Ambient Folk

Sonic Gnostic Research 01.10.24 [Bed Crumb Archives]

While this live broadcast was originally selected & sequenced spontaneously, it retrospectively appeared to move through some interesting movements. The introductory set of ambient pop & minimalist folk is followed by a long stretch of Japanese Psychedelia from four different decades. During the second hour we venture through jazz fission, abstract rap, and microtonal psych before closing the show with a trio of ethereal folk meditations.

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Maria BC – Spike Field

Style: Dream Folk, Experimental Songwriter, Ambient-Folk

Vibes: Ethereal, Melancholy, Hazy, Intimate, Soothing, Haunting, Dreamy, Autumnal, Cryptic, Tender, Mellow, Reflective, Mysterious, Nocturnal, Flowing

Musical Qualities: Soft, Glitchy, Atmospheric, Lyrical, Electro-Acoustic

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Daniel Bachman – When the Roses Come Again

Style: Avant-Folk, Ambient Americana, Free-Folk, American Primitivism

Vibes: Meditative, Personal, Morning, Pastoral, Earthy, History, Hypnotic, Summer, Nature, Soothing

Musical Qualities: Collage, Electro-Acoustic, Glitchy, Suite, Vignettes, Instrumental, Sampling, Studio-as-an-Instrument, Atmospheric

Instrumentation: Banjo, Acoustic Guitar, Mouthbow, Fiddle, Homemade Instruments, Harmonium, Bell

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Stephen Micus – Koan

Style: Mystical Folk, New Age, Fourth World

Vibe: Ethereal, Meditative, Introspective, Airy, Searching, Healing, Mysterious, Soothing

Musical Qualities: Soft, Acoustic, Reverb-Heavy, Minimalistic, Instrumental

Instrumentation: Shakuhachi, Zither, Gender, Sarangi, Rabab, Bodhran, Angklung, Kyeezee, Bells, Acoustic Guitar

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Grouper – A I A: Alien Observer

Style: Ambient, Dream-Folk, Drone Pop

Moods: Melancholy, Nocturnal, Cosmic, Grainy, Contemplative, Lethargic, Meditative, Peaceful, Intimate, Ethereal, Loner, Haunting, Dreamy, Hazy, Meandering, Monochrome, Murky, Soothing

Musical Qualities: Atmospheric, Droney, Lo-Fi, Home Recording, Loops, Simple, Slow, Soft, Solo

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The Futuristic Folk of The Tower Recordings [Vol. 1 & 2]

These ceremonial meanderings are the interrupted transmissions of campfire songs picked up by intergalactic satellites. Past and future collapse as old-timey banjo melodies fade into squiggly synthesizers and lo-fi electronics. Distant harmonicas sink behind thick fogs of ghostly whirring, while warped slide guitar, drone fiddle and echo percussion bubble through the folky primordial soup

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Old Fire – Voids

features vocals from Bill Callahan, Emily Cross (Loma), Adam Torres, & Julia Holter

Style: Haunted Folk, Ambient Americana, Southern Gothic

Moods: Desolate, Bleak, Haunting, Western, Cinematic, Stark, Sombre, Rustic, Melancholy, Brooding, Contemplative, Depressive, Nocturnal, Alienation, Dystopian, Impressionistic, Lonely, Moody, Mournful, Mythic, Noir, Personal

Musical Qualities: Suite, Atmospheric, Slow, Sampling, Electro-acoustic, Droney

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Sarah Louise – Earth Bow

Style: Free Folk, Cosmic Appalachia, Ambient Folk, Healing Music

Vibe: hypnotic, amorphous, confident, cosmic, dreamy, earthy, ethereal, existential, exploratory, forest, warm, spiritual, spontaneous, soothing, psychedelic, passionate, nature, meditative, hallucinogenic

Musical Qualities: Suite, Electro-Acoustic, Studio-as-an-instrument, Loops, Home Recording, Progressive, Field Recordings

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New Balance – The Spirits will Shimmer while I stare at their Shadows

While escapism is an understandable instinct in times of turmoil, The Spirits Will Shimmer encourages reflection on our current realities rather than turning a blind eye. New Balance’s Jeremy Leasure thoughtfully constructs a sonic cocoon of backwoods ambience from warped banjo improvisations and Casio synth atmospheres, foregoing the vivid lyrical imagery and lush arrangments of past releases. By offering a temporary respite from overstimulation, these meditative mood pieces carve out the space necessary to process the endless stream of information weighing on our hearts and minds.

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Avey Tare – Eucalyptus

Eucalyptus is a beautiful, enveloping excursion of aquatic psych-folk characterized by flowing, hallucinogenic instrumentation, atmospheric production, nature field recordings, and ghostly background vocals from one of my favorite singers, Angel Deradoorian. Avey Tare’s introspective and intimate lyrics mix psychedelic revelations, reminiscing, surreal imagery, and nature/water themes, often leading to profound realizations of a very personal sense of spirituality. The lush orchestrations are arranged by the amazing and unique violist Eyvind Kang, which include woodwinds, horns, strings, and pedal steel slide guitar from Susan Alcorn.

For fans of Animal Collective’s “Campfire Songs” and the slow portions of “Feels”.

Click for full review

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