Songs: Ohia – Love & Work: The Lioness Sessions

Style: Lo-Fi Singer/Songwriter, Slowcore, Alt-Country

Vibe: Intimate, Depressive, Romantic, Nocturnal, Sombre, Tender, Haunting, Dark, Lethargic, Lonely, Longing, Love, Poetic, Raw

Jenks Miller / James Toth – Road to Ruin

Style: Gothic Americana, New Weird America, Country-Drone

Vibe: Haunting, Western, Pastoral, Moody, Rainy, Loner, Dark

Musical Qualities: Droney, Lo-fi, Atmospheric, Improvisation

Instrumentation: Banjo, Electric Guitar, Acoustic Guitar, Field Recordings, Percussion, Harmonium

Jackie-O Motherfucker – Liberation

Style: Free Folk, Mystical Americana, Drone, Free Improvisation, Post-Rock

Vibe: Weary, Hopeful, Rustic, Communal, Spiritual, Ragged, Eerie, Melancholy, Deconstructed, Hypnotic, Communal, Haunting, Raw, Suspenseful, Intertwined

Musical Qualities: Collective Improvisation, Dynamic, Lo-Fi, Atmospheric, Droney, Group Vocals, Dub FX

Instrumentation: Electric Guitars, Vibraphone, Flute, Drums, Violin, Cello, Clarinet, Saxophone, Banjo, Melodica, Sitar, Electronics, Turntable, Keyboards, Trumpet, Electric Bass

Neko Case – Blacklisted

LP, Anti- Records, 2002 (2016, RE) Style: Gothic Americana, Alt-Country, Singer/Songwriter Vibe: Bittersweet, Rebellious, Haunting, Western, Passionate, Energetic, Longing, Anthemic, … More

Peter Kardas – I Saw You

Style: Inner Space Music, Ambient Pop, Tape Music, Minimal Wave

Vibe: Ethereal, Suspenseful, Introspective, Soothing, Nocturnal, Hypnotic, Meditative, Cinematic, Dreamy, Ominous (A2, B2, B3)

Musical Qualities: Pulse, Home Recording, Minimalistic, Atmospheric, Vignettes

Instrumentation: Keyboards, Drum Machine, Vocals, Tape Loops, Electric Guitar, Marimba, Echo

Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

Helena Espvall & Masaki Batoh

On this self-titled collaboration, acid folk luminaries Helena Espvall (Espers) and Masaki Batoh (Ghost) create mysterious and earthy interpretations of traditional Medieval, Swedish, Japanese, and Finnish folk songs, plus a Son House cover, an original, and a handful of free improvisations.

Günter Schickert – Überfällig

Style: Loner Psych, Kosmische, Tape Music, Berlin School, Inner Space Music

Vibe: Nocturnal, Introspective, Exploratory, Hypnotic, Brooding, Contemplative, Mysterious, Suspenseful, Sombre, Loner, Hallucinogenic, Paranoid, Aquatic, Haunting

Musical Qualities: Studio-as-an-Instrument, Pulse, Loops, Atmospheric, Echoey

HṚṢṬA – Ghosts Will Come and Kiss Our Eyes

Style: Ghost Folk, Avant Folk, Post-Rock

Vibe/Moods: Eerie, Murky, Ominous, Nocturnal, Winter, Haunting, Witchy

Musical Qualities: Droney, Lo-Fi, Analogue

Instrumentation: Electric Guitar, Organ, Vocals, Bass, Drums

Spellling – The Turning Wheel

Style: Progressive Pop, Baroque Pop

Vibe: Epic, Surreal, Haunting, Ethereal, Passionate, Dramatic, Dreamy, Romantic (LP1), Triumphant, Fantasy, Uplifting (LP1), Grandiose, Theatric, Brooding (LP2), Spacey (LP2)

Musical Qualities: Dense, Orchestral, Progressive, Polyphonic, Polished, Melodic, Rhythmic

Moor Mother – Black Encyclopedia of the Air

Style: Experimental Hip-Hop

Vibe: Futuristic, Mellow, Aquatic, Brooding, Cryptic, Haunting, Liberation, Philosophical, Poetic, Ritualistic, Spiritual, Sombre, Sci-Fi

Musical Qualities: Rap, Vocal Manipulations, Glitchy, Sampling, Digital, Spoken Word, Catchy, Suite, Percussive, Sound Collage

Ghost – Tune In, Turn On, Free Tibet

Style: Psychedelic / Chamber Folk

Vibe: Pastoral, Spiritual, Sentimental, Haunting, Medieval, Spring, Peaceful

Musical Qualities: Acoustic, Progressive, Improvisation

Instrumentation: Acoustic Guitar, Cello, Flutes (Kaval, Recorder), Hurdy Gurdy, Drums, Piano, Tanpura, Analogue Synthesizers, Electric Guitar, Tympani, Vibes

Jakob Battick – Rabbit’s Moon

Style: Dream Country, Slow-Drip Americana, Gothic Country, Singer/Songwriter

Vibe: Sedated, Nocturnal, Contemplative, Dreamy, Haunting, Pastoral, Soothing

Musical Qualities: Slow, Sparse, Acoustic, Lyrical

Spires that in the Sunset Rise – Ancient Patience Wills It Again Part II

Style: Free Folk, Ecstatic Minimalism

Vibe: Ritualistic, Forest, Nocturnal, Haunting, Hallucinatory, Cautious, Exploratory

Musical Qualities: Loops, Repetitive, Dissonance, Drones, Slow, Electro-Acoustic

Instrumentation: Experimental Vocals, Harmonium, Flute, Spiked Fiddle, Banjo, Acoustic & Electric Guitars

The Iditarod – The Ghost, the Elf, the Cat and the Angel

Style: Psychedelic Chamber-Folk

Vibe: Haunting, Pastoral, Melancholy, Rainy, Delicate, Intimate, Psychedelic, Intertwined

Musical Qualities: Acoustic, Slow, Soft, Electro-Acoustic, Sampling, Home Recording

Instrumentation: Acoustic Guitar, Vocals, Cello, Turntables, Banjo, Tanpura, Violin, Singing Bowls, Percussion, Dulcimer, Bouzouki, Organ, Wine Glasses

Angels of Light – We Are Him

Style: Gothic Americana, Experimental Folk-Rock

Vibe: Rustic, Creepy, Surreal, Autumnal, Nihilistic, Disturbing, Dark, Bittersweet, Rootsy

Musical Qualities: Acoustic, Rhythmic, Repetition, Vocal Harmonies

Boards of Canada – Geogaddi

Style: Trip-Hop, Psychedelic Electronic, IDM, Downtempo, Ambient Techno

Vibe: Mysterious, Hallucinogenic, Woozy, Occult, Cryptic, Nature, Eerie, Warm, Surreal, Hypnotic, Mellow, Haunting

Musical Qualities: Atmospheric, Beats, Sampling, Vignettes, Studio-as-an-Instrument, Rhythmic

Jackie-O Motherfucker – Freaker Pipe

Style: Free Folk, Post-Rock, Free Improvisation, Experimental

Vibe: Ritualistic, Murky, Witchy, Haunting, Mysterious, Raw, Hallucinogenic, Rustic

Musical Qualities: Collective Improvisation, Dynamic, Dissonant, Droney, Live, Lo-Fi

Ilyas Ahmed & Jefre Cantu-Ledesma – You Can See Your Own Way Out

Style: Drone, Tape Music, Ambient, Drone-Folk

Vibe: Nocturnal, Haunting, Hypnotic, Ethereal, Meditative, Warm, Nature, Nostalgia

Musical Qualities: Sound Collage, Instrumental, Field Recordings, Collage, Electro-Acoustic, Noisy, Home Recording, Vignettes

Instrumentation: Tapes, Acoustic & Electric Guitars, Piano, Drum Machine, Synthesizers, Bass, Keyboard, Percussion, Bass Clarinet (B2)

Meg Baird – Don’t Weight Down the Light

Style: Psychedelic Folk, Singer/Songwriter

Vibe: Flowing, Dreamy, Nocturnal, Mellow, Soothing, Introspective, Haunting, Pastoral, Airy, Ethereal, Intimate Bittersweet, Melancholy, Contemplative, Loner, Peaceful, Soft

Musical Qualities: Vocal Harmonies, Acoustic, Lush, Melodic, Sparse, Reverb

Loren Mazzacane Conners & Daniel Carter – The Departing of a Dream Volume VII

Style: Drone, Free Improvisation, Ambient

Vibe: Suspenseful, Haunting, Murky, Mysterious, Meditative, Responsive, Noir

Musical Qualities: Lo-Fi, Improvisation, Noisy, Atmospheric, Heavy Reverb

Loren Connors – Beautiful Dreamer (for Steve Dalachinksy)

Style: Dark Ambient, Free Improvisation, Ambient Blues

Vibe: Murky, Meditative, Washy, Haunting, Suspenseful, Mysterious, Ethereal

Musical Attributes: Solo Electric Guitar Improvisation, Sparse, Atmospheric, Slow, Lo-fi

Anna & Elizabeth – The Invisible Comes to Us

The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.

Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

Ambarchi / O’Malley / Dunn – Shade Themes from Kairos

Style: Drone-Rock, Experimental Rock

Influences: Dark Ambient, Psych Rock, Kosmische, Noise, Drone-Metal

Vibe: Shadowy, Ominous, Brooding, Dark, Driving, Haunting, Hypnotic, Mysterious, Exploratory, Nocturnal, Hallucinogenic

Musical Attributes: Studio-as-an-instrument, Dissonant, Droney

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Tarentel – The Order of Things

The Order of Things takes you on a strange journey, starting off with a long ambient song built around field recordings, light acoustic guitar and some weird drones in the background. Highly recommended if you’re a fan of experimental post-rock, drone, or music that doesn’t like to be easily categorized.


Exuma – Exuma

Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.

Meg Baird & Mary Lattimore – Ghost Forests

An ethereal and somewhat haunting dream-folk collaboration between guitarist/singer Meg Baird (Espers, Heron Oblivion), and harpist Mary Lattimore, who’s recorded with Fursaxa, Steve Gunn, and others in addition to her hypnotic solo work.
Highly Recommended for fans of Natural Snow Buildings, Cocteau Twins “Victorialand”, Laraaji, and 60’s British & Scottish Folk music