Depressive

Danny Brown – XXX

Style: Hardcore Hip-Hop, Psychedelic Hip-Hop

Vibe: Hedonistic, Personal, Sexual, Vulgar, Manic, Playful, Introspective, Depressive, Nihilistic, Aggressive, Anxious, Dark, Stoned, Storytelling, Urban, Surreal, Disturbing, Existential, Sarcastic

Musical Qualities: Sampling, Lyrical

Dirty Three – Ocean Songs

Style: Chamber Rock, Slowcore, Post-Rock

Vibe: Aquatic, Melancholy, Flowing, Patient, Soothing, Meditative, Longing, Lonely, Dreamy, Mellow, Lethargic

Musical Qualities: Atmospheric, Loose, Soft, Instrumental, Loops, Improvisation

Instrumentation: Violin, Drums, Electric Guitar, Loops, Melodica, Piano, Harmonica

Smog – Red Apple Falls

Style: Singer/Songwriter, Americana, Slowcore, Alt-Country, Loner Folk

Vibe: Existential, Warm, Morning, Spiritual, Deadpan, Peaceful, Poetic, Introspective, Lonely, Melancholy, Mellow, Contemplative, Intimate

Musical Qualities: Slow, Lo-fi, Lush, Soft, Sparse, Lyrical

Instrumentation: Pedal Steel, Piano, Hammond Organ, Guitar, Trumpet, Drums, Drum Machine, Hurdy Gurdy, French Horn

Richard Youngs – Sapphie

Style: Lo-Fi Songwriter, Loner Folk, Slowcore

Vibe: Intimate, Sad, Ethereal, Hypnotic, Heartfelt, Stream of Consciousness, Introspective, Longing, Depressive, Lonely, Melancholy, Loss

Musical Qualities: Sparse, Acoustic, Lo-Fi, Minimalistic, Raw, Repetitive

Neko Case – Blacklisted

LP, Anti- Records, 2002 (2016, RE) Style: Gothic Americana, Alt-Country, Singer/Songwriter Vibe: Bittersweet, Rebellious, Haunting, Western, Passionate, Energetic, Longing, Anthemic, Breakup, Depressive, Heartfelt, Introspective, Twangy, Rustic, Sentimental

Ditch Americana :: Vinyl Mixtape

A sprawling meditation on American melancholy & discontent by ways of gothic country, loner folk, country rock, slowcore and folk-blues songwriters.

Mark Lanegan – Field Songs

Style: Singer/Songwriter, Grunge Folk, Americana

Vibe: Depressive, Lonely, Regretful, Gruff, Ragged, Lethargic, Rustic, Haunting

Julius Lester – Departures

Style: Folk, Acoustic Blues, Singer/Songwriter

Vibe: Outsider, Rebellious, Melancholy, Storytelling, Intimate, Philosophical, Personal, Political

Musical Qualities: Acoustic, Sparse, Bluesy, Lyrical

Nick Cave & the Bad Seeds – Skeleton Tree

On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.

Neil Young – On the Beach

Style: Singer/Songwriter, Ditch Americana, Country Rock, Folk Rock

Moods: Loner, Introspective, Melancholy, Alienation, Bittersweet, Apocalyptic, Depressive, Lonely, Sombre, Rebellious

Vic Chesnutt – At the Cut

Style: Singer/Songwriter, Southern Gothic, Chamber Punk, Slowcore, Folk Rock

Vibe: Depressive, Angsty, Triumphant, Moody, Introspective, Somber, Passionate, Sad, Cathartic

Musical Attributes: Dynamic, Raw

Instrumentation: Acoustic Guitar, Electric Guitars, Upright Bass, Violin, Drums

Jason Molina – Eight Gates

Style: Singer/Songwriter, Americana, Slowcore

Vibe: Lament, Depressive, Intimate, Lonely, Rustic, Mournful, Dark

Musical Qualities: Sparse, Lyrical

Instrumentation: Voice, Electric & Acoustic Guitars, Organ, Cello

Neil Young – Tonight’s the Night

Style: Country-Rock, Singer/Songwriter

Vibe: Raw, Heartfelt, Sentimental, Mourning, Drunk, Reflective

Musical Qualities: Loose, Vocal Harmonies

King Krule – The Ooz

Style: Art Rock, Singer/Songwriter, Trip-Hop, Neo-Psychedelia

Influences: Lounge, Jazz, Post-Punk

Vibe: Brooding, Angsty, Woozy, Lonely, Nocturnal, Alienation, Depressive, Eclectic, Rainy, Urban

Richard Dawson – 2020 [Review]

Style: Progressive Songwriter, Art Rock, Progressive Pop

Vibe: Satirical, Depressive, Anxious, Dystopian, Bright, Eccentric, Existential, Longing, Pessimistic, Urban, Storytelling

Musical Qualities: Complex, Dense, Progressive, Intricate, Dynamic, Conceptual

Papa M – Whatever, Mortal

Style: Singer/Songwriter, Slowcore, Americana

Vibe: Apathetic, Bittersweet, Breakup, Contemplative, Depressive, Humorous, Intimate, Lethargic, Loner, Love, Melancholy, Mellow, Moody, Personal, Rootsy

Musical Attributes: Acoustic, Sparse, Simple

Cat Power – Moon Pix

Style: Slowcore-Country, Singer-Songwriter

Vibe: Brooding, Hypnotic, Conversational, Reflective, Intimate, Lethargic, Confident, Moody, Overcast

Musical Attributes: Slow, Repetitive, Focused

Yves Tumor – Safe in the Hands of Love

Style: Art Pop, Neo-Psychedelia, Trip-Hop, Experimental Electronic

Vibe: Nocturnal, Surreal, Introspective, Longing, Alienation, Abstract, Anxious, Dark, Depressive, Eclectic, Love, psychedelic

Lankum – Between the Earth and Sky

Style: Irish Folk Music, Celtic Folk

Vibe: Rootsy, Passionate, Communal, Depressive, Rebellious, Triumphant

Musical Attributes: Vocal Harmonies, Droney, Acoustic

The Cure – Pornography

Style: Psychedelic Goth, Post-Punk

Vibe: Cold, Dark, Moody, Psychedelic, Nihilistic, Nocturnal, Depressive

Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk?Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark?Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical?Lyrical Themes: Alienation, Religious, Christian, Storytelling

The Microphones – The Glow Pt. 2

Style: Lo-Fi, Experimental Singer/Songwriter, Loner Folk
Vibe: Heartfelt, Imaginative, Introspective, Nature, Intimate, Loner, Bittersweet, Depressive, Psychedelic, Raw, Lonely
Lyrical Themes: Existential, Alienation, Breakup, Philosophical, Poetic, Personal, Death
Musical Attributes: Acoustic, Noisy, Studio-as-an-Instrument, Analogue Recording, lo-fi, Distorted

Portishead – Portishead

Style: Trip-Hop

Vibe: Noir, Nocturnal, Sad, Dark, Witchy, Sinister, Depressive, Angsty, Anxious, Sombre, Introspective

Instrumentation: Vocals, Turntables, Sampling, Guitar, Keyboards, Synth, Drums

The Flaming Lips – The Terror

Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, B, & C. Side D contains “We Don’t Control the Controlled (mashed-the-fuck-up-remix, Dan Deacon and the Electric Worms’ Insight Violence)” 7″ includes “Sun Blows Up Today” b/w “All You Need Is Love (featuring Alex and …

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Magnolia Electric Co. – What Comes After the Blues

“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.

The Cure – Disintegration

Originally released in 1989 on Fiction Records 2010 pressing, Digitally Remastered by Robert Smith Format: LPx2

Kendrick Lamar – To Pimp a Butterfly

Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.

Holy Sons – Survivalist Tales

Album Information: Released in 2011 on Partisan Records Produced by Emil Amos Jeff Stuart Saltzman recorded tracks B1, B3, B5 and mixed track A2. Ash Black Buffalo – Synths on A1, B1, B4 and B5 All other instruments by Emil Amos A3 written by The Troggs Recommended Tracks: Slow Days, Look of Pain!, Reckless Liberation

Death Grips – The Powers that B

This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).

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Danny Brown – Atrocity Exhibition

On his Warp Records debut, the eccentric rapper crafts an album of shadowy hip-hop that expresses a unique creative vision. His bipolar, extremely personal lyrics fluctuate from paranoid agoraphobia and self-deprecating reflection to uninhibited hedonism and braggadocios swagger, sometimes in the course of a couple lines. Highly recommended for fans of Busdriver, Aesop Rock and other psychedelic hip-hop artists

David Bowie – Low

Album Information: Released in 1977 by RCA Records. Recorded September-October in 1976 in Hérouville, France and West Berlin, Germany This pressing was released in 2018 and features an amazing re-master Produced by David Bowie, Tony Visconti, and Brian Eno  

Songs: Ohia – The Magnolia Electric Co

“Sometimes it’s hard doing anything”. Somehow Jason Molina knows how to perfectly express what depression feels like without ever succumbing to hopelessness. His music has been a friend and a voice of encouragement when I need it most, reminding me to persist and not beat myself up when I feel unproductive or lazy or unmotivated. “The real truth about it is no one gets it right. The real truth about it is we’re all supposed to try”

Nick Drake – Five Leaves Left

Album Information: Released in 1969 by Island Records Recorded between June 1968 and June 1969 at Sound Techniques in London, England Produced by Joe Boyd 2013 Island repress , remastered from high resolution digital sources Recommended Tracks: River Man, Cello Song

Jason Molina – Pyramid Electric Co.

Unlike Molina’s work with Songs: Ohia or Magnolia Electric Co, this sparse, weary record is void of guest musicians or overdubs, leaving his words alone with nothing but a damp bed of reverbed guitar or mournful, sustained piano chords supporting them.