Style: Gothic Country, Americana, Chamber Folk Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical Lyrical Themes: Alienation, Religious, Christian, Storytelling
Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.
Originally released in 1997 Plain Records reissue (2010) Format LPx2
Released in 1968 on Takoma Records Format: LP
Released in 2010 on Asthmatic Kitty Records Format: LPx2 Artwork by Prophet Royal Robertson
Released in 2005 on Asthmatic Kitty Records Format: LPx2 Listen: Purchase: https://asthmatickitty.com/merch/illinois/
The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.
Released in 2003 on Asthmatic Kitty Records Format: LPx2
Lushly cinematic folk-rock draped in sweeping string arrangements and spacey synth atmospheres. Damien’s reverbed falsetto recalls Jim James (My Morning Jacket) and Bon Iver as he softly sings of God, “spaceships”, and other imagery blending Christian themes with science-fiction.
For fans of My Morning Jacket, Band of Horses, and Beck’s Sea Change
Released in 1988 on Parlophone Records 2012 Pressing
Album Information: Released in 1971 by Tamla/Motown