Style: Post-Rock, Experimental Rock Vibe: Exploratory, Hypnotic, Meandering, Murky, Mysterious, Nature, Abstract, Aquatic, Driving, Droney, Psychedelic Musical Attributes: Instrumental, Repetitive, Atmospheric, Studio-as-an-Instrument, Loops, Innovative, Dynamic
Originally released in 1972 on CBS Records 2019 Superior Viaduct Reissue Format: LP Style: Free Improvisation, Ambient Jazz, Drone Vibe: Ritualistic, … More
Released in 1974 on ESP-Disk Format: LP
Released in 1997 on Go! Beat Records Format: LPx2 Style: Trip-Hop Vibe: Noir, Nocturnal, Sad, Dark, Witchy, Sinister, Depressive, Angsty, Anxious, Sombre, … More
Originally released on CD in 2003 on Tzadik Records First vinyl pressing from Ice Level Music (2017) Format: LPx2
Style: Chamber Rock, Avant-Prog, Rock In Oppositon
Vibe: Anxious, Angular, Mysterious, Ominous, Dark, Dystopian
Musical Attributes: Instrumental, Complex, Dissonant
Instrumentation: Bassoon , Violin, Viola, Cello, Harmonium, Electric Guitar, Electric Bass, Drums
Style: Drone-Rock, Experimental Rock
Influences: Dark Ambient, Psych Rock, Kosmische, Noise, Drone-Metal
Vibe: Shadowy, Ominous, Brooding, Dark, Driving, Haunting, Hypnotic, Mysterious, Exploratory, Nocturnal, Hallucinogenic
Musical Attributes: Studio-as-an-instrument, Dissonant, Droney
Style: Drone-Rock, Dark Ambient. Experimental
Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,
Musical Attributes: Dissonant, Repetitive, Sparse, Instrumental, Noisy
Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara
This heavy drone rock feels like a journey through some haunted terrains and forests in ancient Europe. Monolithic fogs of synths and electronic soundscapes drone on for minutes at a time, occasionally being infiltrated by psychedelic guitars and pummeling marches of drums and bass. Given the cohesive ark, determined focus, and fluidity of the album (without as much as a pause between tracks until track 7), it was surprising to find that most of the songs are studio-enchanced improvisations pulled from 2014 tour recordings.
Recommended for fans of motorik drums, the thick drone of early Earth or Sunn O))), psychedelic guitar noises and fuzzy stoner rock riffs.
Style: Experimental Rock, Art Rock
Influences: Electronic, Kosmische Musik, Glitch, Afro-Beat
Vibe: Surreal, Psychedelic, Messy, Hypnotic, Warm, Mysterious, Cryptic
Musical Attributes: Sampling, Percussive, Polyrhythmic, Studio-as-an-instrument, Dense, Looping
Released in 2018 on The Leaf Label Format: LPx2 Includes vinyl-exclusive track on side D
Originally released in 1995 on Creation Records 2012 Music On Vinyl reissue Format: LP
Originally released in 1972 on Brain Records 2007 Lilith Reissue Format: LP, CD
Released in 2012 on P.W. Elverum & Sun, Ltd. Format: LP, clear vinyl
Innovative guitarist and producer Dave Harrington (Darkside) uses his latest record to explore the outer reaches of improvisation and compositional post-production. Pure Imagination, No Country is jazz-rock fusion stripped of its retro connotations—fusing hard grooves, free flights of collective improvisation, and futuristic ambience to create something that is at turns atmospheric and in your face.
Recommended for fans of Bill Frisell, Terje Rypdal, or Jaga Jazzist
Originally released in 2005 on Warp Records 2013 Reissue Format: LPx2
Released in 2008 on Arduna Records Format: LP
Originally released in 1982 on Editions EG 2018 audiophile reissue on Virgin Records Format: LPx2, 45rpm Half-Speed Mastered
Released on Ideological Organ in 2017 Format: LPx2
Released in 2011 on Underwater Peoples Recorded in 2010 Format: LP
Released in 1976 on Virgin Records Format: LP
Released in 2010 on Warp Records Format: LPx2
Released in 2006 on Southern Lord Format: LPx3 Limited to 1500 on Yellow Opaque vinyl
Released in 1971 on Warner Bros. Format: LP, white label promo
Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, … More
Originally released in 1999 2009 reissue on FatCat Records Format: LPx2, 180
Released in 1974 on ECM Records Format: LP
Releases in 1972 on Warner Bros. Records Format: LP
Originally released on K records in 2003 Recorded between 2001-2002 2013 Reissue on PW Elverum & Sun Format: LP
Originally released as 2 separate releases in 1988 and 1989 on Venture Records 2019 Grönland compilation Format: LPx2
Released in 2018 on Jagjaguwar Format: LP
Released in 2012 on Brainfeeder Records Format: LPx2
Released in 1960 on Columbia Records Original 6-Eye Pressing Format: LP Second Copy 1974 Pressing
The Order of Things takes you on a strange journey, starting off with a long ambient song built around field recordings, light acoustic guitar and some weird drones in the background. Highly recommended if you’re a fan of experimental post-rock, drone, or music that doesn’t like to be easily categorized.
Released in 1971 on Harvest Records Format: LP
These transcendent drone meditations will envelop you in a dark blanket of fuzzy guitars and blooming synthesizers.
Originally released in 2001 on Capital Records 2008 Pressing Format: 10″x2
Released in 2007 on The Leaf Label Format: LPx3, 45rpm
Released in 1983 on ECM Format: LP
Featuring some of Chicago’s finest musicians and founding members of the AACM, (Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Richard Davis, Wadada Leo Smith, and Steve McCall), this 36 minute spontaneous composition doesn’t focus on soloing or instrumental technicality or rambunctious improvisIng, but creating and progressing an initially suspenseful, mysterious mood through focused, cohesive movements, with new sounds, moods, and melodies around every corner. Most of the musicians here play multiple instruments to sustain a versatile color palette.
Originally released in 1971 on United Artists Records Unofficial pressing on purple and brown marbled vinyl Format: LPx2
Originally released in 1974 on Spoon 2014 Mute Pressing Format: LP
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Released in 1977 on ECM Records Format: LP, white label promo
Originally released in 1972 on Brain Records 2010 Grönland Pressing Format: LP, White Vinyl
Released in 2012 on Invada Records Format: LPx2, orange vinyl Limited to 500 copies
Released in 2007 on Eclipse Records Format: LP Includes 12″x24″ insert
Released in 2011 on Blackest Rainbow Format: LPx2, 180g Ltd. to 750 copies
Released in 2002 on Holy Mountain Format: LP
Released on Stones Throw in 2004 2006 repress Format: LPx2
While the music on Zeit feels motionlessly suspended in the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.
The German upright bassist and composer is joined by a jazz quartet, cello ensemble, and choir for a colorfully complex album of atmospheric improvisation, progressive structures, and sweeping orchestral arrangements, with occasional segments of groovy fusion or synthesizer spaciness, all draped in the warm, reverbed production ECM albums are known for.
Darkly cinematic rock instrumentals with some creeping, Dostoevskian vibes. This is probably the most meticulous and progressive album I’ve heard from these guys, who are always finding new ways of funneling their omnivorous library of influences into their dramatic and atmospheric psych rock stylings.
On Towards Language, Norweigan trumpeter Arve Henriksen creates a blend of meditative and suspenseful ambient-jazz, demonstrating a more soothing side to his playing than his noisier output with electro-acoustic improvisers Supersilent.
Originally released in 1969 on Columbia Records 1977 Pressing
Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.
Originally released in 1968 on EMI 1986 Fame Pressing
Recommended for those who know that “psychedelic” is not a sound, but a spirit of creativity and exploration within the mind. Those who know Deradoorian for her work with Dirty Projectors will appreciate the complex arrangements and production, albeit in a much more mysterious context. Fans of Bjork, Black Moth Super Rainbow, Flaming Lips, Portishead, or Can will also find a lot to love.
Released in 1974 on Virgin Records Original U.S. Pressing, Promo Copy
Recorded August 19-21, 1969 Originally released in 1970 on Columbia Records 2008 Legacy Pressing Format: LPx2
A unique blend of post-rock, stoner rock, and shoegaze crafted into a cohesive, perfectly fluid 25 minutes. Hallucinogenic atmospheres, shadowy guitar effects, and mysterious pitch-shifted vocals envelope driving, stoner-fuzz bass lines that often liquify into the watery chorus-bass you might find on the Cure’s Disintegration or an Isis album.
This fantastic compilation album consists of 2 hours of unreleased recording sessions ranging from 1970 to 1974. Despite some incohesiveness, this release contains some of the most exciting, creative and uncategorizable music of Miles’ career.
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Album Information: Released in 1977 by RCA Records. Recorded September-October in 1976 in Hérouville, France and West Berlin, Germany This pressing … More
A dense fog you can sink into and never want to leave…Glacial, enveloping waves of sound meticulously sculpted from processed organs, piano, and distorted guitar feedback.