Chamber Rock

Art Bears – Winter Songs

Fred Frith, Chris Cutler, Dagmar Krause

Style: Rock in Opposition, Avant-Prog, Tape Music, Chamber Rock

Vibes: Dystopian, Sombre, Winter, Ominous, Anxious, Cold, Disturbing, Knotty, Suspenseful, Theatric, Eccentric

Musical Qualities: Dissonant, Complex, Uncommon Time Signatures, Extended Technique, Loops, Technical, Progressive, Studio-as-an-Instrument

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Julia Holter – Loud City Song

Styles: Art Pop, Progressive Songwriter, Ambient Pop, Chamber-Jazz (Influenced)

Moods: Nocturnal, Surreal, Elegant, Ethereal, Observational, Flowing, Alienation, Cryptic, Disaffected, Lonely, Longing, Melancholy, Mysterious, Poetic, Romantic, Winter

Musical Qualities: Lush, Orchestral, Progressive, Vocal Harmonies, Lyrical, Dynamic, Complex, Studio-as-an-Instrument

Instrumentation: Keyboards, Piano, Upright Bass, Violin, Cello, Drums, Saxophone, Trombone, Percussion, Group Vocals

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Jessica Moss – Galaxy Heart

Styles: Chamber Drone, Electro-Acoustic, Free Improvisation, Post-Rock

Moods: Apocalyptic, Sombre, Cathartic, Nature, Exploratory, Spiritual, Angsty, Anthemic, Aquatic, Brooding, cathartic, Heartfelt, Mournful, Spiritual

Musical Qualities: Improvisation, Droney, Electro-Acoustic, Thematic, Repetitive, Loops, Fuzzy

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Dirty Three – Ocean Songs

Style: Chamber Rock, Slowcore, Post-Rock

Vibe: Aquatic, Melancholy, Flowing, Patient, Soothing, Meditative, Longing, Lonely, Dreamy, Mellow, Lethargic

Musical Qualities: Atmospheric, Loose, Soft, Instrumental, Loops, Improvisation

Instrumentation: Violin, Drums, Electric Guitar, Loops, Melodica, Piano, Harmonica

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King Crimson – Lark’s Tongue in Aspic [Steven Wilson Mix]

Style: Prog, Chamber Rock

Vibe: Mercurial, Menacing, Bombastic, Cryptic, Muscular, Cerebral, Epic, Medieval, Aggressive, Bipolar, Heavy, Headphone Album

Musical Qualities: Dynamic, Complex, Progressive Structures, Uncommon Time Signatures, Percussive, Riffs,

Instrumentation: Electric Guitar, Violin, Mellotron, Electric Bass, Electric Keyboards, Percussion, Drums, Vocals

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King Crimson – Islands

Style: Progressive Rock, Jazz-Rock, Chamber Music

Vibe: Pastoral, Mythical, Mysterious, Epic, Bombastic, Mellow, Aquatic, Dreamy

Musical Qualities: Dynamic, Progressive, Complex, Improvisation, Uncommon Time Signatures

Instrumentation: Electric Guitar, Mellotron, Saxophones, Flute, Piano, Drums, Electric Bass, Upright Bass, Cornet, Oboe

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Vic Chesnutt – At the Cut

Style: Singer/Songwriter, Southern Gothic, Chamber Punk, Slowcore, Folk Rock

Vibe: Depressive, Angsty, Triumphant, Moody, Introspective, Somber, Passionate, Sad, Cathartic

Musical Attributes: Dynamic, Raw

Instrumentation: Acoustic Guitar, Electric Guitars, Upright Bass, Violin, Drums

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Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

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Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

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Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Canadian chamber rock group (featuring past members of Silver Mt. Zion and GY!BE) recorded with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, drums, and tenor banjo with the saz and several other instruments used in Turkish and Arabic folk music.

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Godspeed You! Black Emperor – Yanqui U.X.O.

Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer. 

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