Africa

Tinariwen – Amadjar

Style: Tishoumaren, Desert Blues

Vibe: Desert, Hypnotic, Journeying, Spiritual, Flowing, Psychedelic, Mellow, Communal, Uplifting

Musical Qualities: Slow, Group Vocals, Repetitive, Percussive, Rhythmic

Maleem Mahmoud Ghania with Pharoah Sanders – The Trance of Seven Colors

Style: Gnawa, Spiritual Jazz

Vibe: Ceremonial, Hypnotic, Communal, Ritualistic, Spiritual, Uplifting, Serpentine, Warm, Desert, Tribal

Musical Qualities: Polyrhythmic, Acoustic, Repetitive, Chants, Improvisation, Microtonal

Instrumentation: Guimbri, Tenor Saxophone, Percussion, Group Vocals, Clapping

Yusef Lateef – In Nigeria

Style: Afro-Jazz, Post-Bop

Vibe: Warm, Communal, Groovy, Spiritual, Sunny, Dance

Musical Qualities: Percussive, Polyrhythmic, Improvisation, Melodic

Nahawa Doumbia – Kanawa

Style: Wassoulou, Afro-Pop

Vibe: Groovy, Dance, Sunny, Upbeat, Passionate, Catchy, Hypnotic

Musical Qualities: Polyrhythmic, Percussive, Group Vocals, Technical

Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

dumama + kechou- Buffering Juju

Style: Nomadic Future Folk, Organic Beat Music, South African Folk, Progressive Folk??

Vibe: Heartfelt, Imaginative, Futuristic, Ritualistic, Spiritual, Earthy, Psychedelic

??Musical Qualities: Electro-acoustic, Percussive, Polyrhythmic, Studio-as-an-Instrument, Progressive

Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

Mdou Moctar – Sousoume Tamache

Guitar-genius Mdou Moctar visits Portland, Oregon from his home country of Niger to record a hypnotic solo album of desert folk sung in Tamasheq. Most songs consist of intricate fingerstyle acoustic guitar with occasional electric guitar overdubs to accent the melodies.