Originally released in 1969 on Warner Bros. Records 1973 Pressing Format: LPx2
Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, … More
Released in 2015 on Joyful Noise Records Recorded April 4-5, 2014 Format: LP, clear seafoam green vinyl
Released in 2007 on Kranky Cryptograms recorded in 2005 Fluorescent Grey recorded in 2006 Format: LPx2
Released in 1999 on Warner Bros Original [PIAS] Pressing Format: LPx2, including bonus tracks not on CD version
Released in 1971 on Harvest Records Format: LP
Released in 1971 on United Artists Records Original US Pressing Format: LPx2
Originally released in 1969 on Liberty Records 2014 pressing on Purple Pyramid Format: LP, pink/blue swirl vinyl Includes Poster
Originally released in 1967 on Elektra 2012 Rhino Pressing, cut from original analogue masters Format: LP
Released in 2007 on Temporary Residence Format: LPx2, etching on D-side
Darkly cinematic rock instrumentals with some creeping, Dostoevskian vibes. This is probably the most meticulous and progressive album I’ve heard from these guys, who are always finding new ways of funneling their omnivorous library of influences into their dramatic and atmospheric psych rock stylings.
After 20+ years of using his introspective songwriting as a playground for psychedelic lo-fi experimentation, underdog hero Emil Amos hands the production reins to John Angello (Sonic Youth, Dinosaur Jr.) for his most polished album yet, capturing the best aspects of 70’s rock classics without ever feeling cliché. The hi-fi analogue production brings a newfound clarity and depth that allows Amos’ songwriting and instrumental performances to bloom; the choruses are anthemic, the atmospheres are darkly psychedelic, and his lyrics are just as philosophical and contemplative as ever.
Originally released in 1968 on EMI 1986 Fame Pressing
The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.
Released in 2010 on 4AD Records Format: LP, white vinyl
Originally released in 2010 on Columbia Records 2014 RSD pressing Mastered from original analogue tapes No. 1175/4000 Format: LPx2, 180g
Review: Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of … More
Released in 2007 on Young God Records Format: LPx2
Three volumes of instrumental heavy-psych jams from Denmark, inspired by Black Sabbath, jazz fusion and krautrock.
Compilation of 3 EPs released in 2013 on Temporary Residence Format: LPx2, etchings on each side
Released in 2008 on Important Records Format: LP
Album Information: Released in 2014 on Mexican Summer Hand numbered: 139/1000 Format: 12″ EP
Released in 2017 on Temporary Residence Records Format: LPx2
Taking a detour from his usual loner-droner psych folk style, Ben Chasney enlists former Comets on Fire bandmates to jam some heavy rock burners with a a cosmic amount of electric guitar shredding, evoking Neil Young & Crazy Horse blasting off on a rocket. The new electric energy brought to this album is balanced out by an equal amount of the fingerpicking prog-folk and meditative acoustic ballads that have been developing in his music since the 90’s. While I will always love his more melancholy, nocturnal records that sound like he’s lost in a forest somewhere, I welcome the fiery energy of Ascent.
Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 … More
Album Information: Released in 2009 on Downtown Music Exposion originally released in 2008 and is included as a bonus LP … More
Album Information: Released in 2009 on Dead Oceans Format: LPx2, 45rpm Catalogue: DOC012 Description: These guys are my favorite American … More
Soft Machine’s second album is an eclectic suite packed full of whimsical psychedelia, Dadaist detours, complex prog structures and jazz-inspired musicianship.
For fans of eclectic psych rock, communal freakfolk celebrations, and references to Kurt Vonnegut and Pharoah Sanders
I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.