphant, Aquatic, Communal, Futuristic, Philosophical, Poetic, Anthemic, Cerebral, Confident, Conscious, Determined, Epic, Existential, Groovy, Healing, Heavy, Liberation, Political, Powerful, Rebellious, Evocative, Mystical, Intertwined

Musical Qualities: Thematic, Collective Improvisation, Acoustic Instrumentation, Spoken Word, Progressive Structures, Rhythmic, Polyphonic, Dynamic, Complex, Dub Fx

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Miles Davis – Live Evil

Style: Social Music, Abstract Groove, Psych-Jazz, Free Fusion

Vibe: Adventure, Driving, Groovy, Menacing, Confident, Energetic, Complex, Climactic, Exploratory

Musical Qualities: Collective Improvisation, Dense, Percussive, Polyrhythmic, Thematic, Instrumental, Polyphonic

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Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

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Vic Chesnutt – At the Cut

Style: Singer/Songwriter, Southern Gothic, Chamber Punk, Slowcore, Folk Rock

Vibe: Depressive, Angsty, Triumphant, Moody, Introspective, Somber, Passionate, Sad, Cathartic

Musical Attributes: Dynamic, Raw

Instrumentation: Acoustic Guitar, Electric Guitars, Upright Bass, Violin, Drums

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João Lobo – Simorgh

Style: Jazz-Rock, Abstract Groove, Free Fusion

Vibe: Menacing, Driving, Fuzzy, Complex, Adventurous, Energetic

Musical Qualities: Collective Improvisation, Modal, Rhythmic

Instrumentation: Drums, Electric Guitar w/ Fuzz & Fx, Upright Bass

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Mark Hollis – Mark Hollis

Style: Singer/Songwriter, Ambient Chamber Jazz, Post-Rock

Vibe: Peaceful, Intimate, Introspective, Spiritual, Reflective, Meditative, Melancholy, Mellow, Sentimental, Ethereal, Autumnal

Musical Qualities: Soft, Sparse, Acoustic, Atmospheric


Instrumentation: Voice, Bassoon, Clarinet, Piano, Upright Bass, Flute, Trumpet, Guitar

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Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

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Revolutionary Ensemble

Style: Free Jazz, Creative Music

Vibe: Ritualistic, Loose, Cathartic, Complex

Musical Attributes: Collective Improvisation, Acoustic, Polyphonic, Active Listening, Instrumental, Dynamic, Live

Instrumentation: Violin, Upright Bass, Drums

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Spencer Zahn – Sunday Painter

Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.

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Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk?Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark?Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical?Lyrical Themes: Alienation, Religious, Christian, Storytelling

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Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

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Eddie Henderson – Realization

Style: Abstract Funk, Jazz Fusion, Spiritual Jazz

Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson

Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual

Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument

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The Sea Ensemble – We Move Together

An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album

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The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

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John Coltrane – Africa / Brass

Released in 1961 on Impulse! Records Red Ring 70s Reissue Format: LP Style: Modal Jazz, Post-Bop Musical Attributes: Polyrhythmic, Acoustic, Melodic, Dense, Improvisation, Instrumental, Africa-Inspired, Technical, Modal Personnell: John Coltrane – Tenor Saxophone Elvin Jones – Drums Reggie Workman – Upright Bass McCoy Tyner – Piano Horn section: Eric Dolphy – Arrangements Pat Patrick – baritone

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Sam Rivers – Waves

Released  in 1979 on Tomato Records Format: LP, Promo copy Style: Free Jazz Vibe: chaotic, complex, energetic, manic Musical Attributes: Polyphonic, Improvisation, Dense, Instrumental Personnel: Sam Rivers – Saxophone (Soprano and Tenor), Flute, Piano; Dave Holland – Upright Bass, Cello; Joe Daley – Tuba, Baritone Horn; Thurman Baker – Drums, Percussion

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Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

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