Miles Davis – Sorcerer

Style: Post-Bop, Modal Jazz

Vibe: Mysterious, Driving, Nocturnal, Complex, Anxious, Intertwined, Sensual, Energetic

Musical Qualities: Improvisation, Modal, Acoustic, Instrumental (except B3)


Personnel:

Miles Davis – Trumpet; Herbie Hancock – Piano; Ron Carter; Upright Bass; Tony Williams – Drums; Wayne Shorter – Saxophone

Miles Davis – Live Evil

Style: Social Music, Abstract Groove, Psych-Jazz, Free Fusion

Vibe: Adventure, Driving, Groovy, Menacing, Confident, Energetic, Complex, Climactic, Exploratory

Musical Qualities: Collective Improvisation, Dense, Percussive, Polyrhythmic, Thematic, Instrumental, Polyphonic

Terry Riley – Shri Camel

Style: Ecstatic Minimalism, New Age, Drone

Vibe: Spiritual, Meditative, Heavenly, Cosmic, Hypnotic, Mystical, Longing, Intertwined

Musial Attributes: Just Intonation, Instrumental, Minimalistic, Repetitive, Suite, Improvisation, Drone

Instrumentation: Yamaha YC-45D Organ with multiple digital delay channels for live layering & interactions

Miles Davis – Double Image

Style: Abstract Groove, Jazz Fusion, Raga Jazz, Avant-Garde Jazz, Ambient Jazz

Vibe: Exploratory, Abstract, Mysterious, Chaotic, Hypnotic, Psychedelic, Suspenseful

Musical Attributes: Collective Improvisation, Polyrhythmic, Rhythmic, Dense, Complex, Polyphonic

Featuring Dave Holland, Ron Carter, Herbie Hancock, Wayne Shorter, Bennie Maupin, Jack DeJohnette, Chick Corea, Joe Zawinul, Airto Moreira and others

David Bowie – Black Star

Style: Art Rock, Jazz-Rock
Vibe: Introspective, Moody, Passionate, Sentimental, Sombre, Conceptual
Musical Attributes: Lyrical, Complex, Studio-as-an-Instrument, Rhythmic, Progressive
Lyrical Themes: Death, Existential, Personal, Reflective

Soft Machine – Third

Pulling away from the jazzy psych-pop of their first two albums, Soft Machine gears towards sprawling sidelong compositions of spacey prog infused with thematic jazz fusion improvisations, compositional edits, and heavy doses of experimental post-production (Click for Full Review)

Miles Davis – Bitches Brew

Recorded August 19-21, 1969 Originally released in 1970 on Columbia Records 2008 Legacy Pressing Format: LPx2

Miles Davis – Get Up With It

This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.

Shakti – Shakti with John McLaughlin

Shakti means “Creative Intelligence, Beauty & Power” and trust me, these are all in abundance on these devotional jazz ragas. Featuring John McLaughlin joined by a quartet of Indian master musicians, this album is a blissfully uplifting and meditative release.