Style: Progressive Electronic
Style: Gothic Country, Americana, Chamber Folk Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical Lyrical Themes: Alienation, Religious, Christian, Storytelling
Style: Lo-Fi, Experimental Singer/Songwriter, Loner Folk
Vibe: Heartfelt, Imaginative, Introspective, Nature, Intimate, Loner, Bittersweet, Depressive, Psychedelic, Raw, Lonely
Lyrical Themes: Existential, Alienation, Breakup, Philosophical, Poetic, Personal, Death
Musical Attributes: Acoustic, Noisy, Studio-as-an-Instrument, Analogue Recording, lo-fi, Distorted
Style: Emo, Indie Rock, Post-Hardcore
Vibe: Introspective, Angsty, Dark, Depressive, Introspective, Passionate, Poetic, Sombre
Themes: Personal, Self-Loathing, Regret, Death, Alienation
Released in 1997 on Go! Beat Records Format: LPx2 Style: Trip-Hop Vibe: Noir, Nocturnal, Sad, Dark, Witchy, Sinister, Depressive, Angsty, Anxious, Sombre, … More
Originally released on CD in 2003 2019 Pressing, First Vinyl Issue, Remastered Format: LP Features 2 previously unreleased tracks
Originally released in 2000 on Epic Records 2010 Repress Format: LPx2
Released in 2011 on Constellation Records Recorded 2009-2010 Format: LP
Released in 2017 on 4AD Records Format: LPx2, Blue Vinyl
Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, … More
Released in 1998 on Matador Records Reissue Format: LP
Released in 2005 on Constellation Records Format: LPx2, etching on D-side
“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.
Released in 2008 on End Sounds Format: LPx2, 180g 2014 repress on orange vinyl Limited to 1000
Originally released in 1999 on Chemikal Underground 2014 Deluxe Pressing Format: LPx4 box set, includes poster
Released in 1971 on Elektra Records Format: LPx2
Released in 2008 on Kranky Format: LPx2
Released in October, 2001 on Constellation Records. Recorded at the mighty Hotel2Tango Format: 10″x2
Released in 2018 on Thrill Jockey Records Format: LPx2, Metallic Silver Vinyl
Released in 1974 on Virgin Records Original U.S. Pressing, Promo Copy
Released in 2010 on 4AD Records Format: LP, white vinyl
Originally released in 2002 on Secretly Canadian 2014 deluxe reissue Format: LPx2 (full album on first LP and demos on … More
On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.
Originally released in 1989 on Fiction Records 2010 pressing, Digitally Remastered by Robert Smith Format: LPx2
Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.
Released in 2009 on Frenchkiss Records Format: LP
Album Information: Released in 2000 on Constellation Records Recorded November 1999 at the mighty Hôtel2Tango
Album Information: Released in 1996 on Matador Records
Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 … More
This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).
Click further for full review
On his Warp Records debut, the eccentric rapper crafts an album of shadowy hip-hop that expresses a unique creative vision. His bipolar, extremely personal lyrics fluctuate from paranoid agoraphobia and self-deprecating reflection to uninhibited hedonism and braggadocios swagger, sometimes in the course of a couple lines. Highly recommended for fans of Busdriver, Aesop Rock and other psychedelic hip-hop artists
Album Information: Released in 1977 by RCA Records. Recorded September-October in 1976 in Hérouville, France and West Berlin, Germany This pressing … More
“Sometimes it’s hard doing anything”. Somehow Jason Molina knows how to perfectly express what depression feels like without ever succumbing to hopelessness. His music has been a friend and a voice of encouragement when I need it most, reminding me to persist and not beat myself up when I feel unproductive or lazy or unmotivated. “The real truth about it is no one gets it right. The real truth about it is we’re all supposed to try”
Album Information: Released in 1969 by Island Records Recorded between June 1968 and June 1969 at Sound Techniques in London, … More
Unlike Molina’s work with Songs: Ohia or Magnolia Electric Co, this sparse, weary record is void of guest musicians or overdubs, leaving his words alone with nothing but a damp bed of reverbed guitar or mournful, sustained piano chords supporting them.