Charles Mingus – The Great Concert of Charles Mingus

Format: LPx3

Style: Post-Bop, Avant-Garde Jazz

Vibe: Bombastic, Passionate, Energetic, Intense, Manic, Playful

Musical Attributes: Complex, Dynamic, Live, Improvisation, Acoustic, Instrumental, Polyphonic, Progressive, Rhythmic

Albert Ayler – Holy Ghost

Style: Free Jazz, Spiritual Jazz
Vibe: Abstract, Active Listening, Chaotic, Energetic, Raw, Spiritual
Musical Attributes: Improvisation (Collective, Thematic, Free), Live, Lo-Fi, Instrumental, Acoustic

John Surman, John McLaughlin, Dave Holland, Karl Berger, Stu Martin – Where Fortune Smiles

Style: Free Jazz, Avant-Garde Jazz

Vibe: Triumphant, Energetic, Epic, Exploratory, Loose, Spiritual, Suspenseful, Angular, Chaotic

Musical Attributes: Polyphonic, Progressive, Complex, Dissonant, Dynamic, Technical, Acoustic, Improvisation (Collective, Thematic), Instrumental

Joe McPhee – Nation Time

Originally released in 1971 on CjR Recorded December, 1970 Superior Viaduct Reissue (2019) Style: Free Funk, Free Jazz, Abstract Groove … More

The Mars Volta – The Bedlam in Goliath

Style: Progressive Rock, Psych, Experimental Rock
Vibe: Bombastic, Mystical, Cerebral, Chaotic, Cryptic, Desert, Energetic, Epic, Hallucinogenic, intense, manic, Psychedelic, Complex
Musical Attributes: Dense, Odd Time Signatures, Progressive Structures, Polyrhythmic, Riffs, Technical

Sly & the Family Stone – There’s a Riot Goin’ On

Style: Psychedelic Funk

Vibe: Triumphant, Energetic, Anthemic, Communal, Rebellious, Groovy, Sunny, Psychedelic, Powerful, Confident, Eclectic, Complex

The Mars Volta – Amputechture

Style: Progressive Rock, Experimental Rock

Vibe: Epic, Psychedelic, Chaotic, Bombastic, Cerebral, Complex, Cryptic, Energetic, Ominous, Intense

Musical Attributes: Dense, Polyphonic, Technical, Odd Time Signatures, Headphone Album, Studio-as-an-Instrument, Progressive

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Pharoah Sanders – Village of the Pharoahs

Style: Spiritual Jazz, Free Jazz
Vibe: Communal, Earthy, Energetic, Hypnotic, Intense, Loose, Mystical, Passionate, Spiritual, Tribal, Uplifting, Warm, Dance
Musical Attributes: Acoustic, Complex, Collective Improvisation, Percussive, Dense, Thematic, Suite

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil … More

Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

Young Jesus – The Whole Thing is Just There

The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.

King Crimson – Discipline

Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.

Yonatan Gat – Universalists

The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.

Ryley Walker – Deafman Glance

Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).

Six Organs of Admittance – Ascent

Taking a detour from his usual loner-droner psych folk style, Ben Chasney enlists former Comets on Fire bandmates to jam some heavy rock burners with a a cosmic amount of electric guitar shredding, evoking Neil Young & Crazy Horse blasting off on a rocket. The new electric energy brought to this album is balanced out by an equal amount of the fingerpicking prog-folk and meditative acoustic ballads that have been developing in his music since the 90’s. While I will always love his more melancholy, nocturnal records that sound like he’s lost in a forest somewhere, I welcome the fiery energy of Ascent.