The Pentangle
Style: Folk Baroque, British Folk, Acoustic Blues
Vibes: Intertwined, Rootsy, Pastoral, Breezy, Playful, Bluesy, Intricate, Uplifting
Instrumentation: Upright Bass, Vocal Harmonies, Drums, Acoustic Guitars
Style: Folk Baroque, British Folk, Acoustic Blues
Vibes: Intertwined, Rootsy, Pastoral, Breezy, Playful, Bluesy, Intricate, Uplifting
Instrumentation: Upright Bass, Vocal Harmonies, Drums, Acoustic Guitars
Style: Free Jazz, World Jazz, Organic Music
Vibes: Communal, Utopian, Energetic, Driving, Summer, Intertwined, Chaotic, Psychedelic
Don Cherry – The Summer House Sessions Read More »
Style: Hindustani Classical Music
Moods: Ecstatic, Joyful, Meditative, Spiritual, Warm, Flowing, Energetic, Hypnotic
Musical Qualities: Raga, Improvisation, Acoustic, Percussive, Microtonal
Ravi Shankar – Six Ragas Read More »
featuring Sonny Sharrock
Style: Post-Bop, Spiritual Jazz
Moods: Airy, Searching, Peaceful, Hypnotic, Warm, Spring, Uplifting, Devotional
Instrumentation: Flute, Electric Guitar, Congas, Drums, Electric Bass, Upright Bass, Alto Saxophone
Byard Lancaster – It’s Not Up to Us Read More »
Style: Acid Folk, Folk-Rock Influences: Arabic Folk, Blues, Raga
Moods: Mysterious, Confident, Serpentine, Searching, Psychedelic, Desert, Determined, Earthy, Flowing, Impressionistic, Introspective, Meandering, Meditative, Ritualistic
Musical Qualities: Modal, Acoustic, Improvisation, Instrumental, Solo, Bluesy
Instrumentation: Oud, Electric Guitar, Percussion, Electric Bass
Sandy Bull: E pluribus unum Read More »
Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced
Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting
Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose
Style: Singer/Songwriter, Country-Rock
Moods: Longing, Introspective, Loner, Bittersweet, Romantic, Alienation, Rustic, Sentimental
Musical Qualities: Melodic, Lush, Polished, Orchestral Arrangements
Neil Young – Neil Young Read More »
Albert Ayler – Tenor & Alto Saxophones, Vocals
Alan Silva – Upright Bass
Milford Graves – Drums & Percussion
Call Cobbs Jr. – Harpsichord
Donald Ayler – Trumpet
Vibe: Ecstatic, Passionate, Anthemic, Energetic, Spiritual, Joyful, Deconstructed, Uplifting
Musical Qualities: Thematic, Collective Improvisation, Acoustic, Loose, Melodic
Style: Spiritual Jazz, Free Jazz
Albert Ayler – Love Cry Read More »
Style: Analogue Electronic, Experimental Rock
Vibe: Anxious, Motorik, Mechanical, Dystopian, Futuristic, Ominous, Hypnotic
Musical Qualities: Dissonant, Repetitive, Percussive, Polyrhythmic
Silver Apples – Silver Apples Read More »
One can only imagine how Ayler bringing more commercial styles like R&B, Rock, and Gospel into his avant-garde music messed with critics and fans alike when it came out—the way it looked like commercial pandering to the Free Jazz listeners but was probably still too weird for new listeners. It helps to remember that Ayler came from R&B and went straight to the Free Spiritual Jazz of the early 60s, making Jazz critics highly skeptical skeptical by not climbing the bebop ranks like Coltrane before plunging into freedom. On New Grass, Ayler really started to synthesize the spiritual elements of many forms of Great Black Music, making more accessible music not as a way of selling out, but a way of sharing his beautiful spiritual message and sound with a wider audience. Plus this thing has Bernard Purdie on drums so of course it slaps.
If you dig this LP, I think he succeeded in this sound direction even more on his following albums Love Cry and Music is the Healing Force of the Universe. Albert Ayler was a pure soul that left this world too soon, grateful for the gifts of music and wisdom he left behind.
Albert Ayler – New Grass Read More »
Style: American Primitive Guitar, Folk
Vibe: Rootsy, Eclectic, Raw
Musical Attributes: Acoustic, Lo-fi, Sound Collage, Vignettes, Bluesy, Instrumental
John Fahey – The Voice of the Turtle Read More »
Released in 1968 on ESP-Disk Format: LP Style: Chamber Folk, Psych Folk Vibe: Peaceful, Mellow, Psychedelic Themes: War, Nature, Love Instrumentation: Acoustic Guitar, Vocals, Strings, Flute, Banjo, Keyboards, Bass, French Horn
Pearls Before Swine – Balaklava Read More »
Released in 1968 on Takoma Records Format: LP
John Fahey – The New Possibility Read More »
Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced
Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting
Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose
The Soft Machine – The Soft Machine [2nd Press] Read More »
Released in 1968 on JCOA Records Format: LPx2, includes 12″ booklet
Michael Mantler – The Jazz Composer’s Orchestra Read More »
Released in 1968 on Impulse! Records Format: LP
Alice Coltrane – A Monastic Trio Read More »
Released in 1968 on Elektra Records Format: LP
The Incredible String Band – The Hangman’s Beautiful Daughter Read More »
Released on Elektra in 1968 Format: LP Track Notes A1 – Jobs Tears (Uplifting, Morning, Spiritual) “Stranger than that we’re alive” A2 – Puppies (Peaceful, Sitar, Bowed Gimbri, Morning) “Music is so much less than what you are” A3 – Beyond the See (Instrumental featuring organ, harpsichord, whistle, and bowed gimbri A4 – The Yellow Snake
The Incredible String Band – Wee Tam Read More »
Released in 1968 on Warner Bros.
Van Morrison – Astral Weeks Read More »
Groovy soul instrumentals decorated with sweeping orchestral arrangements, jazz soloing, and psychedelic guitars, all inspired by William Blake’s writings.
David Axelrod – Songs of Innocence Read More »
Peaceful drone meditations and mantras for bass clarinet and sitar. The improvisatory melodies are beautifully expressive, exploratory, and blanketed in a soft, soothing reverb.
Tony Scott – Music for Yoga Meditation and Other Joys Read More »
Soft Machine’s second album is an eclectic suite packed full of whimsical psychedelia, Dadaist detours, complex prog structures and jazz-inspired musicianship.
Soft Machine – Volume Two Read More »