Joe Henderson – Black is the Color
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Joe Henderson – Black is the Color Read More »
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Joe Henderson – Black is the Color Read More »
Album Information: Released in 1978 on ECM Records Recorded November 1977 at Talent Studio, Oslo Engineered by Jan Erik Kongshaug Cover by Don Leavitt Produced by Manfred Eicher Format: LP, promo copy Recommended Track: B1 – Ghost Dance
John Abercrombie – Characters Read More »
Album Information: Released in 2013 on Mexican Summer Hand numbered: 777/1000 Format: LP
Lilacs & Champagne – Danish & Blue Read More »
Album Information: Released in 2014 on Mexican Summer Hand numbered: 139/1000 Format: 12″ EP
Lilacs & Champagne – Midnight Features Vol. 1: Shower Scene Read More »
Album Information: Released in 2017 on Sub Pop Records Format: 2xLP on gold and silver vinyl, Deluxe Edition with 4 alternate covers, includes fold-out poster with lyrics/liner notes on back
Father John Misty – Pure Comedy Read More »
Album Information: Released in 1996 on Matador Records
Cat Power – What Would the Community Think Read More »
The first side features Dylan going electric for the first time, including classics such as She Belongs to Me and Maggie’s Farm. Side 2 features the acoustic storytelling and surrealist lyrics Dylan had been perfecting up to that point.
Bob Dylan – Bringing it All Back Home Read More »
Performed on acoustic guitar and an early delay pedal, Christopher Idylls is a soothing, reflective way to ease into the morning. It fits somewhere between ambient, new age, and American primitive guitar.
Gimmer Nicholson – Christopher Idylls Read More »
While each Grails album uses instrumental rock as a means to explore a vast record collection’s worth of influences, none have done so with the subtlety and focus put into each track of this latest offering, allowing us to see the intangible essence of their sound more clearly than ever.
Grails – Chalice Hymnal Read More »
Taking a detour from his usual loner-droner psych folk style, Ben Chasney enlists former Comets on Fire bandmates to jam some heavy rock burners with a a cosmic amount of electric guitar shredding, evoking Neil Young & Crazy Horse blasting off on a rocket. The new electric energy brought to this album is balanced out by an equal amount of the fingerpicking prog-folk and meditative acoustic ballads that have been developing in his music since the 90’s. While I will always love his more melancholy, nocturnal records that sound like he’s lost in a forest somewhere, I welcome the fiery energy of Ascent.
Six Organs of Admittance – Ascent Read More »
While living in London I had an apartment with a small garden. During he summer around 4 or 5 o’clock in the morning, just as the day began, Birds would gather here one by one and sing together, each declaring its freedom in song. It is my wish to share the same spirit with other musicians and communicate it to the people. -Dave Holland
Dave Holland Quartet – Conference of the Birds Read More »
Album Information: Released in 2017 on Blue Chopsticks Records (Imprint of Drag City Records) Eli Keszler – Drums, Percussion (Tracks 1,2,4) Jan St. Werner – Electronics (1,4) Nate Woolley – Trumpet (1,2,4,6,7) Recorded by Mitch Rackin at the Seaside Lounge, Brooklyn, Jan-Mar 2017 Mastered by Douglas Henderson Cover Art: Albert Oehlen Back Photo: Tom Van
David Grubbs – Creep Mission Read More »
Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves
Eno, Roedelius, Moebius – After the Heat Read More »
Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 and mixed track A2. Ash Black Buffalo – Synths on A1, B1, B4 and B5 All other instruments by Emil Amos A3 written by The Troggs Recommended Tracks: Slow Days, Look of Pain!, Reckless Liberation
Holy Sons – Survivalist Tales Read More »
Album Information: Released in 1967 on Takoma Records Includes 15-page book of stories and song notes
John Fahey – Volume 6: Days Have Gone By Read More »
Country-tinged love songs that feel like a continuation of Harvest
Neil Young – Comes a Time Read More »
Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, and rotating drummers James Gadson and Jack DeJohnette (Gadson for the funkier/disco oriented tracks and DeJohnette on the fewer more psychedelic cuts). Thanks to generous synth overdubbing by Miroslav and Herbie, each track is incredibly spacey and great for a headphone listen.
Miroslav Vitous – Magical Shepherd Read More »
Album Information: Released on Milestone Records in 1972
McCoy Tyner – Sahara Read More »
Album Information: Released in 2009 on Downtown Music Exposion originally released in 2008 and is included as a bonus LP Origin: Austin, TX Format: LPx2
White Denim – Fits/Exposion Read More »
Album Information: Released in 2002 on Nonesuch Records Produced by Wilco Mixed by Jim O’Rourke Recorded at the Loft, Chicago Format: 180g LPx2, includes CD
Wilco – Yankee Hotel Foxtrot Read More »
Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was re-recorded in 1967 for this issue This album is included in the Library of Congress’ National Recording Registry for being considered culturally significant.
John Fahey – Volume 1: Blind Joe Death Read More »
Album Information: Originally released in 1996 on Duophonic Records This pressing was released in 2013 on 1972 Records Produced by John McEntire & the Groop Recorded in London and Chicago Format: LPx2
Stereolab – Emperor Tomato Ketchup Read More »
18 years after their last album, golden-era hip-hop legends A Tribe Called Quest return with a fresh, progressive take on their signature sound. Featuring André 3000, Talib Kweli, Anderson Paak, Kendrick Lamar, and Busta Rhymes
A Tribe Called Quest – “We Got It From Here… Thank You 4 Your Service” Read More »
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
Shakti – Natural Elements Read More »
“Recorded in an old wooden barn, this second album is swaddled in twilight autumnal ambiance. While the record is bookended by the band’s awesome psych-rock explosions, much of the material here shows increased referencing of jazz influences (modal horns, brushed percussion) and a more organic deployment of micro-electronics. Raw and polished, visceral and cerebral, the band combines rock and jazz traditions of space music with the ‘instrumental’ potentials of mixing room to present a true gem of a record.” (Press Release)
Do Make Say Think – Goodbye Enemy Airship, The Landlord is Dead Read More »
A psychedelic, transcendent fusion of hip-hop, jazz, prog, and IDM meant to simulate the cosmic experience of death. Featuring Kendrick Lamar, Thundercat, Herbie Hancock, Kamasi Washington, Snoop Dogg, and others..,
Flying Lotus – You’re Dead Read More »
Guitar-genius Mdou Moctar visits Portland, Oregon from his home country of Niger to record a hypnotic solo album of desert folk sung in Tamasheq. Most songs consist of intricate fingerstyle acoustic guitar with occasional electric guitar overdubs to accent the melodies.
Mdou Moctar – Sousoume Tamache Read More »
Album Information: Released on Palace Records in 1999
Bonnie “Prince” Billy – I See a Darkness Read More »
“Classic creative bop melodies and golden era beat memories woven into a vibrant new thread of psychedelic soul jazz”
Jeff Parker – The New Breed Read More »
Progressive alt-rock that prioritizes dynamics and atmosphere over flashy solos or superfluous complexity. Recommended for fans of Oceansize, Deftones, Mogwai, or the last two Isis albums.?
Somber ambient-folk with layers of delicate, circular fingerpicking and sparse arrangements of droning harmonium, piano, guitar feedback and the occasional chirping crickets. The soft reverb dampens everything like a light drizzle over the American prairie
Western Skies Motel – Settlers Read More »
Jazzy Folk-Rock with dynamic songwriting, passionate vocals, and acoustic shredding accompanied by fluid drums, watery vibraphones, distorted keys and groovy upright bass. FFO Astral Weeks, Joni Mitchell, John Martyn, and Tim Buckley
Ryley Walker – Primrose Green Read More »
organic washes of piano and zither, analog synthesizers, wood flutes, saxophone, and the occasional free jazz drums recorded, looped, and manipulated through cassette and reel tape recorders and then masterfully woven into a cosmic tapestry of blissful, meditative drones
Botany – Deepak Verbera Read More »
The past, present, and future of jazz converge on this progressive new release from the legendary drummer Jack DeJohnette, who’s played on everything from Miles Davis’ Bitches Brew to albums with Keith Jarrett, Alice Coltrane, Freddie Hubbard, and numerous other masters since the late 60?s. Joining him are two descendants of the classic John Coltrane Quartet, Ravi Coltrane on tenor and soprano sax and Matthew Garrison (son of Jimmy Garrison) on electric bass and electronics. Rather than dwell in the shadows of their fathers, these two have already developed their own powerful and unique voices which are welcome additions to the jazz lineage.
Jack DeJohnette – In Movement Read More »
This album is full of energetic, psych-prog maximalism that occasionally settles down into (relatively) slowed down, spacious grooves. I recommend this to fans of The Mars Volta or anyone looking for a manic blend of psych, prog, fusion, punk and latin influences.
Omar Rodriguez-López – Xenophanes [Review] Read More »
I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.
Holy Sons – The Fact Facer [Review] Read More »
“Day of Mangoes” is overstimulation at it’s finest. Just imagine floating down a river through an unexplored tropical paradise where every corner brings a new array of colorful sounds. Warm synths gliding over clunking piano give way to chorus-drenched highlife guitars strumming over thick synth basslines. Manipulated vocal samples emerge from nowhere and then disappear into radio static just as quickly…RIYL: Animal Collective, King Sunny Ade, & Madlib
Dead Recipe – Day of Mangoes [Review] Read More »
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
John Coltrane – Interstellar Space [Review] Read More »
Style: Art Pop, Trip-Hop, Experimental Electronic
Vibe: Breakup, Passionate, Heartfelt, Personal, Intense, Futuristic
Musical Qualities: Orchestral, Glitchy, Lush, Digital Beats
[Click for full review]