John Coltrane & Pharoah Sanders – Live in Seattle

Style: Free Jazz, Spiritual Jazz

Vibe: Apocalyptic, Intense, Transcendent, Epic, Cosmic, Bombastic, Chaotic, Complex, Exploratory, Energetic, Serpentine, Powerful, Passionate, Triumphant, Spiritual, Heavy

Musical Qualities: Dense, Dissonant, Polyphonic, Collective Improvisation, Acoustic, Live Recording, Extended Technique, Progressive, Technical

Rangda – Formerly Extinct

Style: Psychedelic Math Rock, Free Rock

Vibe: Desert, Serpentine, Epic, Adventure, Intertwined, Energetic, Bombastic, Mystical

Musical Qualities: Shredding, Riffs, Improvisation, Dynamic, Instrumental, Uncommon Time Signatures, Noisy

James Blood – Tales of Captain Black

Style: Free Funk, Avant-Garde Jazz, Abstract Groove, No Wave

Vibe: Frenetic, Knotty, Disjointed, Funky, Angular, Chaotic, Triumphant, Playful, Energetic, Free, Manic, Bombastic

Musical Qualities: Harmolodic, Polyphonic, Polyrhythmic, Collective Improvisation, Dissonant, Uncommon Time Signatures, Instrumental

James ‘Blood’ Ulmer – Black Rock

Style: Free-Funk, Jazz Funk, Abstract Groove, Funk Rock

Vibe: Bombastic, Manic, Angular, Knotty, Confident, Energetic, Communal, Groovy

Musical Qualities: Improvisation, Dissonant, Complex, Rhythmic, Dense, Technical, Group Vocals

Miles Davis – Live in Tokyo 1973

Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute

Style: Abstract Groove, Psychedelic Jazz Fusion

Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic

John Coltrane – Concert in Japan

Style: Spiritual Jazz, Free Jazz

Vibe: Transcendent, Intense, Passionate, Cosmic, Visceral, Powerful, Complex, Bombastic, Energetic, Chaotic

Musical Qualities: Dense, Instrumental, Acoustic, Collective Improvisation, Polyphonic, Free, Technical, Virtuosic

Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

King Crimson – Lark’s Tongue in Aspic [Steven Wilson Mix]

Style: Prog, Chamber Rock

Vibe: Mercurial, Menacing, Bombastic, Cryptic, Muscular, Cerebral, Epic, Medieval, Aggressive, Bipolar, Heavy, Headphone Album

Musical Qualities: Dynamic, Complex, Progressive Structures, Uncommon Time Signatures, Percussive, Riffs,

Instrumentation: Electric Guitar, Violin, Mellotron, Electric Bass, Electric Keyboards, Percussion, Drums, Vocals

King Crimson – Beat

Style: Art Rock, Progressive Pop

Vibe: Anxious, Eccentric, Romantic, Cerebral, Complex, Catchy, Bombastic, Dramatic, Surreal, Slick, Intertwined

Musical Qualities: Polyphonic, Uncommon Time Signatures, Polished, Progressive, Technical, Rhythmic

São Paulo Underground – Beija Flors Velho E Sujo

Style: Future Jazz, Abstract Groove, Psychedelic Fusion

Vibe: Adventure, Futuristic, Triumphant, Spacey, Psychedelic, Energetic, Bombastic, Complex

Musical Qualities: Collective Improvisation, Thematic, Progressive, Percussive, Uncommon Time Signatures


Personnel:
Mauricio Takara – Percussion, Cavaquinho, Electronics
Guilherme Granado – Keyboards, Synths, Sampler, Voice
Rob Mazurek – Cornet, Evolver, Ring Modulator, Analog Delay, Harmonium

King Crimson – Islands

Style: Progressive Rock, Jazz-Rock, Chamber Music

Vibe: Pastoral, Mythical, Mysterious, Epic, Bombastic, Mellow, Aquatic, Dreamy

Musical Qualities: Dynamic, Progressive, Complex, Improvisation, Uncommon Time Signatures

Instrumentation: Electric Guitar, Mellotron, Saxophones, Flute, Piano, Drums, Electric Bass, Upright Bass, Cornet, Oboe

Omar Rodriguez Lopez – Old Money

Style: Psych / Prog / Experimental Rock

Vibe: Bombastic, Hallucinogenic, Chaotic, Energetic, Psychedelic

Musical Attributes: Progressive, Dense, Complex, Rhythmic, Riffs, Studio-as-an-Instrument, Technical, Odd Time Signatures

Charles Mingus – The Great Concert of Charles Mingus

Format: LPx3

Style: Post-Bop, Avant-Garde Jazz

Vibe: Bombastic, Passionate, Energetic, Intense, Manic, Playful

Musical Attributes: Complex, Dynamic, Live, Improvisation, Acoustic, Instrumental, Polyphonic, Progressive, Rhythmic

The Mars Volta – The Bedlam in Goliath

Style: Progressive Rock, Psych, Experimental Rock
Vibe: Bombastic, Mystical, Cerebral, Chaotic, Cryptic, Desert, Energetic, Epic, Hallucinogenic, intense, manic, Psychedelic, Complex
Musical Attributes: Dense, Odd Time Signatures, Progressive Structures, Polyrhythmic, Riffs, Technical

The Mars Volta – Amputechture

Style: Progressive Rock, Experimental Rock

Vibe: Epic, Psychedelic, Chaotic, Bombastic, Cerebral, Complex, Cryptic, Energetic, Ominous, Intense

Musical Attributes: Dense, Polyphonic, Technical, Odd Time Signatures, Headphone Album, Studio-as-an-Instrument, Progressive

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

King Crimson – In the Court of the Crimson King

Released in 1969 on Atlantic Format: LP Pressing quality: While this album is a masterpiece, these early pressings/masters sound a … More