Banjo

Pentangle – Basket of Light

Style: British Folk Rock, Folk Baroque, Blues-Influenced

Vibes: Uplifting, Intertwined, Romantic, Flowing, Sentimental, Rootsy, Intricate, Responsive, Spring, Warm, Energetic,, Groovy, Traditional

Musical Qualities: Melodic, Polyphonic, Lush, Uncommon Time Signatures, Improvisation, Acoustic

Instrumentation: Acoustic Guitar, Vocal Harmonies, Upright Bass, Drums, Glockenspiel, Sitar, Banjo

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Rex – C

Style: Country-Slowcore, Grunge-Influenced

Vibes: Autumnal, Moody, Intertwined, Reflective, Passionate, Twangy, Contemplative, Rural, Drifter

Musical Qualities: Riffs, Dynamic, Lush, Slow, Vocal Harmonies, Climactic

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Joseph Allred – Hoddmímis Holt

Style: Appalachian Folk Music, American Primitivism

Vibes: Rootsy, Spiritual, Warm, Passionate, Meditative, Religious, Storytelling, Sentimental, spiritual, storytelling

Musical Qualities: Acoustic, Traditional, Lyrical, Droney, Open Tunings, Solo, Sparse

Instrumentation: Vocals, Harmonium, Acoustic Guitars (6- & 12-String), Autoharp, Piano, Banjo

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Daniel Bachman – When the Roses Come Again

Style: Avant-Folk, Ambient Americana, Free-Folk, American Primitivism

Vibes: Meditative, Personal, Morning, Pastoral, Earthy, History, Hypnotic, Summer, Nature, Soothing

Musical Qualities: Collage, Electro-Acoustic, Glitchy, Suite, Vignettes, Instrumental, Sampling, Studio-as-an-Instrument, Atmospheric

Instrumentation: Banjo, Acoustic Guitar, Mouthbow, Fiddle, Homemade Instruments, Harmonium, Bell

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Daniel Higgs – Say God

Style: Mystical Folk, Devotional Poetry, New Age

Moods: Poetic, Mystical, Devotional, Spiritual, Meditative, Surreal, Eccentric, Cosmic, Ecstatic, Utopian

Musical Qualities: Mantra, Spoken Word, Acoustic, Sparse, Improvisation

Instrumentation: Voice, Banjo, Sruti Box, Harmonium

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Joanna Newsom – Divers

“But stand brave, life-liver, bleeding out your days in the river of time.
Stand brave: time moves both ways, in the nullifying, defeating, negating, repeating joy of life.
The moment of your greatest joy sustains: not axe nor hammer, tumor, tremor, can take it away, and it remains.
And it pains me to say, I was wrong. Love is not a symptom of time. Time is just a symptom of love”

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Tom Rapp – Stardancer

Style: Folk-Rock, Singer-Songwriter, Acid Folk, Country-influenced

Moods: Autumnal, Moody, Sombre, Bittersweet, Conscious, Eclectic, Melancholy, Political, Mellow, Morning, Mournful, Retro, Psychedelic, Rebellious, Warm

Instrumentation: Acoustic & Electric Guitars, Flute, Piano, Organ, Dumbek, Bongos, Drums, Congas, Cello, Vibraphone, Harmonica, Banjo, Mandolin, Wind Chimes, Vocal Harmonies, Bells

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Pelt – Ayahuasca

Style: Free Folk, Appalachian Dhrupad, Psychedelic Drone, American Primitive

Moods: Ritualistic, Meditative, Spiritual, Rural, Hallucinogenic, Eerie, Mysterious, Rootsy, Woods

Musical Qualities: Droney, Acoustic, Noisy, Dissonant, Improvisation

Instrumentation: Banjo, Hurdy Gurdy, Acoustic Guitar, Esraj, Tanpura, Bowls, Fiddle, Concertina, Chord Organ, Cymbals

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Spires that in the Sunset Rise – Four Winds the Walker

Style: Avant-Folk, Acid Folk, Free Folk

Moods: Cryptic, Thorny, Communal, Witchy, Anxious, Haunting, Ominous, Nocturnal, Eerie, Mystical, Psychedelic, Surreal, Shadow, Dark

Instrumentation: Acoustic Guitar, Banjo, Cello, Vocal Harmonies, Mbira, Zither, Percussion, Slide Guitar, Drums, Electric Guitar, Organ, Xylophone, Autoharp, Harmonium, Spike Fiddle, Thumb Piano, Lap Steel

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Friends of the Road – Now You Know Something Right Here and I’ll Tell You For a Fact

This collective of experimental Seattle musicians perform back-porch seances on old-time jigs & folk tunes, half of which can be found in Alan Lomax’s Folk Songs of North America book. The ritualistic, droning dissonance of cello, banjo, harmonium, & fiddle recall Pelt, Henry Flynt, & Tongue Depressor. Despite an often haunting atmosphere, folksiness and camaraderie pervade the tape in the form of warm lo-fi sing-a-longs and friendly, candid banter between tracks. The original social function of the music lives eternally, a nonlinear communication with fellow travelers from the past, present, & future.

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Helena Espvall & Masaki Batoh – Overloaded Ark

Style: Progressive Folk, Acid Folk, Psychedelic Chamber Music

Moods: Mysterious, Exploratory, Medieval, Mystical, Ancient, Brooding, Forest, Haunting, Serpentine, Ritualistic, Cinematic

Musical Qualities: Complex, Dense, Acoustic, Progressive, Percussive, Noisy, Improvisation

Instrumentation: Cello, Acoustic & Electric Guitars, Organ, Sho, Banjo, Renaissance Harp, Rauschpfeife, Crumhorn, Cornamuse, Hurdy Gurdy, Electronics, Darbuka, Riq, Frame Drum, Percussion, Recorder, Piano, Vocal Harmonies

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The Futuristic Folk of The Tower Recordings [Vol. 1 & 2]

These ceremonial meanderings are the interrupted transmissions of campfire songs picked up by intergalactic satellites. Past and future collapse as old-timey banjo melodies fade into squiggly synthesizers and lo-fi electronics. Distant harmonicas sink behind thick fogs of ghostly whirring, while warped slide guitar, drone fiddle and echo percussion bubble through the folky primordial soup

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Pearls Before Swine – One Nation Underground

Style: Acid Folk, Singer/Songwriter, Chamber-Folk

Moods: Surreal, Philosophical, Pacifist, Eclectic, Medieval, Cryptic, Melancholy, Spring, Morning, Conscious, Moody, Whimsical, Protest, Political, Psychedelic, Acerbic

Instrumentation: Acoustic Guitar, Harpsichord, Organ, Autoharp, Banjo, Mandolin, Vibraphone, Audio Oscillator, Electric Bass, English Horn, Clavioline, Sarangi, Finger Cymbals, Swinehorn

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Širom – Uteko?injeni prestol preprostih (The Liquified Throne of Simplicity)

Style: “Imaginary Folk”, Ritual Folk, Psychedelic Minimalism

Moods: Mysterious, Ritualistic, Earthy, Tribal, Exploratory, Hypnotic, Mystical, Sombre, Surreal

Musical Qualities: Percussive, Microtonal, Polyphonic, Improvisation, Acoustic, Complex, Uncommon Time Signatures, Repetitive, Instrumental

Instrumentation: Guimbri, Banjo, Frame Drum, Viola, Hurdy Gurdy, Tampura, Balafon, Chimes, Lute, Lyre, Ribab, Mizmar

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Joan Shelley – Over and Even

Style: Folk, Singer/Songwriter

Vibe: Morning, Reflective, Soothing, Gentle, Bittersweet, Warm, Mellow, Contemplative

Musical Qualities: Acoustic, Lush, Soft, Vocal Harmonies, Melodic, Sparse, Polished Production

Instrumentation: Fingerstyle Acoustic Guitar, Banjo, Piano, Harmonium, Glockenspiel, Keyboards

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Fountainsun – Sweep the Temple

Style: Spiritual Folk, Outsider Folk

Vibe: Mystical, Pantheistic, Contemplative, Uplifting, Enchanting, Intimate, Heartfelt, Forest, Ritualistic, Meditative, Morning, Warm, Storytelling

Musical Qualities: Acoustic, Suite, Spoken Word, Melodic, Lyrical

Instrumentation: 12-String Banjo, Acoustic Guitar, Marimba, Vibraphone, Vocal Harmonies, Gong, Percussion, Shakuhachi,

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Sam Amidon – Sam Amidon

Style: Dream Folk, Jazz-Folk, Warped Americana

Vibes: Warm Melancholy, Springtime Reflection, Rootsy, Early Afternoons in the Garden, Dreamy, Intertwined, Heartfelt

Musical Qualities: Lush; Improvised Arrangements; Studio-as-an-Instrument, Melodic, Vocal Fx

Instrumentation: Banjo, Saxophone, Acoustic Guitar, Percussion, Flute, Acoustic Bass, Synthesizers, Piano

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Jackie-O Motherfucker – Liberation

Style: Free Folk, Mystical Americana, Drone, Free Improvisation, Post-Rock

Vibe: Weary, Hopeful, Rustic, Communal, Spiritual, Ragged, Eerie, Melancholy, Deconstructed, Hypnotic, Communal, Haunting, Raw, Suspenseful, Intertwined

Musical Qualities: Collective Improvisation, Dynamic, Lo-Fi, Atmospheric, Droney, Group Vocals, Dub FX

Instrumentation: Electric Guitars, Vibraphone, Flute, Drums, Violin, Cello, Clarinet, Saxophone, Banjo, Melodica, Sitar, Electronics, Turntable, Keyboards, Trumpet, Electric Bass

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Neko Case – Furnace Room Lullaby

Style: Alt-Country, Americana, Singer/Songwriter

Vibe: Bittersweet, Warm, Angsty, Rustic, Heartfelt, Confident, Passionate, Twangy, Love, Breakup, Reflective, Sentimental, Lush, Rootsy

Instrumentation: Electric & Acoustic Guitar, Lap Steel & Pedal Steel Slide Guitars, Fiddle, Electric & Upright Basses, Drums, Vocal Harmonies, Banjo, Mandolin, Organ, Accordion

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C.O.B. – Spirit of Love

Style: Chamber Folk, Spiritual Folk, English Folk

Vibe: Mystical, Medieval, Warm, Spring, Intimate, Mellow, Morning, Spiritual

Musical Qualities: Acoustic, Lush, Vocal Harmonies, Progressive

Instrumentation: Organ, Banjo, Acoustic Guitar, Dulcitar, Recorder, Electric Bass, Washboard, Drum, Bongos, Tambourine, Cello, Indian Hand Organ

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Califone – Heron King Blues [Deluxe]

Style: New Weird Americana, Warped Folk Rock, Psych Folk

Vibe: Twangy, Cryptic, Mythic, Surreal, Mysterious, Rustic, Mellow, Warm, Rootsy

Musical Qualities: Percussive, Loops, Electro-Acoustic, Rhythmic, Studio-as-an-Instrument, Improvisation

Instrumentation: Acoustic Guitar, Banjo, Percussion, Organ, Piano, Vocals, Electronics, Cello, Electric Guitar, Pump Organ, Bass

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Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

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Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk?Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark?Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical?Lyrical Themes: Alienation, Religious, Christian, Storytelling

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Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

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Mike Oldfield – Ommadawn

Style: Celtic New Age, Symphonic Prog

Vibe: Ethereal, Medieval, Spring, Mellow, Meditative, Rainy, Soothing, Cinematic, Eclectic, Epic, Pastoral

Musical Qualities: Suite, Orchestral, Lush, Atmospheric, Progressive, Studio-as-an-Instrument

Instrumentation: harp, electric guitar, acoustic bass, electric bass, bagpipe, uilleann pipes, acoustic guitar, 12-string guitar, classical guitar, mandolin, bodhran, bouzouki, banjo, spinet, piano, Organ, synthesizer, glockenspiel, percussion, choral vocals, brass, tympani, drums, percussion

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Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

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David Grubbs – The Thicket

On experimental musician David Grubb’s first dedicated songwriter outing, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, and drones. Featured musicians include drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.

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