Author: nofoodjustwax

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Gruppe Nuova Consonanza – Improvisationen

Style: Free Improvisation, Experimental, Tape Music

Vibe: Suspenseful, Active Listening

Musical Attributes: Collective Improvisation, Atonal, Sparse, Dynamic

Instrumentation: Trumpet, Upright Bass, Cello, Trombone, Percussion, Piano, Electro-Magnetic Tape

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Atoms for Peace – Amok

Style: Glitch-Pop, IDM, Electronic Rock

Vibe: Moody, Groovy, Glitchy, Mechanical, Dance, Futuristic

Musical Attributes: Loops, Percussive, Polyrhythmic, Polished, Live Instrumentation, Digital Post-Production

Keiji Haino & Sumac

The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.

Style: Free-Sludge, Avant-Metal, Free Improvisation

Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex

Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive

The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

Third Ear Band – Alchemy

Released in 1969 on Harvest Records Format: LP Style: Free Folk, Chamber Music, Progressive Folk Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, … More

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Outkast – Aquemini

Released in 1998 on LaFace Records Format: LPx3 Style: Southern Hip-Hop, Conscious Hip-Hop, Boom-Bap Influences: Soul, Synth-Funk, Gangsta Rap, Experimental … More

Ambarchi / O’Malley / Dunn – Shade Themes from Kairos

Style: Drone-Rock, Experimental Rock

Influences: Dark Ambient, Psych Rock, Kosmische, Noise, Drone-Metal

Vibe: Shadowy, Ominous, Brooding, Dark, Driving, Haunting, Hypnotic, Mysterious, Exploratory, Nocturnal, Hallucinogenic

Musical Attributes: Studio-as-an-instrument, Dissonant, Droney

Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Gong – Angel’s Egg (Radio Gnome Invisible Part 2)

The second Radio Gnome transmission finds Zero the Hero astral projecting to PlanetGong where he meets with Selene the Moon Goddess and the Octave Doctors to learn the infinite powers of their lovewisdom vibrations. This psychedelic journey brings together fantastical imagery of pothead pixies and flying teapots (and a dose of hippy hedonism) with heady spiritual concepts delivered in a quite fun and silly way, but even before digging into the concept I was immediately grabbed by their unique style spacey jazz-rock with its propulsive bass lines, immersive synthesizer atmospheres and serpentine soprano sax soloing.

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Ulver – ATGCLVLSSCAP

This heavy drone rock feels like a journey through some haunted terrains and forests in ancient Europe. Monolithic fogs of synths and electronic soundscapes drone on for minutes at a time, occasionally being infiltrated by psychedelic guitars and pummeling marches of drums and bass. Given the cohesive ark, determined focus, and fluidity of the album (without as much as a pause between tracks until track 7), it was surprising to find that most of the songs are studio-enchanced improvisations pulled from 2014 tour recordings.

Recommended for fans of motorik drums, the thick drone of early Earth or Sunn O))), psychedelic guitar noises and fuzzy stoner rock riffs.

Radiohead – The King of Limbs

Style: Experimental Rock, Art Rock

Influences: Electronic, Kosmische Musik, Glitch, Afro-Beat

Vibe: Surreal, Psychedelic, Messy, Hypnotic, Warm, Mysterious, Cryptic

Musical Attributes: Sampling, Percussive, Polyrhythmic, Studio-as-an-instrument, Dense, Looping

Themes: Nature

Anthony Davis – Epistēmē

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

This Heat – Deceit

Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP